{"id":10224,"date":"2021-02-23T20:04:43","date_gmt":"2021-02-23T20:04:43","guid":{"rendered":"https:\/\/mobballet.org\/?p=10224"},"modified":"2025-04-21T07:16:25","modified_gmt":"2025-04-21T07:16:25","slug":"james-thurston","status":"publish","type":"post","link":"https:\/\/mobballet.org\/index.php\/2021\/02\/23\/james-thurston\/","title":{"rendered":"James Thurston"},"content":{"rendered":"<h2 data-block-id=\"block-63bd9750-5bf4-4a92-823e-0123e2a7c52c\"><strong>James Thurston<\/strong><\/h2>\n<h2 data-block-id=\"block-63bd9750-5bf4-4a92-823e-0123e2a7c52c\"><strong>New York Negro Ballet\/Ballet Americana<\/strong><br \/>\n<strong>Royal Winnipeg Ballet<\/strong><br \/>\n<strong>Dance Theatre of Harlem<\/strong><\/h2>\n<div data-block-id=\"block-97fbb79d-9353-4dd5-b5e6-a3e5cb3d660a\">\n<figure id=\"attachment_11996\" aria-describedby=\"caption-attachment-11996\" style=\"width: 312px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/02\/Screen-Shot-2021-06-11-at-2.58.22-PM.png\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-11996\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/02\/Screen-Shot-2021-06-11-at-2.58.22-PM-249x300.png\" alt=\"\" width=\"312\" height=\"376\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/02\/Screen-Shot-2021-06-11-at-2.58.22-PM-249x300.png 249w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/02\/Screen-Shot-2021-06-11-at-2.58.22-PM-230x277.png 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/02\/Screen-Shot-2021-06-11-at-2.58.22-PM-350x422.png 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/02\/Screen-Shot-2021-06-11-at-2.58.22-PM.png 373w\" sizes=\"auto, (max-width: 312px) 100vw, 312px\" \/><\/a><figcaption id=\"caption-attachment-11996\" class=\"wp-caption-text\">James Thurston with <a href=\"https:\/\/mobballet.org\/index.php\/2022\/05\/30\/janise-turner\/\" target=\"_blank\" rel=\"noopener\">Janise Turner<\/a> in a Jones-Haywood School of Ballet performance, 1961. Photo via <em>The Pittsburgh Courier<\/em>.<\/figcaption><\/figure>\n<p>Before joining the Dance Theatre of Harlem, Washington DC-native James Thurston was a member of the Royal Winnipeg Ballet, Canada\u2019s oldest ballet company, and the New York Negro Ballet, which was known as Ballet Americana during his time, ca. 1959.<\/p>\n<\/div>\n<div data-block-id=\"block-cd3a0532-bdf2-464e-97ba-4243c8ae797c\">Thurston was in the original DTH casts of Arthur Mitchell\u2019s <em>Spiritual Suite<\/em> (1970) and <em>Fun and Games<\/em> (1971).<\/div>\n<div data-block-id=\"block-f5aa66e3-9fbc-410e-a4b8-010b7b6d96a2\">Thurston was also a member of George Faison\u2019s company ca. 1974.<\/div>\n<div data-block-id=\"block-50f57f75-a09a-4e85-a931-4f720954816f\">In 1975, he was an original cast member, assistant choreographer, and dance captain for the Broadway show <em>Treemonisha<\/em>.<\/div>\n<div data-block-id=\"block-2b818a34-78b9-425f-8945-a0bc3bedc8e8\">\n<p>Thurston was a founding faculty member of the Duke Ellington School of the Arts in Washington DC.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<div data-block-id=\"block-2b818a34-78b9-425f-8945-a0bc3bedc8e8\">\n<figure style=\"width: 361px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"ql-img\" src=\"https:\/\/t8541063.p.clickup-attachments.com\/t8541063\/8208099f-4c43-489c-9a1f-b0853666db62\/image.png\" alt=\"\" width=\"361\" height=\"272\" data-id=\"8208099f-4c43-489c-9a1f-b0853666db62.png\" \/><figcaption class=\"wp-caption-text\">From left to right: Paul Blakey, James Thurston, Louise Naughton, Terry Thomas, and Graham Goodbody in <em>Opus 65<\/em>, Royal Winnipeg Ballet. Photo by Martha Swope, via Centennial Concert Hall.<\/figcaption><\/figure>\n<p><strong>Sources:<\/strong><\/p>\n<p><a class=\"ql-link\" href=\"https:\/\/cdn.ymaws.com\/www.iabdassociation.org\/resource\/resmgr\/files\/newsletter\/then_black_thought_october.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Which was the First?\u2014a historical essay on the first Black Dance Company in the USA<\/a><br \/>\n<a class=\"ql-link\" href=\"https:\/\/exhibitions.library.columbia.edu\/exhibits\/show\/mitchell\/dance-theatre-of-harlem--compa\/repertory-list\" target=\"_blank\" rel=\"noopener noreferrer\">Dance Theatre of Harlem Repertory List, Columbia University Libraries<\/a><br \/>\n<a class=\"ql-link\" href=\"https:\/\/www.ellingtonschool.org\/wp-content\/uploads\/2018\/11\/Yvette-Heyliger-2018.11.28.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">An Alumna Reflects on Duke Ellington School of the Arts\u2019 Founding Years of Activism and Artistry, Yvette Heyliger<\/a><br \/>\n<a class=\"ql-link\" href=\"https:\/\/www.playbill.com\/person\/james-thurston-vault-0000004671\" target=\"_blank\" rel=\"noopener noreferrer\">James Thurston, Playbill<\/a><br \/>\n<a class=\"ql-link\" href=\"https:\/\/www.nytimes.com\/1974\/02\/16\/archives\/dance-faison-company.html\" target=\"_blank\" rel=\"noopener noreferrer\">Dance: Faison Company, The New York Times<\/a><br \/>\n<a href=\"https:\/\/www.newspapers.com\/image\/180620409\/?terms=%22james%20thurston%22%20%22royal%20winnipeg%20ballet%22&amp;match=1\" target=\"_blank\" rel=\"noopener\">Winnipeg Ballet To Perform At Dr. Peoples\u2019 Inauguration, Clarion-Ledger<\/a><br \/>\n<a href=\"https:\/\/www.newspapers.com\/image\/465546987\/?terms=%22james%20thurston%22%20%22george%20faison%22&amp;match=1\" target=\"_blank\" rel=\"noopener\">Soul Dancing at Center Was Just Too Much, Daily News<\/a><br \/>\n<a href=\"https:\/\/www.newspapers.com\/image\/40273547\/?terms=%22james%20thurston%22%20%22ballet%22&amp;match=1\" target=\"_blank\" rel=\"noopener\">Washingtonians Dig Ballet\u2026, The Pittsburgh Courier<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>James Thurston New York Negro Ballet\/Ballet Americana Royal Winnipeg Ballet Dance Theatre of Harlem Before joining the Dance Theatre of Harlem, Washington [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[73],"tags":[],"class_list":["post-10224","post","type-post","status-publish","format-standard","hentry","category-dancers"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/10224","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/comments?post=10224"}],"version-history":[{"count":5,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/10224\/revisions"}],"predecessor-version":[{"id":16029,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/10224\/revisions\/16029"}],"wp:attachment":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/media?parent=10224"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/categories?post=10224"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/tags?post=10224"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}