{"id":10513,"date":"2021-03-08T19:25:00","date_gmt":"2021-03-08T19:25:00","guid":{"rendered":"https:\/\/mobballet.org\/?p=10513"},"modified":"2025-04-21T07:16:24","modified_gmt":"2025-04-21T07:16:24","slug":"eddie-j-shellman","status":"publish","type":"post","link":"https:\/\/mobballet.org\/index.php\/2021\/03\/08\/eddie-j-shellman\/","title":{"rendered":"Eddie J. Shellman"},"content":{"rendered":"<div data-block-id=\"block-ce9ba634-b364-4e2d-8a69-960f748a1e4c\">\n<h2><strong>Eddie J. Shellman<\/strong><\/h2>\n<h2><strong>Dance Theatre of Harlem: Principal (1975-?)<\/strong><br \/>\n<strong>Royal Ballet: Guest (1993)<\/strong><\/h2>\n<\/div>\n<div data-block-id=\"block-36edf9f0-6893-4816-8cc3-61a178b44f9c\">\n<figure style=\"width: 512px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"ql-img\" src=\"https:\/\/t8541063.p.clickup-attachments.com\/t8541063\/f60942aa-0d82-4a37-b9d4-60966e09d4af\/image.png\" alt=\"\" width=\"512\" height=\"471\" data-id=\"f60942aa-0d82-4a37-b9d4-60966e09d4af.png\" \/><figcaption class=\"wp-caption-text\">Eddie Shellman with Virginia Johnson in <em>Giselle<\/em>. Photo by Akili-Casundria Ramsess.<\/figcaption><\/figure>\n<\/div>\n<div data-block-id=\"block-afab78d6-cb79-4add-ba1d-ba254446633f\">Eddie J. Shellman was a principal with the Dance Theatre of Harlem and a guest artist with the Royal Ballet.<\/div>\n<div data-block-id=\"block-9a240e25-d217-4f78-87fd-c75678fceeae\">Shellman was in the original DTH casts of Royston Maldoom\u2019s <em>Doina<\/em> (1978) and <em>His Love is Everlasting<\/em> (1978); Robert North\u2019s <em>Troy Game<\/em> (1978); Carlos Carvajal\u2019s <em>Shapes of Evening<\/em> (1978) and <em>Secret Silence<\/em> (1979); Choo San Goh\u2019s <em>Introducing\u2026<\/em> (1978) and <em>In the Glow of the Night<\/em> (1997); George Balanchine\u2019s <em>The Four Temperaments<\/em> (1979) and <em>Square Dance<\/em> (1983); Carmen de Lavallade\u2019s <em>Sensemaya<\/em> (1979); Glen Tetley\u2019s <em>Greening<\/em> (1980); <em>Swan Lake<\/em> (staged by Frederic Franklin, 1980); Michel Fokine\u2019s <em>Scheherazade<\/em> (1981); Marius Petipa\u2019s <em>Pas de Dix<\/em> from <em>Raymonda<\/em> (1983); Bronislava Nijinska\u2019s <em>Les Biches<\/em> (1983); David Lichine\u2019s <em>Graduation Ballet<\/em> (1983); Michael Smuin\u2019s <em>Songs of Mahler<\/em> (1984) and <em>A Song for Dead Warriors<\/em> (1993); <em>Giselle<\/em> (as Albert, staged by Frederic Franklin, 1984); Istvan Rabovsky\u2019s <em>Saffron Knot <\/em>(1986); Garth Fagan\u2019s <em>Footprints Dressed in Red<\/em> (1986); Arthur Mitchell\u2019s <em>John Henry<\/em> (1988) and <em>Bach Passacaglia<\/em> (Mitchell with Rachel Sekyi, 1993); and Alvin Ailey\u2019s <em>The River<\/em> (1993).<\/div>\n<div data-block-id=\"block-e331c2a6-f321-44be-b210-73df9f59a4d8\">When Arthur Mitchell announced DTH lay-offs in 1990, Shellman went to teach at Iowa University for a period and married fellow DTH member Endalyn Taylor.<\/div>\n<div data-block-id=\"block-42d61608-8627-47b5-9510-69b31b6f8f59\">Shellman\u2019s film credits include the filmed version of Dance Theatre of Harlem\u2019s <em>Creole Giselle<\/em> and the 1992 film <em>Malcolm X<\/em>.<\/div>\n<div data-block-id=\"block-7ed0b332-3043-4e8a-b6ce-ef2815cdcc58\">\n<p>Shellman was sent to prison after being found guilty of abuse; details of this case can be found <a class=\"ql-link\" href=\"https:\/\/law.justia.com\/cases\/new-york\/appellate-division-first-department\/2015\/16412-30114-13.html\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/Xn2p-BtmIOY\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p><strong>Sources:<\/strong><\/p>\n<p><a class=\"ql-link\" href=\"https:\/\/www.nytimes.com\/1990\/04\/10\/arts\/the-human-side-of-harlem-troupe-s-crisis.html\" target=\"_blank\" rel=\"noopener noreferrer\">The Human Side of Harlem Troupe\u2019s Crisis, The New York Times<\/a><br \/>\n<a class=\"ql-link\" href=\"https:\/\/www.imdb.com\/name\/nm0791242\/\" target=\"_blank\" rel=\"noopener noreferrer\">Eddie Shellman, IMDB<\/a><br \/>\n<a class=\"ql-link\" href=\"https:\/\/exhibitions.library.columbia.edu\/exhibits\/show\/mitchell\/dance-theatre-of-harlem--compa\/repertory-list\" target=\"_blank\" rel=\"noopener noreferrer\">Dance Theatre of Harlem Repertory List, Columbia University Libraries<\/a><br \/>\n<a class=\"ql-link\" href=\"https:\/\/tessa.lapl.org\/cdm\/singleitem\/collection\/photos\/id\/26810\/rec\/2\" target=\"_blank\" rel=\"noopener noreferrer\">&#8220;Giselle&#8221;, Dance Theater of Harlem (photo), Los Angeles Public Library<\/a><\/p>\n<p><strong>See also:<\/strong><\/p>\n<p><a class=\"ql-link\" href=\"https:\/\/www.nytimes.com\/1981\/07\/29\/arts\/harlem-dancers-open-in-london-amid-pomp.html\" target=\"_blank\" rel=\"noopener noreferrer\">Harlem Dancers Open in London Amid Pomp, The New York Times<\/a><br \/>\n<a class=\"ql-link\" href=\"https:\/\/tessa.lapl.org\/cdm\/search\/collection\/photos\/searchterm\/eddie%20shellman\/order\/nosort\" target=\"_blank\" rel=\"noopener noreferrer\">Photos via the Los Angeles Public Library<\/a><\/p>\n<p><strong>Video links:<\/strong><\/p>\n<p><a class=\"ql-link\" href=\"https:\/\/www.youtube.com\/watch?v=SlWXkIM8qtk\" target=\"_blank\" rel=\"noopener noreferrer\">Dance Theatre of Harlem | Real People | George Schlatter<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Eddie J. Shellman Dance Theatre of Harlem: Principal (1975-?) Royal Ballet: Guest (1993) Eddie J. Shellman was a principal with the Dance [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[73],"tags":[],"class_list":["post-10513","post","type-post","status-publish","format-standard","hentry","category-dancers"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/10513","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/comments?post=10513"}],"version-history":[{"count":5,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/10513\/revisions"}],"predecessor-version":[{"id":10516,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/10513\/revisions\/10516"}],"wp:attachment":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/media?parent=10513"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/categories?post=10513"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/tags?post=10513"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}