{"id":1084,"date":"2017-02-26T05:34:38","date_gmt":"2017-02-26T05:34:38","guid":{"rendered":"http:\/\/mobballet.org\/?p=1084"},"modified":"2025-04-21T07:16:30","modified_gmt":"2025-04-21T07:16:30","slug":"virginia-johnson","status":"publish","type":"post","link":"https:\/\/mobballet.org\/index.php\/2017\/02\/26\/virginia-johnson\/","title":{"rendered":"Virginia Johnson"},"content":{"rendered":"<h2><strong>Virginia Johnson<\/strong><\/h2>\n<h2><strong>Dance Theatre of Harlem: Principal, Artistic Director<\/strong><br \/>\nNational Ballet of Washington<br \/>\nCapitol Ballet: Guest Artist (1968-1969)<\/h2>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/mobballet.org\/wp-content\/uploads\/2017\/02\/Virginia-Allegro-504event_image.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-6827 alignleft\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2017\/02\/Virginia-Allegro-504event_image-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2017\/02\/Virginia-Allegro-504event_image-300x300.jpg 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2017\/02\/Virginia-Allegro-504event_image-420x420.jpg 420w, https:\/\/mobballet.org\/wp-content\/uploads\/2017\/02\/Virginia-Allegro-504event_image-100x100.jpg 100w, https:\/\/mobballet.org\/wp-content\/uploads\/2017\/02\/Virginia-Allegro-504event_image-150x150.jpg 150w, https:\/\/mobballet.org\/wp-content\/uploads\/2017\/02\/Virginia-Allegro-504event_image-230x230.jpg 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2017\/02\/Virginia-Allegro-504event_image-350x350.jpg 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2017\/02\/Virginia-Allegro-504event_image-480x480.jpg 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2017\/02\/Virginia-Allegro-504event_image.jpg 504w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Virginia Johnson was a founding member of Dance Theatre of Harlem. Born in Washington DC, Johnson graduated from the Academy of the Washington School of Ballet. She briefly attended the School of the Arts at New York University as a University Scholar before joining DTH in 1969. During her 28 years with the company, she performed most of the repertoire, with principal roles in <em>Concerto Barocco<\/em>, <em>Allegro Brillante<\/em>, <em>Agon<\/em>, <em>A Streetcar Named Desire<\/em>, <em>Fall River Legend<\/em>, <em>Swan Lake<\/em>, <em>Giselle<\/em>, <em>Voluntaries<\/em>, and <em>Les Biches<\/em>, among others.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"> Three DTH productions in which she danced leading roles were recorded for broadcast: <em>A Streetcar Named Desire<\/em> for <em>Dance in America<\/em> on PBS; <em>Creole Giselle<\/em>, which was the first full-length ballet broadcast on NBC; and <em>Fall River Legend<\/em>, which won a cable ACE award from the Bravo Network. In addition, she was included in two acclaimed television dance series, Margot Fonteyn\u2019s <em>The Magic of Dance<\/em> and Natalia Makarova\u2019s <em>Ballerina<\/em>.<img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-16612\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2017\/02\/Screen-Shot-2022-05-06-at-11.42.01-AM.png\" alt=\"\" width=\"780\" height=\"920\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2017\/02\/Screen-Shot-2022-05-06-at-11.42.01-AM.png 780w, https:\/\/mobballet.org\/wp-content\/uploads\/2017\/02\/Screen-Shot-2022-05-06-at-11.42.01-AM-254x300.png 254w, https:\/\/mobballet.org\/wp-content\/uploads\/2017\/02\/Screen-Shot-2022-05-06-at-11.42.01-AM-768x906.png 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2017\/02\/Screen-Shot-2022-05-06-at-11.42.01-AM-230x271.png 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2017\/02\/Screen-Shot-2022-05-06-at-11.42.01-AM-350x413.png 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2017\/02\/Screen-Shot-2022-05-06-at-11.42.01-AM-480x566.png 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2017\/02\/Screen-Shot-2022-05-06-at-11.42.01-AM-600x708.png 600w\" sizes=\"auto, (max-width: 780px) 100vw, 780px\" \/><\/span><\/p>\n<p><span style=\"font-weight: 400;\"> Her choreographic credits include the television film <em>Ancient Voices of Children<\/em>, in which she danced and an early, self-produced solo concert for Rae Metzger\u2019s Concert Socials. Later choreographic works include ballets created for Goucher College, Dancers Respond to AIDS, the Second Annual Harlem Festival of the Arts, Thelma Hill Performing Arts Center, and Marymount Manhattan College, where she was also an adjunct professor. The latter two projects were an outgrowth of Dancers Making Dances, a collaborative choreographic project with former DTH colleagues, <a href=\"https:\/\/mobballet.org\/index.php\/2018\/08\/23\/judy-tyrus\/\" target=\"_blank\" rel=\"noopener noreferrer\">Judy Tyrus<\/a> and Melanie Person.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"> <a href=\"https:\/\/mobballet.org\/TheConstellationProject\/MabelFreemanOrbit\/#MabelOrbitIntro\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-9713\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/02\/mapthisdancerOrbit-150x150.png\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/02\/mapthisdancerOrbit-150x150.png 150w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/02\/mapthisdancerOrbit-100x100.png 100w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/02\/mapthisdancerOrbit-300x300.png 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/02\/mapthisdancerOrbit-230x230.png 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/02\/mapthisdancerOrbit.png 350w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>While still performing, her interest in journalism led her to Fordham University, where she pursued a degree in communications. After retiring from performing, she founded <em>Pointe Magazine<\/em> and was editor-in-chief from 2000-2009. The popular publication helps dancers prepare for the professional ballet world, developing educational seminars and lectures on health and wellness for dancers, auditions, and professional preparation.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"> Her honors include a Young Achiever Award from the National Council of Women, Outstanding Young Woman of America, the <em>Dance Magazine<\/em> Award, a Pen and Brush Achievement Award from the Washington Performing Arts Society\u2019s 2008-2009, Pola Nirenska Lifetime Achievement Award, and the 2009 Martha Hill Fund Mid-Career Award. Highlights of her guest appearances include a tour of Australia with Stars of World Ballet; several appearances at various International Festivals of Dance in Havana, Cuba; and with the Royal Ballet at The Royal Opera House in London. Her commitment to community service is maintained through volunteer assignments with New York Cares.<\/span><\/p>\n<p><strong>Source:<\/strong><\/p>\n<p><a href=\"https:\/\/www.dancetheatreofharlem.org\/people\/virginia-johnson\/\" target=\"_blank\" rel=\"noopener noreferrer\">Virginia Johnson, Dance Theatre of Harlem<\/a><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/8-rQ0gDfZLk\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/Rqikx14qIU8\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\n<b><\/b><\/p>\n<p><b>See also:<\/b><\/p>\n<p id=\"link-44793f79\" class=\"css-19x4nmc e1h9rw200\" data-test-id=\"headline\"><a href=\"https:\/\/www.nytimes.com\/2009\/04\/13\/arts\/dance\/13harl.html\" target=\"_blank\" rel=\"noopener noreferrer\">New Leader for Harlem Dance Theater, The New York Times<\/a><br \/>\n<a href=\"https:\/\/dancetabs.com\/2013\/09\/virginia-johnson-artistic-director-dance-theatre-of-harlem\/\" target=\"_blank\" rel=\"noopener noreferrer\">Virginia Johnson \u2013 Artistic Director, Dance Theatre of Harlem, Dance Tabs<\/a><br \/>\n<a href=\"https:\/\/www.washingtonpost.com\/lifestyle\/style\/virginia-johnson-choreographing-dance-theatre-of-harlems-rebirth\/2011\/03\/14\/ABu3jts_story.html?utm_term=.509a52d21be9\" target=\"_blank\" rel=\"noopener noreferrer\">Virginia Johnson Choreographing Dance Theatre of Harlem&#8217;s Rebirth, The Washington Post<\/a><br \/>\n<a href=\"http:\/\/www.huffingtonpost.com\/virginia-johnson\/does-ballet-have-a-color_b_6951762.html\" target=\"_blank\" rel=\"noopener noreferrer\">Does Ballet Have a Color?, Huffington Post<\/a><br \/>\n<a href=\"https:\/\/www.pointemagazine.com\/virginia-johnson-creole-giselle-2412849115.html\" target=\"_blank\" rel=\"noopener noreferrer\">#TBT Virginia Johnson in &#8220;Creole Giselle&#8221; (1987), Pointe Magazine<\/a><\/p>\n<p><b>Video links:<\/b><\/p>\n<p class=\"title style-scope ytd-video-primary-info-renderer\"><a href=\"https:\/\/www.youtube.com\/watch?v=3kBXDhmUkr8\" target=\"_blank\" rel=\"noopener noreferrer\">Virginia Johnson in Creole Giselle<\/a><br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=RY4SPqFrISE\" target=\"_blank\" rel=\"noopener noreferrer\">Giselle&#8217;s Mad Scene Virginia Johnson<\/a><br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=8-rQ0gDfZLk\" target=\"_blank\" rel=\"noopener noreferrer\">Virginia Johnson&#8230; Lizzie, Blanche&#8230;<\/a><br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=uo02FnSXmRg\" target=\"_blank\" rel=\"noopener noreferrer\">Misty Copeland &amp; Virginia Johnson talk about Black Ballerinas \u2502Jacob&#8217;s Pillow Dance<\/a><\/p>\n<p><strong>Social media:<\/strong><\/p>\n<p>Twitter <a href=\"https:\/\/twitter.com\/VJohnsonDTH\" target=\"_blank\" rel=\"noopener noreferrer\">@vjohnsondth<\/a><\/p>\n<h2><b>Capitol Ballet and Virginia Johnson<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">While a member of the National Ballet of Washington, Virginia Johnson also performed as a guest artist with the Capitol Ballet. On May 31, 1968, Johnson and <\/span><a href=\"https:\/\/mobballet.org\/index.php\/2017\/12\/27\/llanchie-stevenson\/\" target=\"_blank\" rel=\"noopener\">Llanchie Stevenson<\/a><span style=\"font-weight: 400;\"> appeared in Doris Jones\u2019 <\/span><i><span style=\"font-weight: 400;\">Pocahontas<\/span><\/i><span style=\"font-weight: 400;\">. On June 27, 1969, she again appeared in Jones\u2019 choreography: <\/span><i><span style=\"font-weight: 400;\">Color<\/span><\/i><span style=\"font-weight: 400;\"> and <\/span><i><span style=\"font-weight: 400;\">Ebony Concerto<\/span><\/i><span style=\"font-weight: 400;\"> with members of Capitol Ballet.\u00a0<\/span><\/p>\n<p><b>Sources:<\/b><\/p>\n<p><i><span style=\"font-weight: 400;\">The Washington Post, <\/span><\/i><span style=\"font-weight: 400;\">30<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\"> May 1968, p. C6<\/span><br \/>\n<i><span style=\"font-weight: 400;\">The Washington Post, <\/span><\/i><span style=\"font-weight: 400;\">30<\/span><span style=\"font-weight: 400;\">th<\/span><span style=\"font-weight: 400;\"> June 1969, p. B8<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Virginia Johnson Dance Theatre of Harlem: Principal, Artistic Director National Ballet of Washington Capitol Ballet: Guest Artist (1968-1969) Virginia Johnson was a [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[73],"tags":[],"class_list":["post-1084","post","type-post","status-publish","format-standard","hentry","category-dancers"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/1084","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/comments?post=1084"}],"version-history":[{"count":14,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/1084\/revisions"}],"predecessor-version":[{"id":16613,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/1084\/revisions\/16613"}],"wp:attachment":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/media?parent=1084"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/categories?post=1084"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/tags?post=1084"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}