{"id":11769,"date":"2021-08-25T00:30:19","date_gmt":"2021-08-25T00:30:19","guid":{"rendered":"https:\/\/mobballet.org\/?p=11769"},"modified":"2025-04-21T07:16:23","modified_gmt":"2025-04-21T07:16:23","slug":"about-this-orbit-marion-cuyjet","status":"publish","type":"post","link":"https:\/\/mobballet.org\/index.php\/2021\/08\/25\/about-this-orbit-marion-cuyjet\/","title":{"rendered":"About This Orbit: Marion Cuyjet"},"content":{"rendered":"<h2><strong>About This Orbit: Marion Cuyjet<\/strong><\/h2>\n<figure id=\"attachment_12721\" aria-describedby=\"caption-attachment-12721\" style=\"width: 300px\" class=\"wp-caption alignright\"><a href=\"https:\/\/mobballet.org\/TheConstellationProject\/Philadelphia\/#thisisMarionOrbit\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-12721 size-medium\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/PhiladelphiaLegacyThumb-300x170.png\" alt=\"\" width=\"300\" height=\"170\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/PhiladelphiaLegacyThumb-300x170.png 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/PhiladelphiaLegacyThumb-230x130.png 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/PhiladelphiaLegacyThumb-350x198.png 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/PhiladelphiaLegacyThumb.png 441w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-12721\" class=\"wp-caption-text\">Return to the Marion Cuyjet Orbit<\/figcaption><\/figure>\n<div data-block-id=\"block-f2f844e2-72f3-48f5-8a11-77200e77e883\">\n<figure style=\"width: 251px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2017\/09\/Marion-program-.jpg\" alt=\"\" width=\"251\" height=\"312\" \/><figcaption class=\"wp-caption-text\">Marion Cuyjet, photo via a recital program, 1951<\/figcaption><\/figure>\n<p>Marion Cuyjet, born July 29, 1920, came from a community called the Delaware Moors, a people of African American, Native American and Welsh heritage, and looked white although her family chose not to pass.<\/p>\n<p>Though Sydney King, her former classmate, was technically a better dancer, because of Cuyjet\u2019s complexion, it was she who had the opportunity to perform professionally. This was a benefit of being lighter skinned\u2014they were granted entry into areas of white society that the browner Negroes were not, including working at department stores where they were not even allowed to shop. Cuyjet, however, had no interest in passing as a long-term solution and was very clear about her limitations as a dancer. Her daughter Judy says:<\/p>\n<p><em>My mother was not a great dancer. She was a student of dance who could demonstrate some things. She was a mental dancer; she could straighten your ass out.<\/em><\/p>\n<p>In the early \u201840s, Cuyjet married and started a family. In 1944, she began to expand her training by taking up folk dance and started a small school in her home a year later.<\/p>\n<p>King and Cuyjet decided to form the <a href=\"https:\/\/mobballet.org\/index.php\/2017\/10\/04\/1946-sydney-king-and-marion-cuyjet-found-the-sydney-marion-school-of-dance-phila\/\" target=\"_blank\" rel=\"noopener\">Sydney-Marion School of Dance in 1946<\/a>, using the space offered to them by Dorsey. When the pair fell out, Cuyjet opened the Judimar School of Dance in 1948<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/mobballet.org\/Tree\/teachers\/index.html\" width=\"100%\" height=\"800px\"><span data-mce-type=\"bookmark\" style=\"display: inline-block; width: 0px; overflow: hidden; line-height: 0;\" class=\"mce_SELRES_start\">\ufeff<\/span><\/iframe><\/p>\n<p><strong>Source:<\/strong><\/p>\n<p><a class=\"ql-link\" href=\"https:\/\/mobballet.org\/index.php\/2019\/03\/09\/sydney-king-and-marion-cuyjet-two-black-philadelphian-dance-educators-and-pioneers-in-ballet\/\" target=\"_blank\" rel=\"noopener noreferrer\">Sydney King and Marion Cuyjet, MoBBallet<\/a><\/p>\n<h2><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12800 size-full\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg\" alt=\"\" width=\"2000\" height=\"120\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg 2000w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-800x48.jpg 800w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-300x18.jpg 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1024x61.jpg 1024w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-768x46.jpg 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1536x92.jpg 1536w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-830x50.jpg 830w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-230x14.jpg 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-350x21.jpg 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-480x29.jpg 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-600x36.jpg 600w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/h2>\n<div data-block-id=\"block-be64316d-1e40-4b06-ac54-d8776b595beb\">\n<h2><strong>Essie Marie Dorsey<\/strong><\/h2>\n<figure style=\"width: 270px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mobballet.org\/wp-content\/uploads\/2016\/04\/essie1.jpg\" alt=\"\" width=\"270\" height=\"311\" \/><figcaption class=\"wp-caption-text\">Essie Marie Dorsey with students<\/figcaption><\/figure>\n<p>Marion Cuyjet started her training with <a href=\"https:\/\/mobballet.org\/index.php\/2017\/07\/21\/1926-essie-marie-dorsey-founds-the-essie-marie-dorsey-school-of-dancing-philadelphia-pamabel-jones-freeman-founds-the-studio-for-classical-dancing-washington-dc\/\" target=\"_blank\" rel=\"noopener\">Essie Marie Dorsey<\/a> in 1933 at age 13. Since Cuyjet was a green-eyed redhead, it was possible for Dorsey to send her off to train at the Philadelphia Ballet Academy. Passing was tricky business, a solitary existence. One had to avoid getting too close to anyone and withhold information like where you resided, which might give one\u2019s true identity away. Dorsey taught Cuyjet the ropes in order to get her access to better training, just as Dorsey had done herself as a teen.<\/p>\n<p>When it came time for Sydney King and Cuyjet to form their school, Dorsey had closed her own and supported the young women in this endeavor. She offered her space and contacts to her young prot\u00e9g\u00e9es.<\/p>\n<p><strong>Sources:<\/strong><\/p>\n<p><a class=\"ql-link\" href=\"https:\/\/mobballet.org\/index.php\/2019\/03\/09\/sydney-king-and-marion-cuyjet-two-black-philadelphian-dance-educators-and-pioneers-in-ballet\/\" target=\"_blank\" rel=\"noopener noreferrer\">Sydney King and Marion Cuyjet, MoBBallet<\/a><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<div data-block-id=\"block-be64316d-1e40-4b06-ac54-d8776b595beb\">\n<h2><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12800 size-full\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg\" alt=\"\" width=\"2000\" height=\"120\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg 2000w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-800x48.jpg 800w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-300x18.jpg 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1024x61.jpg 1024w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-768x46.jpg 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1536x92.jpg 1536w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-830x50.jpg 830w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-230x14.jpg 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-350x21.jpg 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-480x29.jpg 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-600x36.jpg 600w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/h2>\n<h2>Philadelphia Ballet Academy and The Littlefield Ballet<\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-12627\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-09-at-10.12.24-AM.png\" alt=\"\" width=\"279\" height=\"265\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-09-at-10.12.24-AM.png 856w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-09-at-10.12.24-AM-800x761.png 800w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-09-at-10.12.24-AM-300x285.png 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-09-at-10.12.24-AM-768x730.png 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-09-at-10.12.24-AM-830x789.png 830w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-09-at-10.12.24-AM-230x219.png 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-09-at-10.12.24-AM-350x333.png 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-09-at-10.12.24-AM-480x456.png 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/Screen-Shot-2021-08-09-at-10.12.24-AM-600x571.png 600w\" sizes=\"auto, (max-width: 279px) 100vw, 279px\" \/>After receiving her foundational training with Essie Marie Dorsey, due to her light complexion, Cuyjet was able to &#8220;pass&#8221; as white to study with the Philadelphia Ballet Academy. Cuyjet was selected to perform in the Ladies\u2019 Better Dresses Department of the Wanamaker Department Store with a group of teens with the Littlefield Ballet Company in the ballet <i>Caucasian Sketches<\/i>.<\/p>\n<p><b>Source:<\/b><\/p>\n<p><a href=\"https:\/\/mobballet.org\/index.php\/2019\/03\/09\/sydney-king-and-marion-cuyjet-two-black-philadelphian-dance-educators-and-pioneers-in-ballet\/\" target=\"_blank\" rel=\"noopener\">Sydney King and Marion Cuyjet, MoBBallet<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h2><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12800 size-full\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg\" alt=\"\" width=\"2000\" height=\"120\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg 2000w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-800x48.jpg 800w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-300x18.jpg 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1024x61.jpg 1024w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-768x46.jpg 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1536x92.jpg 1536w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-830x50.jpg 830w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-230x14.jpg 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-350x21.jpg 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-480x29.jpg 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-600x36.jpg 600w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/h2>\n<h2><b>The Sydney-Marion School of Dance<\/b><\/h2>\n<p><span style=\"font-weight: 400;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2017\/09\/women-of-the-week.jpg\" width=\"296\" height=\"764\" \/>Equipped with the knowledge given to them by Essie Marie Dorsey and the desire to continue her legacy, Sydney King and Marion Cuyjet established the Sydney-Marion School of Dance in 1946. Their aim was to \u201coffer dance as a means of social and cultural development\u201d and to give young Black people the opportunity to train that was usually reserved for whites (White-Dixon 25). The school offered ballet, tap, acrobats, Dunham technique, folk dance, and ballroom dance.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/mobballet.org\/index.php\/2017\/10\/04\/1946-sydney-king-and-marion-cuyjet-found-the-sydney-marion-school-of-dance-phila\/\" target=\"_blank\" rel=\"noopener\">The Sydney-Marion School<\/a> lasted just two years due to Cuyjet and King\u2019s \u201cdifferences in management styles.\u201d Regarding the split, Joan Myers Brown says this:<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">I don\u2019t know if it was about color or if it was about the two ladies disagreeing. I know that all of us little brown girls stayed with Sydney and all the little light skin [daughters of] doctors and lawyers and all the so-called society girls went with Miss Cuyjet. That\u2019s why I was surprised that she ended up with Delores [Browne]. She found them already trained in South Philadelphia at that Barrett Junior High School. Billy Wilson, Betsy Ann Dickerson, Barbara Harper, all of us stayed with Sydney.<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">King and Cuyjet went on to form their own schools: the latter established the Judimar School of Dance, which subsequently closed its doors in 1971, and the former started the Sydney School of Dance.<\/span><\/p>\n<p><b>Sources:<\/b><\/p>\n<p><a href=\"https:\/\/mobballet.org\/index.php\/2019\/03\/09\/sydney-king-and-marion-cuyjet-two-black-philadelphian-dance-educators-and-pioneers-in-ballet\/\"><span style=\"font-weight: 400;\">Sydney King and Marion Cuyjet, MoBBallet<\/span><\/a><br \/>\n<span style=\"font-weight: 400;\">White-Dixon, Melanye. \u201cThe Legacy of Black Philadelphia&#8217;s Dance Institutions and the Educators Who Built the Tradition.\u201d <\/span><i><span style=\"font-weight: 400;\">Dance Research Journal<\/span><\/i><span style=\"font-weight: 400;\">, vol. 23, no. 1, 1991, pp. 25\u201330. <\/span><i><span style=\"font-weight: 400;\">JSTOR<\/span><\/i><span style=\"font-weight: 400;\">, www.jstor.org\/stable\/1478695. Accessed 27 May 2021.<\/span><\/p>\n<p>&nbsp;<\/p>\n<h2><\/h2>\n<h2><\/h2>\n<h2><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12800 size-full\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg\" alt=\"\" width=\"2000\" height=\"120\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg 2000w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-800x48.jpg 800w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-300x18.jpg 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1024x61.jpg 1024w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-768x46.jpg 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1536x92.jpg 1536w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-830x50.jpg 830w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-230x14.jpg 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-350x21.jpg 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-480x29.jpg 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-600x36.jpg 600w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/h2>\n<h2>Judimar School<\/h2>\n<div data-block-id=\"block-7bbf69ff-6282-4ac9-9582-587e00efbc42\">\n<figure id=\"attachment_11901\" aria-describedby=\"caption-attachment-11901\" style=\"width: 337px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/06\/Screen-Shot-2021-06-07-at-2.25.31-PM.png\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11901\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/06\/Screen-Shot-2021-06-07-at-2.25.31-PM.png\" alt=\"\" width=\"337\" height=\"299\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/06\/Screen-Shot-2021-06-07-at-2.25.31-PM.png 715w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/06\/Screen-Shot-2021-06-07-at-2.25.31-PM-300x266.png 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/06\/Screen-Shot-2021-06-07-at-2.25.31-PM-230x204.png 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/06\/Screen-Shot-2021-06-07-at-2.25.31-PM-350x310.png 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/06\/Screen-Shot-2021-06-07-at-2.25.31-PM-480x426.png 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/06\/Screen-Shot-2021-06-07-at-2.25.31-PM-600x532.png 600w\" sizes=\"auto, (max-width: 337px) 100vw, 337px\" \/><\/a><figcaption id=\"caption-attachment-11901\" class=\"wp-caption-text\">Judimar class photo, ca. 1953. Photo from the Marion D. Cuyjet Private Collection, via <a href=\"http:\/\/www.ileife.org\/ah\/cuyjet.html\" target=\"_blank\" rel=\"noopener\">Ile Ife<\/a><\/figcaption><\/figure>\n<div data-block-id=\"block-7bbf69ff-6282-4ac9-9582-587e00efbc42\">\n<p>After the split between Marion Cuyjet and Sydney King, Cuyjet sought space downtown, using her appearance to thwart racial boundaries. Located in Center City, the Judimar School was surrounded by the Philadelphia Dance Academy, the Academy of Music, and the Walnut Street Theatre. While Cuyjet taught ballet, Ernest Parham, Joe Nash, Thomas Cannon, and William Dollar were all hired as teachers. She called her new school Judimar, combining her daughter Judy\u2019s name with her own.<\/p>\n<p>One of her first classes was for older teens, some of whom had never danced before but were interested and dedicated. In order to build her enrollment, she scouted ballet clubs in junior high and high schools; she found <a class=\"ql-link\" href=\"https:\/\/mobballet.org\/index.php\/2017\/01\/14\/delores-brown\/\" target=\"_blank\" rel=\"noopener noreferrer\">Delores Browne<\/a>, Alice Mayes, and Juanita Jones at the Barrett Junior High School\u2019s recital of <em>Cinderella<\/em> (with Browne in the title role). She offered these young women scholarships.<\/p>\n<p>It was Cuyjet\u2019s hope that she could mold one of these three (then later <a class=\"ql-link\" href=\"https:\/\/mobballet.org\/index.php\/2017\/09\/26\/donna-lowe-warren\/\" target=\"_blank\" rel=\"noopener noreferrer\">Donna Lowe<\/a>, <a class=\"ql-link\" href=\"https:\/\/mobballet.org\/index.php\/2017\/01\/14\/china-melva-murray-white\/\" target=\"_blank\" rel=\"noopener noreferrer\">Melva China White<\/a>, and <a class=\"ql-link\" href=\"https:\/\/mobballet.org\/index.php\/2021\/01\/19\/judith-jamison-and-mel-tomlinson\/\" target=\"_blank\" rel=\"noopener noreferrer\">Judith Jamison<\/a>) into \u201cAmerica\u2019s first Black ballerina,\u201d as was once her dream (White-Dixon 26). So she worked vociferously to push and expose her dancers to everything possible. Still, her position as a Black woman teaching Black children brought on limitations.<\/p>\n<p>Judith Jamison (who began her training at the Judimar School when she was six years old) recalls their transient existence:<\/p>\n<p><em>This was the first Black woman to be able to rent space in downtown Philadelphia, because she had green eyes, white skin and red hair. And she was Black. And we would get kicked out of different schools because all these little Black children would come running after this white woman in these studios that were being rented. Then they would figure out, no, no, that\u2019s not going to happen. So we moved several times.<\/em><\/p>\n<p>Jamison also recalls the strictness that was a hallmark of Cuyjet\u2019s teaching methods:<\/p>\n<p><em>She put the seriousness of dance, the discipline of it, and how you have to be more than 100 percent doing what you\u2019re doing in class\u2026 she put that in your heart and in your spirit and in your soul. She also walked around with a stick, which she would never hit you with or anything like that, but it was the threat of the stick. And also, Marion cursed like a sailor. She really would let you know in certain terms that you were doing something not quite right. You knew that you had to be 200 percent for her.<\/em><\/p>\n<\/div>\n<div data-block-id=\"block-aa6bfd81-e77f-4977-b21f-c87673b292ba\">\n<p>Though she originally set out to create the first Black American ballerina, Cuyjet\u2019s aims became more closely aligned with that of her former teacher and mentor, Essie Marie Dorsey. Though she first and foremost wanted to \u201cmake dancers,\u201d Cuyjet also hoped to \u201cprovide dance preparation to all youth as a vehicle for social, cultural, intellectual, and physical development\u201d (26). Ultimately, because she knew of the limitations presented to Black dancers at the time, Cuyjet wanted to build \u201cthe total person\u201d through her teaching (27).<\/p>\n<p>Cuyjet went on to be a consultant and teacher for pre-professional children\u2019s classes at Joan Myers Brown\u2019s Philadelphia School of Dance Arts (29).<\/p>\n<p><strong>Sources:<\/strong><\/p>\n<p><a class=\"ql-link\" href=\"https:\/\/mobballet.org\/index.php\/2017\/10\/04\/1948-therrell-c-smith-school-of-dance-is-founded-in-washington-d-c\/\" target=\"_blank\" rel=\"noopener noreferrer\">1948: Marion Cuyjet founds the Judimar School of Dance<\/a><br \/>\n<a class=\"ql-link\" href=\"https:\/\/mobballet.org\/index.php\/2019\/03\/09\/sydney-king-and-marion-cuyjet-two-black-philadelphian-dance-educators-and-pioneers-in-ballet\/\" target=\"_blank\" rel=\"noopener noreferrer\">Sydney King and Marion Cuyjet, MoBBallet<\/a><br \/>\n<a class=\"ql-link\" href=\"https:\/\/mobballet.org\/Tree\/joan-myers-brown.html\" target=\"_blank\" rel=\"noopener noreferrer\">And Still They Rose: Joan Myers Brown, MoBBallet<\/a><br \/>\nWhite-Dixon, Melanye. \u201cThe Legacy of Black Philadelphia&#8217;s Dance Institutions and the Educators Who Built the Tradition.\u201d <em>Dance Research Journal<\/em>, vol. 23, no. 1, 1991, pp. 25\u201330. <em>JSTOR<\/em>, www.jstor.org\/stable\/1478695. Accessed 27 May 2021.<\/p>\n<h2><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12800 size-full\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg\" alt=\"\" width=\"2000\" height=\"120\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg 2000w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-800x48.jpg 800w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-300x18.jpg 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1024x61.jpg 1024w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-768x46.jpg 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1536x92.jpg 1536w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-830x50.jpg 830w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-230x14.jpg 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-350x21.jpg 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-480x29.jpg 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-600x36.jpg 600w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/h2>\n<\/div>\n<\/div>\n<div data-block-id=\"block-aa6bfd81-e77f-4977-b21f-c87673b292ba\">\n<h2>George Chaffee<\/h2>\n<figure id=\"attachment_11895\" aria-describedby=\"caption-attachment-11895\" style=\"width: 191px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/06\/Screen-Shot-2021-06-07-at-2.07.25-PM.png\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11895\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/06\/Screen-Shot-2021-06-07-at-2.07.25-PM.png\" alt=\"\" width=\"191\" height=\"292\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/06\/Screen-Shot-2021-06-07-at-2.07.25-PM.png 208w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/06\/Screen-Shot-2021-06-07-at-2.07.25-PM-197x300.png 197w\" sizes=\"auto, (max-width: 191px) 100vw, 191px\" \/><\/a><figcaption id=\"caption-attachment-11895\" class=\"wp-caption-text\">George Chaffee, photo via <em>Ridgewood Herald-News<\/em>, 1957<\/figcaption><\/figure>\n<div data-block-id=\"block-8e2eecba-043c-436c-a3d1-95e8e2201a97\">\n<p>Marion Cuyjet, who would often bring her students to New York City in order to strengthen their technique and talents, began a friendship with George Chaffee. Since they passed for white, Cuyjet, her daughter, and her student Donna Lowe were permitted to take Chaffee\u2019s class. He additionally taught both Cuyjet and her other students privately. Ironically, this dancing in the shadows forced an intimacy and a focus that, in the end, made Cuyjet a master teacher. Chaffee was an ally and supported her in every way he could.<\/p>\n<\/div>\n<p><strong>Sources:<\/strong><\/p>\n<p><a class=\"ql-link\" href=\"https:\/\/mobballet.org\/index.php\/2019\/03\/09\/sydney-king-and-marion-cuyjet-two-black-philadelphian-dance-educators-and-pioneers-in-ballet\/\" target=\"_blank\" rel=\"noopener noreferrer\">Sydney King and Marion Cuyjet, MoBBallet<\/a><br \/>\n<a href=\"https:\/\/www.newspapers.com\/image\/632998551\/?terms=%22george%20chaffee%22%20%22ballet%22&amp;match=1\" target=\"_blank\" rel=\"noopener\">Future Ballerinas Win Fokine School Auditions, Ridgewood Herald-News<\/a><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<div data-block-id=\"block-aa6bfd81-e77f-4977-b21f-c87673b292ba\">\n<h2><\/h2>\n<h2><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12800 size-full\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg\" alt=\"\" width=\"2000\" height=\"120\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg 2000w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-800x48.jpg 800w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-300x18.jpg 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1024x61.jpg 1024w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-768x46.jpg 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1536x92.jpg 1536w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-830x50.jpg 830w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-230x14.jpg 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-350x21.jpg 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-480x29.jpg 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-600x36.jpg 600w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/h2>\n<h2>William Dollar<\/h2>\n<figure style=\"width: 212px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/cdn.britannica.com\/89\/12289-004-E77D6688\/Dollar-Melissa-Hayden-The-Duel.jpg\" alt=\"William Dollar | American dancer | Britannica\" width=\"212\" height=\"300\" \/><figcaption class=\"wp-caption-text\">Photo via <a href=\"https:\/\/www.britannica.com\/biography\/William-Dollar\" target=\"_blank\" rel=\"noopener\">Britannica<\/a><\/figcaption><\/figure>\n<p>American choreographer and dancer William Dollar was well acquainted with Essie Marie Dorsey. When Dollar fell into hard times, Dorsey invited him to stay with her and her husband. Out of gratitude, he repaid her by giving her private ballet classes every morning. This illustrates how complex racial relations were at the time. Clearly when Dollar stayed with Dorsey, he was aware of her race. They were friends. He could live with her and train her (privately), yet out in the world, he could not allow her\u2014a Negro woman\u2014in his regular classes.<\/p>\n<p>This connection must have set the groundwork for a relationship between Dollar and Dorsey\u2019s student Marion Cuyjet, who, when she opened the Judimar School, asked Dollar to teach (White-Dixon 26).<\/p>\n<p><strong>Sources:<\/strong><\/p>\n<p><a class=\"ql-link\" href=\"https:\/\/mobballet.org\/index.php\/2019\/03\/09\/sydney-king-and-marion-cuyjet-two-black-philadelphian-dance-educators-and-pioneers-in-ballet\/\" target=\"_blank\" rel=\"noopener noreferrer\">Sydney King and Marion Cuyjet, MoBBallet<\/a><br \/>\nWhite-Dixon, Melanye. \u201cThe Legacy of Black Philadelphia&#8217;s Dance Institutions and the Educators Who Built the Tradition.\u201d <em>Dance Research Journal<\/em>, vol. 23, no. 1, 1991, pp. 25\u201330. <em>JSTOR<\/em>, www.jstor.org\/stable\/1478695. Accessed 27 May 2021.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<h2><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12800 size-full\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg\" alt=\"\" width=\"2000\" height=\"120\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg 2000w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-800x48.jpg 800w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-300x18.jpg 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1024x61.jpg 1024w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-768x46.jpg 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1536x92.jpg 1536w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-830x50.jpg 830w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-230x14.jpg 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-350x21.jpg 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-480x29.jpg 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-600x36.jpg 600w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/h2>\n<h2 data-block-id=\"block-63e171d7-18ec-45c6-9d87-355a95f5f29b\"><strong>Thomas Cannon<\/strong><\/h2>\n<div data-block-id=\"block-35310c4d-9338-45dc-be81-1bbf85bf5a5a\">\n<div data-block-id=\"block-543b1292-9c6b-4b10-be76-1fa0dcf02f81\">\n<figure style=\"width: 439px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"ql-img\" src=\"https:\/\/lh4.googleusercontent.com\/0pGacOiVitbznZJ3UZn9SSmi2sHXcKl04tPKg_vumfZxzwBEvnVXmlTs-BfmkILpVZ8y44fpfCWBkWdv_NQTAVlmXMSaQM8VGTpEH3CxtY54kKGQ274OWXuyvq2tSvcAMhVyr93S\" alt=\"\" width=\"439\" height=\"483\" \/><figcaption class=\"wp-caption-text\">Dorothie Littlefield and Thomas Cannon, Philadelphia Ballet Company<\/figcaption><\/figure>\n<\/div>\n<p>Due to Marion Cuyjet\u2019s ability to \u201cpass\u201d as white, her teacher and mentor Essie Marie Dorsey sent her to the Littlefield School, where Thomas Cannon was an instructor and co-founder of Littlefield Ballet. It is unclear how Cuyjet\u2019s dismissal from the school truly played out (she gave several differing stories about the event) and unclear whether Cannon knew or fought for her to remain at the Littlefield School. Nonetheless, Dorsey paid Cannon to give private lessons to Cuyjet afterward (Gottschild 44). This relationship lasted for years, with Cuyjet still taking private lessons from him as an adult.<\/p>\n<p><strong>Sources:<\/strong><\/p>\n<p><a class=\"ql-link\" href=\"https:\/\/philadelphiaencyclopedia.org\/archive\/ballet\/\" target=\"_blank\" rel=\"noopener noreferrer\">Ballet, The Encyclopedia of Greater Philadelphia<\/a><br \/>\n<a class=\"ql-link\" href=\"http:\/\/mobballet.org\/Tree\/phone\/1930s.html\" target=\"_blank\" rel=\"noopener noreferrer\">Sydney King and Marion Cuyjet, MoBBallet<\/a><br \/>\n<a class=\"ql-link\" href=\"https:\/\/www.google.com\/books\/edition\/Joan_Myers_Brown_the_Audacious_Hope_of_t\/y8QVJnoNT1gC?hl=en&amp;gbpv=0\" target=\"_blank\" rel=\"noopener noreferrer\">Gottschild, Brenda Dixon. Joan Myers Brown &amp; the Audacious Hope of the Black Ballerina: A Biohistory of American Performance. United Kingdom, Palgrave Macmillan, 2012.<\/a><\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<div data-block-id=\"block-35310c4d-9338-45dc-be81-1bbf85bf5a5a\">\n<h2><\/h2>\n<h2><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12800 size-full\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg\" alt=\"\" width=\"2000\" height=\"120\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg 2000w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-800x48.jpg 800w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-300x18.jpg 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1024x61.jpg 1024w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-768x46.jpg 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1536x92.jpg 1536w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-830x50.jpg 830w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-230x14.jpg 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-350x21.jpg 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-480x29.jpg 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-600x36.jpg 600w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/h2>\n<h2><b>Dr. Eugene Wayman Jones<\/b><\/h2>\n<figure style=\"width: 257px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"ql-img\" src=\"https:\/\/lh5.googleusercontent.com\/8JlWox3n91uPAUfqjtJX7dgj8IcoY4XQCRNYDumkMEPEp9VHw9GkDWiyzV6GUSVbWUtpR6EGn3sslhiEhuVrlilDIxL0HWDJSrs8yEntPlwqGxWM4yYr2QXfjj5CUx-jQinesGoR\" alt=\"\" width=\"257\" height=\"355\" \/><figcaption class=\"wp-caption-text\">Photo via <em>Jet Magazine<\/em>, 1964.<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">During the years when Sydney King and Marion Cuyjet were first operating their schools, there were no companies for Negro ballet performers, and they were not granted entry into white ones. In Philadelphia, advanced Negro ballet dancers existed in a sort of limbo, with little to no place to perform, essentially becoming professional class-takers with allegiances to schools. Within the Black communities, there were small opportunities at churches and local events. The consistency and the level could never compete with professional companies, but the Christmas Cotillions could stand toe-to-toe in scale and prestige. The largest and most prestigious were the Black Society Cotillions produced by Dr. Eugene Wayman Jones, founder of the Philadelphia Co\u00adtillion Society and the North City Congress and producer of the gala events held at the Convention Hall. These were lavish events with high profile honorees including Marian Anderson (1949), Ralph Bunche (1950), Eleanor Roosevelt (1952), Pearl Buck (1956), and Martin Luther King Jr. (1957). Jones enlisted prominent dance schools to provide entertainment, accompanied by the Philadelphia Orchestra.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The Sydney King School of Dance and the Judimar Schools collaborated in choreographing full-length story ballets: <\/span><i><span style=\"font-weight: 400;\">Frozen Fire<\/span><\/i><span style=\"font-weight: 400;\"> (1950), <\/span><i><span style=\"font-weight: 400;\">Blue Venus <\/span><\/i><span style=\"font-weight: 400;\">(1954), and <\/span><i><span style=\"font-weight: 400;\">The Prince and the Rose <\/span><\/i><span style=\"font-weight: 400;\">(1956). (At age 15, Judith Jamison debuted as Myrtha in <\/span><i><span style=\"font-weight: 400;\">Giselle<\/span><\/i><span style=\"font-weight: 400;\">.) The productions were extravaganzas with sets, costumes, props, and even live animals courtesy of the Masonic Hall. These events brought the two schools head-to-head in not-so-subtle competition. Each would create their section separately and then integrate them with just a few hours of rehearsal. Everyone from the most advanced to the beginner students had a role.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Although Cuyjet would study and take class with her students to improve her pedagogy, during these productions she would let them take the spotlight on the stage. King, on the other hand, would perform featured roles alongside her students in their productions. Perhaps these performances ignited her unrequited dream of becoming a professional dancer, moving her to seize these moments to shine.<\/span><\/p>\n<p><b>Source:<\/b><\/p>\n<p><a href=\"http:\/\/mobballet.org\/Tree\/phone\/1930s.html\">Sydney King and Marion Cuyjet, MoBBallet<\/a><\/p>\n<\/div>\n<h2><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12800 size-full\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg\" alt=\"\" width=\"2000\" height=\"120\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg 2000w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-800x48.jpg 800w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-300x18.jpg 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1024x61.jpg 1024w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-768x46.jpg 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1536x92.jpg 1536w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-830x50.jpg 830w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-230x14.jpg 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-350x21.jpg 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-480x29.jpg 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-600x36.jpg 600w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/h2>\n<h2>Philadelphia Ballet Clubs<\/h2>\n<figure id=\"attachment_2216\" aria-describedby=\"caption-attachment-2216\" style=\"width: 379px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-2216\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2017\/09\/dance-club-2.jpg\" alt=\"\" width=\"379\" height=\"512\" \/><figcaption id=\"caption-attachment-2216\" class=\"wp-caption-text\">West Philadelphia High School Ballet Club, of which Joan Myers Brown was a member<\/figcaption><\/figure>\n<p>Several students of both Sydney King and Marion Cuyjet got their start in ballet clubs hosted by their junior high and high schools.<\/p>\n<p>Joan Myers Brown, a student of Essie Marie Dorsey, Cuyjet, and mainly King, was asked to join her school\u2019s all-white ballet club. Brown\u2019s gym teacher, Mrs. Lingafelter, a member of the Littlefield Ballet and a gym teacher, served as the ballet instructor of this class and noticed potential in the young girl. Brown says of this experience, \u201cI don\u2019t think she was thinking of color; I think she was thinking of ability.\u201d Though Brown was the only Black student in the group, this experience introduced Brown to the world of ballet. Delores Browne started dancing at a ballet club run by Miss Weir, a teacher who had previously taken ballet and wanted to be a dancer. Twice a year, the club would put on a performance. It was in one of their productions\u2014her first spring concert\u2014that Browne was given the opportunity to train at a more serious level.<\/p>\n<p><b>Sources:<\/b><\/p>\n<p><a href=\"http:\/\/mobballet.org\/Tree\/phone\/1930s.html\">Sydney King and Marion Cuyjet, MoBBallet<\/a><br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=RoNaUjMsaMc\">Delores Browne on Dance Clubs in Philadelphia Schools (video)<\/a><\/p>\n<p>&nbsp;<\/p>\n<h2><\/h2>\n<h2><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12800 size-full\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg\" alt=\"\" width=\"2000\" height=\"120\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg 2000w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-800x48.jpg 800w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-300x18.jpg 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1024x61.jpg 1024w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-768x46.jpg 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1536x92.jpg 1536w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-830x50.jpg 830w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-230x14.jpg 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-350x21.jpg 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-480x29.jpg 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-600x36.jpg 600w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/h2>\n<h2>Antony Tudor and the Philadelphia Ballet Guild<\/h2>\n<figure style=\"width: 350px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/assets.rbl.ms\/9854607\/origin.jpg\" alt=\"Antony Tudor 1908\u20131987 - Dance Teacher\" width=\"350\" height=\"453\" \/><figcaption class=\"wp-caption-text\">Photo via <a href=\"https:\/\/dance-teacher.com\/antony-tudor-1908-1987\/\" target=\"_blank\" rel=\"noopener\">Dance Teacher<\/a><\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">When Antony Tudor came to Philadelphia, he was one of the few white teachers willing to teach Black students, making him one of the first (along with Thomas Cannon soon after) to \u201cbreak this barrier in Philadelphia\u201d (Gottschild 45).\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Many of Marion Cuyjet\u2019s students took class with Tudor as well, including <a href=\"https:\/\/mobballet.org\/index.php\/2017\/01\/14\/delores-brown\/\" target=\"_blank\" rel=\"noopener\">Delores Browne<\/a>, <a href=\"https:\/\/mobballet.org\/Tree\/judith-jamison.html\" target=\"_blank\" rel=\"noopener\">Judith Jamison<\/a>, <a href=\"https:\/\/mobballet.org\/index.php\/2017\/04\/29\/frances-jimenez\/\" target=\"_blank\" rel=\"noopener\">Frances Jimenez<\/a>, <a href=\"https:\/\/mobballet.org\/Tree\/joan-myers-brown.html\" target=\"_blank\" rel=\"noopener\">Joan Myers Brown<\/a>, and <\/span><a href=\"https:\/\/mobballet.org\/index.php\/2017\/01\/13\/john-jones\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">John Jones<\/span><\/a><span style=\"font-weight: 400;\">, among others. (Sydney King, Cuyjet\u2019s former business partner, also had students in common with Tudor, among them <a href=\"https:\/\/mobballet.org\/index.php\/2017\/01\/05\/billy-wilson\/\" target=\"_blank\" rel=\"noopener\">Billy Wilson<\/a>.)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">For years Tudor taught classes and worked with dancers of color, offering them mentorship and career advice without prejudice. Tudor\u2019s weekly classes were hosted by The Philadelphia Ballet Guild for select students. The Sunday classes were all-day events where Tudor acknowledged them, gave corrections, and even asked these students to demonstrate. Joan Myers Brown suspects it was because he was English and not American that race was less of a factor in his mind. When the white male dancers refused to partner Brown, he was her partner:<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">\u201cLook at me!\u201d I thought, \u201c<\/span><\/i><span style=\"font-weight: 400;\">Sleeping Beauty<\/span><i><span style=\"font-weight: 400;\"> pas de deux with Antony Tudor. Other girls were mad. I only got to be his partner because no one else would be my partner. By that time, I was in love with ballet. I was in love with Mr. Tudor. I loved ballet, the feeling of accomplishment of learning the skill, of learning the technique.\u00a0<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">Because of Tudor\u2019s acceptance of the colored students, others in the class (both male and female) thawed and became accustomed to having them in class. Brown was incredulous when he asked her to perform in <\/span><i><span style=\"font-weight: 400;\">Les Sylphides<\/span><\/i><span style=\"font-weight: 400;\"> for a performance at the Philadelphia Academy of Music. Delores Browne also performed in Tudor\u2019s company, giving him a part in fulfilling one of Cuyjet\u2019s biggest dreams: to help form the careers of Black ballet dancers.\u00a0<\/span><\/p>\n<p><b>Sources:<\/b><\/p>\n<p><a href=\"https:\/\/www.google.com\/books\/edition\/Joan_Myers_Brown_the_Audacious_Hope_of_t\/y8QVJnoNT1gC?hl=en&amp;gbpv=0\">Gottschild, Brenda Dixon. Joan Myers Brown &amp; the Audacious Hope of the Black Ballerina: A Biohistory of American Performance. United Kingdom, Palgrave Macmillan, 2012.<\/a><br \/>\n<a href=\"https:\/\/www.phillytrib.com\/obituaries\/frances-jimenez-87-former-ballet-dancer\/article_21bf8cfa-3451-5e2a-baf5-033bdc5dbacb.html\">Frances Jimenez, 87, former ballet dancer, The Philadelphia Tribune<\/a><br \/>\n<a href=\"https:\/\/mobballet.org\/Tree\/joan-myers-brown.html\">And Still They Rose: Joan Myers Rose, MoBBallet<\/a><br \/>\n<a href=\"http:\/\/mobballet.org\/Tree\/phone\/1930s.html\">Sydney King and Marion Cuyjet, MoBBallet<\/a><\/p>\n<div data-block-id=\"block-f2f844e2-72f3-48f5-8a11-77200e77e883\">\n<div data-block-id=\"block-be64316d-1e40-4b06-ac54-d8776b595beb\">\n<div data-block-id=\"block-aa6bfd81-e77f-4977-b21f-c87673b292ba\">\n<h2><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12800 size-full\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg\" alt=\"\" width=\"2000\" height=\"120\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg 2000w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-800x48.jpg 800w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-300x18.jpg 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1024x61.jpg 1024w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-768x46.jpg 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1536x92.jpg 1536w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-830x50.jpg 830w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-230x14.jpg 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-350x21.jpg 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-480x29.jpg 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-600x36.jpg 600w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/h2>\n<h2><strong>Carnegie Hall&#8217;s Ballet Arts<\/strong><\/h2>\n<div data-block-id=\"block-d5489c9a-a2c6-427e-921f-27c82e2c9638\">\n<figure id=\"attachment_8714\" aria-describedby=\"caption-attachment-8714\" style=\"width: 325px\" class=\"wp-caption alignright\"><a href=\"https:\/\/mobballet.org\/TheConstellationProject\/MabelFreemanOrbit\/index.html#thisisCarnegieOrbit\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-8714 \" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/12\/MabelFreemanUniversalLink-1-300x163.png\" alt=\"\" width=\"325\" height=\"175\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/12\/MabelFreemanUniversalLink-1-300x163.png 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/12\/MabelFreemanUniversalLink-1-230x125.png 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/12\/MabelFreemanUniversalLink-1-350x190.png 350w\" sizes=\"auto, (max-width: 325px) 100vw, 325px\" \/><\/a><figcaption id=\"caption-attachment-8714\" class=\"wp-caption-text\"><strong>Click above to see Carnegie Hall&#8217;s Ballet Arts in Mabel Freeman&#8217;s Orbit.<\/strong><\/figcaption><\/figure>\n<p>Because Marion Cuyjet was light-skinned, she was afforded privileges that her peers were not. Cuyjet regularly traveled to New York (alone and with her students) to study at studios like Dunham and Ballet Arts at Carnegie Hall.<\/p>\n<div data-block-id=\"block-d5489c9a-a2c6-427e-921f-27c82e2c9638\">\n<p>Eventually, Cuyjet and her students would integrate Ballet Arts. At the tender age of 15, Delores Browne, the most advanced of Cuyjet\u2019s pupils, entered Ballet Arts with specific instructions from Cuyjet not to be turned away or diverted to other classes, and if she were, she should demand a full refund. Since Browne was so young, she was chaperoned by a 19-year-old young man named George Mills. With schedule in hand, Delores checked in at the front desk, and the woman directed her to the \u201cannex.\u201d More afraid of Mrs. Cuyjet than the white receptionist, the small dancer summoned her courage, stood her ground and demanded that she either be admitted to the classes she was registered for or be given her money back. The woman yielded. A few days later, Browne was joined by Cuyjet and her other classmates.<\/p>\n<\/div>\n<div data-block-id=\"block-475671b9-f178-4bac-bfe3-d2657b199163\">\n<p>Browne also endured being shunned by the white male dancers in her first partnering class. She continued with the classes and learned all she could to take to their boys back home. Browne says of the experience:<\/p>\n<p><em>Miss Marion actually took classes with us because she wanted us to feel safe. And it was summer, so there were people from all over the country who did not like the idea\u2026. [In partnering classes] no boys would come behind us, so Miss Marion said we will partner each other; we&#8217;ll alternate. We&#8217;ll go back and show our boys, and then we&#8217;ll do the whole class when we get home. The next week, we [came] back, Dokoudovsky [called] the girls down. He would place you. And the best man in class got behind me. Then the other men got behind the other girls, and so that was the end of that incident.<\/em><\/p>\n<\/div>\n<div data-block-id=\"block-3713e0ab-720e-48b3-9c0f-82aaf005d75d\">\n<p><strong>Sources:<\/strong><\/p>\n<p><a class=\"ql-link\" href=\"http:\/\/mobballet.org\/Tree\/phone\/1930s.html\" target=\"_blank\" rel=\"noopener noreferrer\">Sydney King and Marion Cuyjet, MoBBallet<\/a><br \/>\n<a class=\"ql-link\" href=\"http:\/\/www.ileife.org\/ah\/cuyjet.html\" target=\"_blank\" rel=\"noopener noreferrer\">Marion Cuyjet: Black Ballet Pioneer<\/a><br \/>\n<a class=\"ql-link\" href=\"https:\/\/mobballet.org\/Tree\/delores-browne.html\" target=\"_blank\" rel=\"noopener noreferrer\">And Still They Rose: Delores Browne, MoBBallet<\/a><\/p>\n<\/div>\n<\/div>\n<div data-block-id=\"block-c110a544-1e36-4e12-90ff-51cc37c39866\">\n<h2><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12800 size-full\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg\" alt=\"\" width=\"2000\" height=\"120\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg 2000w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-800x48.jpg 800w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-300x18.jpg 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1024x61.jpg 1024w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-768x46.jpg 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1536x92.jpg 1536w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-830x50.jpg 830w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-230x14.jpg 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-350x21.jpg 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-480x29.jpg 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-600x36.jpg 600w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/h2>\n<h2>Delores Browne<\/h2>\n<div data-block-id=\"block-1ea0b322-c872-4c54-93b6-d9f3f8a37502\">\n<figure style=\"width: 439px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mobballet.org\/Tree\/images\/delores-brown-judy-cuyjet-and-franca-jimenez-in-les-syphides.jpg?crc=496218037\" alt=\"\" width=\"439\" height=\"403\" \/><figcaption class=\"wp-caption-text\">From left to right: Delores Browne, Judy Cuyjet, and Frances Jimenez as students<\/figcaption><\/figure>\n<div data-block-id=\"block-1ea0b322-c872-4c54-93b6-d9f3f8a37502\">\n<p>Native of Philadelphia Delores Browne studied dance at the Judimar School under Marion Cuyjet. Though Browne initially found her outlet at a ballet club run by a public school teacher, Miss Weir, she was discovered by Cuyjet in a performance of <em>Cinderella<\/em>. Browne, who played the title role in the production, was offered a scholarship to the Judimar School after the show.<\/p>\n<\/div>\n<div data-block-id=\"block-f5eac9c3-a01c-43c1-8b17-915a05e6fbb0\">She accepted that scholarship, and that act determined the direction in which Browne&#8217;s life would go. Cuyjet served as teacher and mentor to the young dancer. She laid the foundation for an impeccable work ethic and discipline and showed her how to confront adversity. Most importantly, Cuyjet taught Browne to be clear and confident about who she was and the talent she possessed.<\/div>\n<div data-block-id=\"block-35a09d3f-320e-4a13-ab8d-13d7589a4516\">\n<p>Cuyjet recognized her great potential. Physically, Browne was gifted; mentally, she was focused, determined, and courageous. These were the characteristics required if a Black girl hoped to become a professional ballerina.<\/p>\n<p>Browne quickly excelled as Cuyjet\u2019s strongest student and would eventually emerge as the \u201cballerina\u201d of the school, being cast as the lead in the large performances that the Judimar School put on as a part of the entertainment for Black cotillions. Browne was a hard worker and had innate talent. She was naturally strong and had good feet and legs for ballet. Blessed with a combination of her parents\u2019 genes (her father\u2019s athleticism and her mother\u2019s high insteps), physically she had a body that was amenable to ballet:<\/p>\n<p><em>I didn&#8217;t really have trouble with anything in ballet. And I was so ambitious, I wanted, I wanted to just challenge everything. I wanted to jump as high as the boys. The emphasis was more on overall dancing and not having a specialty. So, Miss Marion and Mr. [John] Hines gave us jumping, big jumping like the boys do, where we were expected to do that.<\/em><\/p>\n<p>During the summers, Cuyjet would bring students to New York City in order to advance their training. As the most advanced dancer, Delores was sent ahead of the group to take extra classes at <a class=\"ql-link\" href=\"http:\/\/www.balart.com\/Then_and_now.htm\" target=\"_blank\" rel=\"noopener noreferrer\">Ballet Arts<\/a> in Carnegie Hall. She was sent with specific instructions from Cuyjet not to be turned away or diverted to other classes, and if she were, she should demand a full refund. Since Browne was only 15, she was chaperoned by a 19-year-old young man named George Mills. With schedule in hand, Delores checked in at the front desk, and the woman directed her to the \u201cannex.\u201d More afraid of Mrs. Cuyjet than the white receptionist, the small dancer summoned her courage, stood her ground and demanded that she either be admitted to the classes she was registered for or be given her money back. The woman yielded. A few days later, Browne was joined by Cuyjet and her other classmates, and thus Ballet Arts was integrated. But it was not an easy transition.<\/p>\n<p><em>Miss Marion actually took classes with us because she wanted us to feel safe. And it was summer, so there were people from all over the country who did not like the idea\u2026. [In partnering classes] no boys would come behind us, so Miss Marion said we will partner each other; we&#8217;ll alternate. We&#8217;ll go back and show our boys, and then we&#8217;ll do the whole class when we get home. The next week, we come back, Dokoudovsky calls the girls down. He would place you. And the best man in class got behind me. Then the other men got behind the other girls, and so that was the end of that incident.<\/em><\/p>\n<p>At 17, Browne auditioned and subsequently attended the<a class=\"ql-link\" href=\"https:\/\/en.wikipedia.org\/wiki\/School_of_American_Ballet\" target=\"_blank\" rel=\"noopener noreferrer\"> School of American Ballet<\/a> as one of a few students of color, equipped with the skills Cuyjet instilled in her. In 1991, Browne said:<\/p>\n<p><em>I still fall back on my Judimar training. It was the strongest foundation for me. When I first went to the School of American Ballet I was one of the few people trained outside of New York that had a good background in ballet terminology. I studied with several teachers after Judimar, but I don\u2019t remember being as impressed as I was with what I received at Judimar. I remember strengthening my training, I remember being coached, but not necessarily learning something new <\/em>(White-Dixon 26-27).<\/p>\n<p>Browne later danced with fellow Judimar alumni <a class=\"ql-link\" href=\"https:\/\/mobballet.org\/index.php\/2017\/01\/13\/john-jones\/\" target=\"_blank\" rel=\"noopener noreferrer\">John Jones<\/a> and <a class=\"ql-link\" href=\"https:\/\/mobballet.org\/index.php\/2021\/01\/04\/charles-moore\/\" target=\"_blank\" rel=\"noopener noreferrer\">Charles Moore<\/a> in a 1958 Alvin Ailey\/Ernest Parham recital. Ernie Parham was also a student at the Judimar School, concurrently with Browne, Jones, and Moore.<\/p>\n<p><strong>Sources:<\/strong><\/p>\n<p><a class=\"ql-link\" href=\"http:\/\/www.ileife.org\/ah\/cuyjet.html\" target=\"_blank\" rel=\"noopener noreferrer\">Marion Cuyjet: Black Ballet Pioneer<\/a><br \/>\n<a class=\"ql-link\" href=\"https:\/\/books.google.com\/books?id=ZE6tOEj7CXkC&amp;pg=PA146&amp;lpg=PA146&amp;dq=%22ronald+platts%22+ballet&amp;source=bl&amp;ots=hReyOLb_bp&amp;sig=ACfU3U0GeIP9WVETg8MUNvLuAfdWCh37kg&amp;hl=en&amp;sa=X&amp;ved=2ahUKEwibl7ydhN7vAhWTFlkFHdM4BM84ChDoATAHegQIBRAD#v=onepage&amp;q=delores%20brown&amp;f=false\" target=\"_blank\" rel=\"noopener noreferrer\">Converging Movements: Modern Dance and Jewish Culture at the 92nd Street Y, by Naomi M. Jackson<\/a><br \/>\n<a class=\"ql-link\" href=\"https:\/\/mobballet.org\/Tree\/delores-browne.html\" target=\"_blank\" rel=\"noopener noreferrer\">And Still They Rose: Delores Browne, MoBBallet<\/a><br \/>\nWhite-Dixon, Melanye. \u201cThe Legacy of Black Philadelphia&#8217;s Dance Institutions and the Educators Who Built the Tradition.\u201d <em>Dance Research Journal<\/em>, vol. 23, no. 1, 1991, pp. 25\u201330. <em>JSTOR<\/em>, www.jstor.org\/stable\/1478695. Accessed 27 May 2021.<\/p>\n<h2><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12800 size-full\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg\" alt=\"\" width=\"2000\" height=\"120\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg 2000w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-800x48.jpg 800w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-300x18.jpg 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1024x61.jpg 1024w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-768x46.jpg 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1536x92.jpg 1536w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-830x50.jpg 830w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-230x14.jpg 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-350x21.jpg 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-480x29.jpg 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-600x36.jpg 600w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/h2>\n<\/div>\n<\/div>\n<div data-block-id=\"block-35a09d3f-320e-4a13-ab8d-13d7589a4516\">\n<h2>Judith Jamison<\/h2>\n<div data-block-id=\"block-871d719a-2461-42fc-a8a7-d42b7a5c6314\">\n<figure style=\"width: 454px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"\" src=\"https:\/\/mobballet.org\/Tree\/images\/giselle-jaminson--1024x868.jpg?crc=3935220670\" alt=\"\" width=\"454\" height=\"383\" \/><figcaption class=\"wp-caption-text\">Judimar student Judith Jamison, age 15, as Myrtha in <em>Giselle<\/em>, 1958<\/figcaption><\/figure>\n<div data-block-id=\"block-871d719a-2461-42fc-a8a7-d42b7a5c6314\">\n<p>Judith Jamison\u2019s dance education began when her mother, Tessie Belle, took the six-year-old downtown to 1310 Walnut Street, where Marion Cuyjet\u2019s <a class=\"ql-link\" href=\"https:\/\/mobballet.org\/index.php\/2017\/10\/04\/1948-therrell-c-smith-school-of-dance-is-founded-in-washington-d-c\/\" target=\"_blank\" rel=\"noopener noreferrer\">Judimar School of Dance<\/a> was located.<\/p>\n<\/div>\n<div data-block-id=\"block-77e46c88-6aaa-4e82-8ce4-31a6340833ca\">\n<p>Although she was still young, Jamison looked older and had natural facilities, compelling John Hines (a ballet teacher at Judimar) to put her with the nine-year-olds. Cuyjet objected, instead placing her at the level of her knowledge, and trained her following the standard progression. Jamison made certain that she had copies of the terminology papers so that she was learning the vocabulary as well as the steps. Jamison recalls learning ballet terminology:<\/p>\n<p><em>We listened to her, I think we had little books. We had to write things down. I don&#8217;t know if we had tests, but my ballet vocabulary is still pretty fabulous. So fabulous that when I started touring in France the people thought I spoke French.<\/em><\/p>\n<p>For her first two years at Judimar, Jamison solely studied ballet and flourished under the tutelage of the Judimar faculty.<a class=\"ql-link\" href=\"http:\/\/mobballet.org\/index.php\/2017\/01\/14\/delores-brown\/\" target=\"_blank\" rel=\"noopener noreferrer\"> Delores Browne<\/a>, a protege of Cuyjet and one of the most notable Blacks in ballet, was one of her teachers. Cuyjet had a system whereby older students would (under her supervision) teach the younger students. A 17-year-old Browne would later go on to study at the <a class=\"ql-link\" href=\"https:\/\/mobballet.org\/index.php\/2020\/12\/13\/school-of-american-ballet\/\" target=\"_blank\" rel=\"noopener noreferrer\">School of American Ballet<\/a> and dance with the Philadelphia Ballet Guild as well as the<a class=\"ql-link\" href=\"http:\/\/mobballet.org\/index.php\/2017\/10\/04\/1957-ward-flemying-founds-ballet-americananew-york-negro-ballet\/\" target=\"_blank\" rel=\"noopener noreferrer\"> New York Negro Ballet<\/a>:<\/p>\n<p><em>Dolores Browne, as a teacher, was another disciplinarian. She learned from Marion Cuyjet. Dolores carried herself the way a ballerina carries herself. That was my image that I could see every time I went to class. The straightness of her back, the pride of her carriage, the way she walked, the way her pointe shoes were tied, the way she carried herself when she was teaching us, with pride. And she knew what she was talking about. She knew how to correct us. She knew how to keep us in line, gently.<\/em><\/p>\n<p>Jamison too would become a student teacher at age 14. She quickly found that Cuyjet\u2019s high standards and demand for serious study had rubbed off on her. She was so strict and her standards so high that it was almost impossible for her students to learn. She had taken everything that Cujyet was teaching to heart; there was a seriousness in study that was required.<\/p>\n<p>This seriousness was already present in Jamison from a young age, only intensified with the influence of her mother, Cuyjet, and teachers like Hines and Browne. She had an incredible amount of facility\u2014long legs and arms, flexibility, nice feet, and a natural athleticism.<\/p>\n<p>The discipline and structure of ballet prepared her to embrace the structure of <a class=\"ql-link\" href=\"http:\/\/www.dancespirit.com\/horton-technique-2326036575.html\" target=\"_blank\" rel=\"noopener noreferrer\">the Horton Technique<\/a>. Cuyjet and the Judimar School instilled within her the work ethic and respect for the studio, which Cuyjet called \u201choly space.\u201d The fearlessness of her first ballet teacher taught her not to be afraid to grab life and opportunities with both hands and drink it in.<\/p>\n<p>After 11 years at Judimar, Jamison graduated high school and enrolled at Fisk University.<\/p>\n<p><strong>Source:<\/strong><\/p>\n<p><a class=\"ql-link\" href=\"https:\/\/mobballet.org\/Tree\/judith-jamison.html\" target=\"_blank\" rel=\"noopener noreferrer\">And Still They Rose: Judith Jamison, MoBBallet<\/a><\/p>\n<h2><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12800 size-full\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg\" alt=\"\" width=\"2000\" height=\"120\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg 2000w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-800x48.jpg 800w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-300x18.jpg 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1024x61.jpg 1024w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-768x46.jpg 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1536x92.jpg 1536w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-830x50.jpg 830w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-230x14.jpg 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-350x21.jpg 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-480x29.jpg 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-600x36.jpg 600w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/h2>\n<\/div>\n<\/div>\n<div data-block-id=\"block-77e46c88-6aaa-4e82-8ce4-31a6340833ca\">\n<h2>Philadelphia School of Dance Arts<\/h2>\n<figure id=\"attachment_11910\" aria-describedby=\"caption-attachment-11910\" style=\"width: 395px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/06\/Screen-Shot-2021-06-07-at-2.40.54-PM.png\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11910 \" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/06\/Screen-Shot-2021-06-07-at-2.40.54-PM.png\" alt=\"\" width=\"395\" height=\"311\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/06\/Screen-Shot-2021-06-07-at-2.40.54-PM.png 496w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/06\/Screen-Shot-2021-06-07-at-2.40.54-PM-300x236.png 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/06\/Screen-Shot-2021-06-07-at-2.40.54-PM-230x181.png 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/06\/Screen-Shot-2021-06-07-at-2.40.54-PM-350x276.png 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/06\/Screen-Shot-2021-06-07-at-2.40.54-PM-480x378.png 480w\" sizes=\"auto, (max-width: 395px) 100vw, 395px\" \/><\/a><figcaption id=\"caption-attachment-11910\" class=\"wp-caption-text\">Marion Cuyjet teaching at the Philadelphia School of Dance Arts. Photo by Gerald S. Williams via <em>The Philadelphia Inquirer<\/em>, 1996<\/figcaption><\/figure>\n<p>Joan Myers Brown\u2019s Philadelphia School of the Dance Arts was first established in 1960 on 52nd and Walnut Street in West Philadelphia (White-Dixon 28). The school began with just 30 students with attendance rates increasing every year. Though her teachers&#8217; goals were to create accomplished individuals, Myers Brown wanted to train professional dancers, with the school\u2019s philosophy being, \u201cOur school is a place where dancers grow, where young people are given positive directives, where the community shares in its potential.\u201d<\/p>\n<p>Myers Brown served as the principal ballet teacher at the school; hired teachers for modern, tap, jazz, and acrobatics; and brought in guest teachers from New York. Additionally, Myers Brown had her advanced students teach, just as her own teachers had done.<\/p>\n<p>Myers Brown followed the tradition of her foremothers, offering a diverse curriculum and epic recitals. Every year, her students performed at the Philadelphia Academy of Music. Myers Brown believes it is important that children have the experience of performing in a real theater, regardless of whether or not they will become professional dancers. Like her mentors, she is a pioneer, breaking down barriers. In 1970, Myers Brown founded The Philadelphia Dance Company (Philadanco) as a way to give the dancers she trained a performing outlet in concert dance (an opportunity that she was not afforded). Among those who taught or choreographed at Philadanco include: <a class=\"ql-link\" href=\"https:\/\/mobballet.org\/index.php\/2017\/01\/05\/billy-wilson\/\" target=\"_blank\" rel=\"noopener noreferrer\">Billy Wilson<\/a>, <a class=\"ql-link\" href=\"https:\/\/mobballet.org\/index.php\/2017\/01\/14\/delores-brown\/\" target=\"_blank\" rel=\"noopener noreferrer\">Delores Browne<\/a>, <a class=\"ql-link\" href=\"https:\/\/mobballet.org\/index.php\/2019\/01\/16\/talley-beatty\/\" target=\"_blank\" rel=\"noopener noreferrer\">Talley Beatty,<\/a> <a class=\"ql-link\" href=\"https:\/\/mobballet.org\/index.php\/2017\/08\/04\/eugene-hill-sagan\/\" target=\"_blank\" rel=\"noopener noreferrer\">Gene Hill Sagan<\/a>, <a class=\"ql-link\" href=\"https:\/\/mobballet.org\/index.php\/2018\/03\/05\/louis-johnson\/\" target=\"_blank\" rel=\"noopener noreferrer\">Louis Johnson<\/a>, <a class=\"ql-link\" href=\"https:\/\/www.theaileyschool.edu\/ailey-school\/milton-myers\" target=\"_blank\" rel=\"noopener noreferrer\">Milton Myers<\/a>, <a class=\"ql-link\" href=\"https:\/\/en.wikipedia.org\/wiki\/Denise_Jefferson\" target=\"_blank\" rel=\"noopener noreferrer\">Denise Jefferson<\/a>, <a class=\"ql-link\" href=\"https:\/\/en.wikipedia.org\/wiki\/George_Faison\" target=\"_blank\" rel=\"noopener noreferrer\">George Faison<\/a>, <a class=\"ql-link\" href=\"https:\/\/spectrumdance.org\/about\/donald-byrd\/\" target=\"_blank\" rel=\"noopener noreferrer\">Donald Byrd<\/a>, <a class=\"ql-link\" href=\"http:\/\/www.camilleabrown.org\/camille\" target=\"_blank\" rel=\"noopener noreferrer\">Camille A. Brown<\/a>, and <a class=\"ql-link\" href=\"https:\/\/www.alvinailey.org\/alvin-ailey-american-dance-theater\/christopher-l-huggins\" target=\"_blank\" rel=\"noopener noreferrer\">Christopher Huggins<\/a>. Her organization has always been diverse, including the administration, faculty, company, choreographers, and students. Myers Brown is adamant about opening doors and providing opportunities for all.<\/p>\n<p>The Philadelphia School of the Dance Arts is still active, having celebrated its 60th year in May 2020. Notable alumni of the school include Deborah Manning (former dancer with Alvin Ailey American Dance Theater), Leslie Odom Jr. (actor\/singer known for <em>Hamilton<\/em> and <em>Smash<\/em>), and Lee Daniels (filmmaker and producer of <em>The Butler <\/em>and <em>Empire<\/em>). Philadanco is now \u201crecognized as one of the leading modern dance companies in the United States\u201d (28).<\/p>\n<p><strong>Sources:<\/strong><\/p>\n<p><a class=\"ql-link\" href=\"https:\/\/mobballet.org\/index.php\/2019\/03\/09\/sydney-king-and-marion-cuyjet-two-black-philadelphian-dance-educators-and-pioneers-in-ballet\/\" target=\"_blank\" rel=\"noopener noreferrer\">Sydney King and Marion Cuyjet, MoBBallet<\/a><br \/>\n<a class=\"ql-link\" href=\"https:\/\/annenbergcenter.org\/blog\/philadelphia-dance-school-of-arts-celebrates-60th-anniversary\" target=\"_blank\" rel=\"noopener noreferrer\">Philadelphia School of Dance Arts celebrates 60th anniversary, Annenberg Center<\/a><br \/>\n<a class=\"ql-link\" href=\"https:\/\/philadanco.org\/history\/\" target=\"_blank\" rel=\"noopener noreferrer\">Our History, Philadanco<\/a><br \/>\nWhite-Dixon, Melanye. \u201cThe Legacy of Black Philadelphia&#8217;s Dance Institutions and the Educators Who Built the Tradition.\u201d <em>Dance Research Journal<\/em>, vol. 23, no. 1, 1991, pp. 25\u201330. <em>JSTOR<\/em>, www.jstor.org\/stable\/1478695. Accessed 27 May 2021.<\/p>\n<\/div>\n<div data-block-id=\"block-77e46c88-6aaa-4e82-8ce4-31a6340833ca\">\n<h2><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12800 size-full\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg\" alt=\"\" width=\"2000\" height=\"120\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg 2000w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-800x48.jpg 800w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-300x18.jpg 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1024x61.jpg 1024w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-768x46.jpg 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1536x92.jpg 1536w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-830x50.jpg 830w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-230x14.jpg 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-350x21.jpg 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-480x29.jpg 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-600x36.jpg 600w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/h2>\n<h2>Dorothey Jimenez<\/h2>\n<figure style=\"width: 279px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"ql-img\" src=\"https:\/\/lh6.googleusercontent.com\/zUrJru48Nq3vAFbRl5EXOsncXPaKAtxdHXQIg3G7fe-9A_U-EwDBA_ynt8YnHaMj_f-NUN6xI3hvXxZFrEbQm10_t1Lxn850jEtLT9UWT7vFNQwYSIEwO8ODgRuZZqUUZB041Vyk\" alt=\"\" width=\"279\" height=\"392\" \/><figcaption class=\"wp-caption-text\">Dorothey Jimenez aboard a ship to Europe, touring with the New York Negro Ballet<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/mobballet.org\/index.php\/2021\/06\/07\/dorothey-jimenez\/\" target=\"_blank\" rel=\"noopener\">Dorothey Jimenez<\/a> studied under Marion Cuyjet at the Judimar School. She later danced professionally with her former Judimar peers like <a href=\"https:\/\/mobballet.org\/index.php\/2017\/01\/14\/delores-brown\/\" target=\"_blank\" rel=\"noopener\">Delores Browne<\/a> and <a href=\"https:\/\/mobballet.org\/index.php\/2017\/04\/29\/frances-jimenez\/\" target=\"_blank\" rel=\"noopener\">Frances Jimenez<\/a>. <\/span><\/p>\n<p><strong>Source:<\/strong><\/p>\n<p><a href=\"https:\/\/mobballet.org\/Tree\/delores-browne.html\" target=\"_blank\" rel=\"noopener\">And Still They Rose: Delores Browne, MoBBallet<\/a><\/p>\n<\/div>\n<div data-block-id=\"block-77e46c88-6aaa-4e82-8ce4-31a6340833ca\">\n<h2><\/h2>\n<h2><\/h2>\n<h2><\/h2>\n<h2><\/h2>\n<h2><\/h2>\n<h2><\/h2>\n<h2><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12800 size-full\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg\" alt=\"\" width=\"2000\" height=\"120\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg 2000w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-800x48.jpg 800w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-300x18.jpg 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1024x61.jpg 1024w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-768x46.jpg 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1536x92.jpg 1536w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-830x50.jpg 830w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-230x14.jpg 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-350x21.jpg 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-480x29.jpg 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-600x36.jpg 600w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/h2>\n<h2>Elmer Ball<\/h2>\n<\/div>\n<div data-block-id=\"block-77e46c88-6aaa-4e82-8ce4-31a6340833ca\">\n<div data-block-id=\"block-7249dd67-03c6-4846-a97d-b40d6c6c243b\">\n<figure style=\"width: 231px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2017\/09\/Donna-Lowe-and-Elmer-Skeets-Ball-Judimar-School-231x300.jpg\" alt=\"\" width=\"231\" height=\"300\" \/><figcaption class=\"wp-caption-text\">Donna Lowe and Elmer Ball as Judimar School students<\/figcaption><\/figure>\n<p>Philadelphian Elmer Ball studied under John Hines and Marion Cuyjet at the Judimar School. Later in his life, as a dance instructor, Ball\u2019s mission was to build a \u201ccomplete person,\u201d carrying on the legacy of his teacher Cuyjet, who similarly intended to create \u201cthe total person\u201d through her teaching.<\/p>\n<p><strong>Sources:<\/strong><\/p>\n<p><a class=\"ql-link\" href=\"https:\/\/www.newspapers.com\/image\/186424118\/?terms=%22elmer%20ball%22%20%22dance%22&amp;match=1\" target=\"_blank\" rel=\"noopener noreferrer\">Choreographer John Hines, Philadelphia Daily News<\/a><br \/>\n<a class=\"ql-link\" href=\"https:\/\/www.newspapers.com\/image\/186364807\/?terms=%22elmer%20ball%22%20%22dance%22&amp;match=1\" target=\"_blank\" rel=\"noopener noreferrer\">Elmer Ball, Noted Choreographer, Philadelphia Daily News<\/a><\/p>\n<p>&nbsp;<\/p>\n<h2><\/h2>\n<h2><\/h2>\n<h2><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12800 size-full\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg\" alt=\"\" width=\"2000\" height=\"120\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg 2000w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-800x48.jpg 800w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-300x18.jpg 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1024x61.jpg 1024w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-768x46.jpg 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1536x92.jpg 1536w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-830x50.jpg 830w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-230x14.jpg 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-350x21.jpg 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-480x29.jpg 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-600x36.jpg 600w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/h2>\n<h2>Ronald Platts<\/h2>\n<\/div>\n<\/div>\n<figure style=\"width: 187px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"ql-img\" src=\"https:\/\/t8541063.p.clickup-attachments.com\/t8541063\/572907d0-7de9-451e-b8a3-eaad01149a0c\/image.png\" alt=\"\" width=\"187\" height=\"189\" data-id=\"572907d0-7de9-451e-b8a3-eaad01149a0c.png\" \/><figcaption class=\"wp-caption-text\">Ronald Platts in 1953 photo of Judimar School of Dance class<\/figcaption><\/figure>\n<p>Ronald Platts studied at the Judimar School of Dance in Philadelphia, Pennsylvania in the early 1950s. He attended concurrently with notable alumni Charles Moore, Delores Browne, John Jones, Ernest Parham, and Arthur Hall.<\/p>\n<p><strong>Source:<\/strong><\/p>\n<p><a class=\"ql-link\" href=\"http:\/\/www.ileife.org\/ah\/cuyjet.html\" target=\"_blank\" rel=\"noopener noreferrer\">Marion Cuyjet: Black Ballet Pioneer<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h2><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12800 size-full\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg\" alt=\"\" width=\"2000\" height=\"120\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg 2000w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-800x48.jpg 800w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-300x18.jpg 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1024x61.jpg 1024w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-768x46.jpg 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1536x92.jpg 1536w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-830x50.jpg 830w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-230x14.jpg 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-350x21.jpg 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-480x29.jpg 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-600x36.jpg 600w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/h2>\n<h2>Charles Moore<\/h2>\n<\/div>\n<\/div>\n<\/div>\n<figure id=\"attachment_11891\" aria-describedby=\"caption-attachment-11891\" style=\"width: 294px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/06\/Screen-Shot-2021-06-07-at-1.58.17-PM.png\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11891 size-full\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/06\/Screen-Shot-2021-06-07-at-1.58.17-PM.png\" alt=\"\" width=\"294\" height=\"373\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/06\/Screen-Shot-2021-06-07-at-1.58.17-PM.png 294w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/06\/Screen-Shot-2021-06-07-at-1.58.17-PM-236x300.png 236w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/06\/Screen-Shot-2021-06-07-at-1.58.17-PM-230x292.png 230w\" sizes=\"auto, (max-width: 294px) 100vw, 294px\" \/><\/a><figcaption id=\"caption-attachment-11891\" class=\"wp-caption-text\">Charles Moore, photo via Cedar Rapids&#8217; <em>The Gazette<\/em>, 1979<\/figcaption><\/figure>\n<p>Charles Moore studied at the Judimar School of Dance in Philadelphia, Pennsylvania in the early 1950s. He attended concurrently with notable alumni <a href=\"https:\/\/mobballet.org\/index.php\/2021\/04\/01\/ronald-platts\/\" target=\"_blank\" rel=\"noopener\">Ronald Platts<\/a>, <a href=\"https:\/\/mobballet.org\/index.php\/2017\/01\/14\/delores-brown\/\" target=\"_blank\" rel=\"noopener\">Delores Browne<\/a>, <a href=\"https:\/\/mobballet.org\/index.php\/2017\/01\/13\/john-jones\/\" target=\"_blank\" rel=\"noopener\">John Jones<\/a>, Ernest Parham, and Arthur Hall.<\/p>\n<p><strong>Sources:<\/strong><\/p>\n<p><a class=\"ql-link\" href=\"http:\/\/www.ileife.org\/ah\/cuyjet.html\" target=\"_blank\" rel=\"noopener noreferrer\">Marion Cuyjet: Black Ballet Pioneer<\/a><br \/>\n<a href=\"https:\/\/www.newspapers.com\/image\/550779058\/?terms=%22charles%20moore%22%20%22alvin%20ailey%22&amp;match=1\" target=\"_blank\" rel=\"noopener\">Ethnic dance expert to visit C.R. schools, The Gazette<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<div data-block-id=\"block-35a09d3f-320e-4a13-ab8d-13d7589a4516\">\n<p>&nbsp;<\/p>\n<h2><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12800 size-full\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg\" alt=\"\" width=\"2000\" height=\"120\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg 2000w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-800x48.jpg 800w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-300x18.jpg 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1024x61.jpg 1024w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-768x46.jpg 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1536x92.jpg 1536w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-830x50.jpg 830w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-230x14.jpg 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-350x21.jpg 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-480x29.jpg 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-600x36.jpg 600w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/h2>\n<h2 data-block-id=\"block-8eeb00af-4f9b-4757-8c8f-de0aeb4c39e4\"><strong>Frances Jimenez<\/strong><\/h2>\n<div data-block-id=\"block-c8f51174-94b0-4680-8655-a3a97b18e3b9\">\n<figure style=\"width: 321px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"\" src=\"https:\/\/mobballet.org\/Tree\/images\/franca-jimenez-delores-brown-alicemays.jpg?crc=4186673454\" alt=\"\" width=\"321\" height=\"441\" \/><figcaption class=\"wp-caption-text\">From left to right: Frances Jimenez, Delores Brown, and Alice Mayes as students<\/figcaption><\/figure>\n<p>After graduating from West Philadelphia High School in 1949, Frances Jimenez, a Philadelphia native, began training with Marion Cuyjet at the <a class=\"ql-link\" href=\"https:\/\/mobballet.org\/index.php\/2017\/10\/04\/1948-therrell-c-smith-school-of-dance-is-founded-in-washington-d-c\/\" target=\"_blank\" rel=\"noopener noreferrer\">Judimar School of Dance<\/a> in 1950. Jimenez\u2019s classmates included Arthur Hall, <a href=\"https:\/\/mobballet.org\/index.php\/2017\/01\/14\/delores-brown\/\" target=\"_blank\" rel=\"noopener\">Delores Brown<\/a>, <a href=\"https:\/\/mobballet.org\/index.php\/2021\/04\/01\/ronald-platts\/\" target=\"_blank\" rel=\"noopener\">Ronald Platts<\/a>, <a href=\"https:\/\/mobballet.org\/index.php\/2017\/01\/13\/john-jones\/\" target=\"_blank\" rel=\"noopener\">John Jones<\/a>, and Ernest Parham. She also received training from Antony Tudor at the Philadelphia Ballet Guild.<\/p>\n<p><strong>Source:<\/strong><\/p>\n<p><a class=\"ql-link\" href=\"https:\/\/www.phillytrib.com\/obituaries\/frances-jimenez-87-former-ballet-dancer\/article_21bf8cfa-3451-5e2a-baf5-033bdc5dbacb.html\" target=\"_blank\" rel=\"noopener noreferrer\">Frances Jimenez, 87, former ballet dancer, The Philadelphia Tribune<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div data-block-id=\"block-aa6bfd81-e77f-4977-b21f-c87673b292ba\">\n<div data-block-id=\"block-04753202-ac1e-4fcd-a73b-db4730b24af8\">\n<div data-block-id=\"block-35a09d3f-320e-4a13-ab8d-13d7589a4516\">\n<div data-block-id=\"block-c8f51174-94b0-4680-8655-a3a97b18e3b9\">\n<h2><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12800 size-full\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg\" alt=\"\" width=\"2000\" height=\"120\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg 2000w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-800x48.jpg 800w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-300x18.jpg 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1024x61.jpg 1024w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-768x46.jpg 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1536x92.jpg 1536w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-830x50.jpg 830w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-230x14.jpg 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-350x21.jpg 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-480x29.jpg 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-600x36.jpg 600w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/h2>\n<h2 data-block-id=\"block-036d4e34-228f-4c04-96cc-216acbad272e\"><strong>Donna Lowe<\/strong><\/h2>\n<div data-block-id=\"block-e2f1eb00-11b5-4a79-9513-5071fe2390f3\">\n<figure style=\"width: 300px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2017\/09\/donna-Lowe-Elmer-ball-300x238.jpg\" alt=\"\" width=\"300\" height=\"238\" \/><figcaption class=\"wp-caption-text\">Donna Lowe and Elmer Ball as students<\/figcaption><\/figure>\n<div data-block-id=\"block-e2f1eb00-11b5-4a79-9513-5071fe2390f3\">\n<p>Donna Lowe Warren began her dance training at the Judimar School under its founder Marion Cuyjet. Her other instructors were John Hines, friend and peer of Sydney King and Cuyjet, and <a href=\"https:\/\/mobballet.org\/index.php\/2017\/01\/14\/delores-brown\/\" target=\"_blank\" rel=\"noopener\">Delores Browne<\/a>, herself a student of Cuyjet.<\/p>\n<\/div>\n<div data-block-id=\"block-9c5bc9a9-41d0-42d9-9660-278eb9911d5c\">\n<p>At the encouragement of Cuyjet, Lowe was taken to New York City in order to take George Chaffee\u2019s classes; this was due to her light skin color and Cuyjet\u2019s friendship with Chaffee.<\/p>\n<p><strong>Sources:<\/strong><\/p>\n<p><a class=\"ql-link\" href=\"https:\/\/mobballet.org\/index.php\/2017\/09\/26\/donna-lowe-warren\/\" target=\"_blank\" rel=\"noopener noreferrer\">Donna Lowe Warren, MoBBallet<\/a><br \/>\n<a href=\"https:\/\/mobballet.org\/index.php\/2017\/10\/04\/1948-therrell-c-smith-school-of-dance-is-founded-in-washington-d-c\/\" target=\"_blank\" rel=\"noopener\">1948: Marion Cuyjet founds the Judimar School of Dance, MoBBallet<\/a><\/p>\n<\/div>\n<\/div>\n<div data-block-id=\"block-9c5bc9a9-41d0-42d9-9660-278eb9911d5c\">\n<h2><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12800 size-full\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg\" alt=\"\" width=\"2000\" height=\"120\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg 2000w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-800x48.jpg 800w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-300x18.jpg 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1024x61.jpg 1024w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-768x46.jpg 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1536x92.jpg 1536w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-830x50.jpg 830w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-230x14.jpg 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-350x21.jpg 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-480x29.jpg 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-600x36.jpg 600w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/h2>\n<h2>China White<\/h2>\n<figure id=\"attachment_2239\" aria-describedby=\"caption-attachment-2239\" style=\"width: 300px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/mobballet.org\/wp-content\/uploads\/2017\/09\/Marion-and-Daners-on-Studio-4-TV-rt-Earlene-ford-Sally-Richardson-Barbara-Bullock-Donna-Lowe-Joyce-Graves-Melva-China-White.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2239 size-medium\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2017\/09\/Marion-and-Daners-on-Studio-4-TV-rt-Earlene-ford-Sally-Richardson-Barbara-Bullock-Donna-Lowe-Joyce-Graves-Melva-China-White-300x242.jpg\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2017\/09\/Marion-and-Daners-on-Studio-4-TV-rt-Earlene-ford-Sally-Richardson-Barbara-Bullock-Donna-Lowe-Joyce-Graves-Melva-China-White-300x242.jpg 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2017\/09\/Marion-and-Daners-on-Studio-4-TV-rt-Earlene-ford-Sally-Richardson-Barbara-Bullock-Donna-Lowe-Joyce-Graves-Melva-China-White-600x485.jpg 600w, https:\/\/mobballet.org\/wp-content\/uploads\/2017\/09\/Marion-and-Daners-on-Studio-4-TV-rt-Earlene-ford-Sally-Richardson-Barbara-Bullock-Donna-Lowe-Joyce-Graves-Melva-China-White-768x620.jpg 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2017\/09\/Marion-and-Daners-on-Studio-4-TV-rt-Earlene-ford-Sally-Richardson-Barbara-Bullock-Donna-Lowe-Joyce-Graves-Melva-China-White-1024x827.jpg 1024w, https:\/\/mobballet.org\/wp-content\/uploads\/2017\/09\/Marion-and-Daners-on-Studio-4-TV-rt-Earlene-ford-Sally-Richardson-Barbara-Bullock-Donna-Lowe-Joyce-Graves-Melva-China-White-830x670.jpg 830w, https:\/\/mobballet.org\/wp-content\/uploads\/2017\/09\/Marion-and-Daners-on-Studio-4-TV-rt-Earlene-ford-Sally-Richardson-Barbara-Bullock-Donna-Lowe-Joyce-Graves-Melva-China-White-230x186.jpg 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2017\/09\/Marion-and-Daners-on-Studio-4-TV-rt-Earlene-ford-Sally-Richardson-Barbara-Bullock-Donna-Lowe-Joyce-Graves-Melva-China-White-350x283.jpg 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2017\/09\/Marion-and-Daners-on-Studio-4-TV-rt-Earlene-ford-Sally-Richardson-Barbara-Bullock-Donna-Lowe-Joyce-Graves-Melva-China-White-480x388.jpg 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2017\/09\/Marion-and-Daners-on-Studio-4-TV-rt-Earlene-ford-Sally-Richardson-Barbara-Bullock-Donna-Lowe-Joyce-Graves-Melva-China-White.jpg 2000w\" alt=\"\" width=\"300\" height=\"242\" \/><\/a><figcaption id=\"caption-attachment-2239\" class=\"wp-caption-text\">Marion and Dancers on Studio 4 TV. From left to right: Earlene Ford, Sally Richardson, Barbara Bullock, <a href=\"https:\/\/mobballet.org\/index.php\/2017\/09\/26\/donna-lowe-warren\/\" target=\"_blank\" rel=\"noopener\">Donna Lowe<\/a> (center), Joyce Graves, and Melva China White<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">Philadelphia native <a href=\"https:\/\/mobballet.org\/index.php\/2017\/01\/14\/china-melva-murray-white\/\" target=\"_blank\" rel=\"noopener\">China (Melva) Murray White<\/a> trained under Marion Cuyjet at the Judimar School. As a student, White appeared on local television alongside Donna Lowe and fellow dancers. Due to her rigorous training, White was the first Black student to receive a scholarship to train at the Pennsylvania Ballet School, a feat considered one of the great achievements of Judimar students.<\/span><\/p>\n<p><b>Source:<\/b><\/p>\n<p><a href=\"https:\/\/www.newspapers.com\/image\/178345065\/?terms=%22china%20white%22%20%22judimar%22&amp;match=1\" target=\"_blank\" rel=\"noopener\">Marion Cuyjet, 76, black ballet pioneer, The Philadelphia Inquirer<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h2><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12800 size-full\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg\" alt=\"\" width=\"2000\" height=\"120\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg 2000w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-800x48.jpg 800w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-300x18.jpg 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1024x61.jpg 1024w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-768x46.jpg 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1536x92.jpg 1536w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-830x50.jpg 830w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-230x14.jpg 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-350x21.jpg 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-480x29.jpg 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-600x36.jpg 600w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/h2>\n<h2 data-block-id=\"block-e876ed95-e969-4c1b-8e70-94753e1e433b\"><strong>Christina Cottman Pierangeli<\/strong><\/h2>\n<div data-block-id=\"block-86209083-2553-4da8-bb91-132c7ba3cd5d\">\n<figure id=\"attachment_11699\" aria-describedby=\"caption-attachment-11699\" style=\"width: 231px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/mobballet.org\/wp-content\/uploads\/2017\/01\/Screen-Shot-2021-05-28-at-10.27.19-AM.png\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-11699\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2017\/01\/Screen-Shot-2021-05-28-at-10.27.19-AM.png\" sizes=\"auto, (max-width: 411px) 100vw, 411px\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2017\/01\/Screen-Shot-2021-05-28-at-10.27.19-AM.png 464w, https:\/\/mobballet.org\/wp-content\/uploads\/2017\/01\/Screen-Shot-2021-05-28-at-10.27.19-AM-265x300.png 265w, https:\/\/mobballet.org\/wp-content\/uploads\/2017\/01\/Screen-Shot-2021-05-28-at-10.27.19-AM-230x260.png 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2017\/01\/Screen-Shot-2021-05-28-at-10.27.19-AM-350x396.png 350w\" alt=\"\" width=\"231\" height=\"261\" \/><\/a><figcaption id=\"caption-attachment-11699\" class=\"wp-caption-text\">Photo by Mike Traxler via\u00a0<em>The Sentinel<\/em>, 1976<\/figcaption><\/figure>\n<p><a href=\"https:\/\/mobballet.org\/index.php\/2017\/01\/22\/christina-cottman-peirangeli\/\">Christina Cottman Pierangeli<\/a>\u00a0trained at the Judimar School under Marion Cuyjet, setting her up for a successful career in performance ballet.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<div data-block-id=\"block-86209083-2553-4da8-bb91-132c7ba3cd5d\">\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<h2><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12800 size-full\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg\" alt=\"\" width=\"2000\" height=\"120\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg 2000w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-800x48.jpg 800w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-300x18.jpg 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1024x61.jpg 1024w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-768x46.jpg 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1536x92.jpg 1536w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-830x50.jpg 830w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-230x14.jpg 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-350x21.jpg 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-480x29.jpg 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-600x36.jpg 600w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/h2>\n<\/div>\n<div data-block-id=\"block-9c5bc9a9-41d0-42d9-9660-278eb9911d5c\">\n<div data-block-id=\"block-86209083-2553-4da8-bb91-132c7ba3cd5d\">\n<h2><b>John Jones<\/b><\/h2>\n<p><span style=\"font-weight: 400;\"><img decoding=\"async\" class=\"alignleft\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2017\/01\/Scan-4-190x300.jpg\" \/>From 1951 to 1955, John Jones studied at the Judimar School. Due to the connections forged during his training, Jones danced for fellow Judimar alumnus Arthur Hall in his company the Arthur Hall Afro-American Dance Ensemble in the early 1970s. Jones also returned to Philadelphia to teach at the Judimar School.<br \/>\n<\/span><\/p>\n<p><b>Sources:<\/b><\/p>\n<p><a href=\"http:\/\/www.nytimes.com\/2005\/04\/28\/arts\/dance\/leaping-a-generation-gap-to-revive-a-robbins-ballet.html?_r=0\" target=\"_blank\" rel=\"noopener\">Leaping a Generation Gap to Revive a Robbins Ballet, The New York Times<\/a><br \/>\n<a href=\"https:\/\/books.google.com\/books?id=7gIDy6ait3IC&amp;pg=PA329&amp;lpg=PA329&amp;dq=black+ballet+dancer+john+jones&amp;source=bl&amp;ots=P5TuyqsPk9&amp;sig=YAwCZzyDHsNLvBYRtSfzBF2SvSo&amp;hl=en&amp;sa=X&amp;ved=0ahUKEwiB3qTJyL_RAhWHKMAKHf4fDAAQ6AEIJDAC#v=onepage&amp;q=black%20ballet%20dancer%20john%20jones&amp;f=false\" target=\"_blank\" rel=\"noopener\">Legacies of Twentieth-Century Dance, Google Books<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n<\/div>\n<h2><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-12800 size-full\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg\" alt=\"\" width=\"2000\" height=\"120\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare.jpg 2000w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-800x48.jpg 800w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-300x18.jpg 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1024x61.jpg 1024w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-768x46.jpg 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-1536x92.jpg 1536w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-830x50.jpg 830w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-230x14.jpg 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-350x21.jpg 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-480x29.jpg 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/08\/starflare-600x36.jpg 600w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/h2>\n<\/div>\n<\/div>\n<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-426\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2016\/08\/MinMOBB4.jpg\" sizes=\"auto, (max-width: 98px) 100vw, 98px\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2016\/08\/MinMOBB4.jpg 1156w, https:\/\/mobballet.org\/wp-content\/uploads\/2016\/08\/MinMOBB4-300x300.jpg 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2016\/08\/MinMOBB4-100x100.jpg 100w, https:\/\/mobballet.org\/wp-content\/uploads\/2016\/08\/MinMOBB4-600x600.jpg 600w, https:\/\/mobballet.org\/wp-content\/uploads\/2016\/08\/MinMOBB4-150x150.jpg 150w, https:\/\/mobballet.org\/wp-content\/uploads\/2016\/08\/MinMOBB4-768x768.jpg 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2016\/08\/MinMOBB4-1024x1024.jpg 1024w, https:\/\/mobballet.org\/wp-content\/uploads\/2016\/08\/MinMOBB4-830x830.jpg 830w, https:\/\/mobballet.org\/wp-content\/uploads\/2016\/08\/MinMOBB4-230x230.jpg 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2016\/08\/MinMOBB4-350x350.jpg 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2016\/08\/MinMOBB4-480x480.jpg 480w\" alt=\"\" width=\"98\" height=\"98\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Written and\/or compiled by Mad Crawford<\/p>\n","protected":false},"excerpt":{"rendered":"<p>About This Orbit: Marion Cuyjet Marion Cuyjet, born July 29, 1920, came from a community called the Delaware Moors, a people of [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"universe-template.php","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[273,253],"tags":[],"class_list":["post-11769","post","type-post","status-publish","format-standard","hentry","category-astr","category-universe"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/11769","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/comments?post=11769"}],"version-history":[{"count":83,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/11769\/revisions"}],"predecessor-version":[{"id":12872,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/11769\/revisions\/12872"}],"wp:attachment":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/media?parent=11769"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/categories?post=11769"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/tags?post=11769"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}