{"id":12074,"date":"2021-06-21T14:14:37","date_gmt":"2021-06-21T14:14:37","guid":{"rendered":"https:\/\/mobballet.org\/?p=12074"},"modified":"2025-04-21T07:16:23","modified_gmt":"2025-04-21T07:16:23","slug":"jean-marie-didiere","status":"publish","type":"post","link":"https:\/\/mobballet.org\/index.php\/2021\/06\/21\/jean-marie-didiere\/","title":{"rendered":"Jean-Marie Didiere"},"content":{"rendered":"<div data-block-id=\"block-4f982df6-5950-4a3d-8772-b9164e4f1d56\">\n<h2><strong>Jean-Marie Didi\u00e8re<\/strong><\/h2>\n<h2><strong>Paris Opera Ballet<\/strong><br \/>\n<strong>Karole Armitage\u00a0Dance Company<\/strong><\/h2>\n<figure style=\"width: 339px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"ql-img\" src=\"https:\/\/lh3.googleusercontent.com\/CYLQ6vJB6qyZBr0kWNyvBE1z__cUtUEut7JqqrMrSeySil4xPpvm3sDX0_6dIy88HJbhs-RIOi4KtLMUu2tyYcD8TLiy5lPNyQAeSCEvnWpesENBFnQ6aMWilegwG9GuGj_KPKKC\" alt=\"\" width=\"339\" height=\"407\" \/><figcaption class=\"wp-caption-text\">Photo by R. Torette.<\/figcaption><\/figure>\n<\/div>\n<div data-block-id=\"block-46d96e77-8e67-4fd3-be32-93299ba8d876\">\n<p>Jean-Marie Didi\u00e8re trained for four years at the Paris Opera School before joining the main company. His early roles with the company included those in Carolyn Carlson\u2019s<em> Slow, Heavy and Blue<\/em> and <em>Density 21.5<\/em>; Paul Taylor\u2019s <em>Aureole<\/em>; and Maurice B\u00e9jart\u2019s <em>Bhakti III<\/em>. He created roles in John Neumeier\u2019s <em>Vaslaw<\/em>, Violette Verdy\u2019s <em>Variations<\/em>, and F\u00e9lix Blaska\u2019s <em>Linea<\/em>. His lead roles with the Paris Opera included those in John Cranko\u2019s <em>Romeo and Juliet<\/em> (Lord Capulet, Tybalt), <em>Paquita<\/em> (Don Lopez de Mendoza), <em>Don Quixote<\/em> (Espada), Maurice B\u00e9jart\u2019s <em>The Rite of Spring<\/em>, Vladimir Bourmeister\u2019s <em>Swan Lake<\/em> (Pas de Quatre), Rudolf Nureyev\u2019s <em>Swan Lake<\/em> (Pas de Trois), <em>Raymonda<\/em> (Abderam), Serge Lifar\u2019s<em> Les Mirages<\/em>, Jerome Robbins\u2019 <em>Glass Pieces<\/em>, <em>La Bayad\u00e8re<\/em> (The Rajah), <em>Dark Elegies<\/em>, Michel Fokine\u2019s <em>Petrouchka<\/em>, <em>Le Bourgeois gentilhomme<\/em>, <em>Sch\u00e9ma<\/em>, <em>Sleeping Beauty<\/em>, <em>Before Nightfall<\/em>, <em>The Nutcracker<\/em>, <em>The Leaves are Fading<\/em>, <em>Wuthering Heights<\/em>, Kenneth MacMillan\u2019s <em>L&#8217;Histoire de Manon<\/em>, <em>In Memory of\u2026<\/em>, <em>Grande Fugue<\/em>, George Balanchine\u2019s <em>Divertimento No. 15<\/em>, <em>Sonata \u00e0 trois<\/em>, and <em>Magnificat<\/em>.<\/p>\n<p>In addition to performing with Rudolf Nureyev for his Rudolf and Friends Abroad program, Didi\u00e8re appeared in <em>Le Don des Etoiles<\/em> in Montreal, Canada, a \u201cone-night gathering of 22 of the world\u2019s most illustrious ballet stars,\u201d in both 1986 and 1987.<\/p>\n<p>In a 1979 review, London\u2019s <em>The Observer<\/em> called Didi\u00e8re a \u201cpromising youngster.\u201d <em>The Stage <\/em>said Didi\u00e8re \u201cled the ballet [Jerome Robbins\u2019<em> Glass Pieces<\/em>] with magnetic verve\u201d in 1994.<\/p>\n<p>Didi\u00e8re also performed modern dance, serving as a \u201cleading dancer\u201d with the Karole Armitage Dance Company. Part of his time with the company was depicted in Charles Atlas\u2019 short film <em>Ex-Romance<\/em>.<\/p>\n<figure style=\"width: 476px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"ql-img\" src=\"https:\/\/lh3.googleusercontent.com\/RbbRAybg0lJR6qnjof9wyw-nf0pX99BPhbvmlUIaSvCVZ7iLzOVjEmtZI1DEFdXhzFx3QB0HoD_JAqHKvzMUL5Hni8QRSbNW3Igop84wVe6L3NW9vNEUvt_7vCS2rrgm61T701pl\" alt=\"\" width=\"476\" height=\"323\" \/><figcaption class=\"wp-caption-text\">Jean-Marie Didi\u00e8re (left) with Fanny Ga\u00efda, photo by R. Torette.<\/figcaption><\/figure>\n<p><strong>Current website:<\/strong><\/p>\n<p><a class=\"ql-link\" href=\"http:\/\/jmdidiere.free.fr\/biographie.html\" target=\"_blank\" rel=\"noopener noreferrer\">Jean-Marie Didi\u00e8re<\/a><\/p>\n<p><strong>Sources:<\/strong><\/p>\n<p><a class=\"ql-link\" href=\"https:\/\/www.newspapers.com\/image\/422579243\/?terms=%22Jean-Marie%20Didiere%22%20%22ballet%22&amp;match=1\" target=\"_blank\" rel=\"noopener noreferrer\">A Gala Night of Dance, The Gazette<\/a><br \/>\n<a class=\"ql-link\" href=\"https:\/\/www.newspapers.com\/image\/578573689\" target=\"_blank\" rel=\"noopener noreferrer\">Ex-Romance review, LA Weekly<\/a><br \/>\n<a class=\"ql-link\" href=\"https:\/\/www.newspapers.com\/image\/422616876\/?terms=%22Jean-Marie%20Didiere%22%20%22ballet%22&amp;match=1\" target=\"_blank\" rel=\"noopener noreferrer\">Ballet stars dance again for handicapped kids, The Gazette<\/a><br \/>\n<a class=\"ql-link\" href=\"https:\/\/www.newspapers.com\/image\/257814245\/?terms=%22Jean-Marie%20Didiere%22%20%22ballet%22&amp;match=1\" target=\"_blank\" rel=\"noopener noreferrer\">Nureyev in Byronic mood, The Observer<\/a><br \/>\n<a class=\"ql-link\" href=\"https:\/\/www.naxos.com\/catalogue\/item.asp?item_code=DV-BLDDRAJ\" target=\"_blank\" rel=\"noopener noreferrer\">Dancer\u2019s Dream: The Great Ballets of Nureyev<\/a><br \/>\n<a class=\"ql-link\" href=\"https:\/\/www.cambridge.org\/core\/journals\/nineteenth-century-music-review\/article\/abs\/ballet-classics-coppelia-paquita-and-giselle-leo-delibes-coppelia-charline-giezendanner-swanilda-mathieu-ganio-franz-pierre-lacotte-coppelius-mariejose-redont-the-mother-and-cyril-mitilian-the-mayor-paris-national-opera-ballet-school-of-dance-arthur-saintleon-choreographer-version-by-albert-aveline-pierre-lacotte-and-claude-bessy-stage-directors-paris-national-opera-orchestra-david-coleman-cond-recorded-live-at-the-opera-national-de-paris-palais-garnier-2001-arthaus-musik-107231-2011-1-dvd-67-minutes-edouard-delvedez-and-ludwig-minkus-paquita-agnes-letestu-paquita-jose-martinez-lucien-dhervilly-karl-paquette-inigo-richard-wilk-the-general-comte-dhervilly-celine-talon-the-countess-jeanmarie-didiere-don-lopez-de-mendoza-and-beatrice-martel-dona-serafina-pierre-lacotte-choreographer-after-joseph-mazilier-and-marius-petipa-luisa-spinatelli-set-and-costume-designer-paris-national-opera-orchestra-david-coleman-cond-recorded-live-at-the-opera-national-de-paris-2003-arthaus-musik-107005-2008-1-dvd-103-minutes-special-features-include-interviews-with-brigitte-lefevre-director-of-dance-opera-national-de-paris-pierre-lacotte-agnes-letestu-and-jose-martinez-adolphe-adam-giselle-laetitia-pujol-giselle-nicolas-le-riche-albrecht-wilfried-romoli-hilarion-and-marieagnes-gillot-myrtha-paris-national-opera-ballet-jean-coralli-and-jules-perrot-1841-choreographers-restaged-by-marius-petipa-adapted-by-patrice-bart-and-eugene-polyakov-alexandre-benois-1924-set-and-costume-designer-realized-by-silvano-mattei-and-claudie-gastine-paris-national-opera-orchestra-paul-connelly-cond-recorded-live-at-the-opera-national-de-paris-2006-arthaus-musik-107321-2011-1-dvd-111-minutes\/684312853B6B528FB0A83472D6C5D514\" target=\"_blank\" rel=\"noopener noreferrer\">The Ballet Classics: Cambridge University Press<\/a><br \/>\n<a class=\"ql-link\" href=\"https:\/\/www.britishnewspaperarchive.co.uk\/viewer\/bl\/0001180\/19941124\/137\/0030\" target=\"_blank\" rel=\"noopener noreferrer\">Le Palais de Cristal\/Four Temperaments\/Glass Pieces, The Stage<\/a><br \/>\n<a class=\"ql-link\" href=\"http:\/\/etoiledelopera.e-monsite.com\/pages\/danseurs-du-corps-de-ballet\/lettre-d\/jean-marie-didiere.html\" target=\"_blank\" rel=\"noopener noreferrer\">Jean-Marie Didi\u00e8re, Les Etoiles de l\u2019Opera de Paris<\/a><\/p>\n<p><strong>Video links:<\/strong><\/p>\n<p><a class=\"ql-link\" href=\"https:\/\/www.youtube.com\/watch?v=fiF6gN540fk\" target=\"_blank\" rel=\"noopener noreferrer\">Patrick Dupond &#8211; Jean-Marie Didiere chant du compagnon errant<\/a><\/p>\n<p><strong>Social media:<\/strong><\/p>\n<p>Facebook <a class=\"ql-link\" href=\"https:\/\/www.facebook.com\/jeanmarie.didiere\" target=\"_blank\" rel=\"noopener noreferrer\">Jean-marie Didiere<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Jean-Marie Didi\u00e8re Paris Opera Ballet Karole Armitage\u00a0Dance Company Jean-Marie Didi\u00e8re trained for four years at the Paris Opera School before joining the [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[73],"tags":[],"class_list":["post-12074","post","type-post","status-publish","format-standard","hentry","category-dancers"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/12074","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/comments?post=12074"}],"version-history":[{"count":2,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/12074\/revisions"}],"predecessor-version":[{"id":12076,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/12074\/revisions\/12076"}],"wp:attachment":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/media?parent=12074"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/categories?post=12074"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/tags?post=12074"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}