{"id":13657,"date":"2021-12-03T01:55:22","date_gmt":"2021-12-03T01:55:22","guid":{"rendered":"https:\/\/mobballet.org\/?p=13657"},"modified":"2025-04-21T07:16:22","modified_gmt":"2025-04-21T07:16:22","slug":"capitol-ballets-orbit-kevin-brown","status":"publish","type":"post","link":"https:\/\/mobballet.org\/index.php\/2021\/12\/03\/capitol-ballets-orbit-kevin-brown\/","title":{"rendered":"Capitol Ballet&#8217;s Orbit: Kevin Brown"},"content":{"rendered":"<h2>The Capitol Ballet and Kevin Brown<\/h2>\n<p><span style=\"font-weight: 400;\">In the Kennedy Center Concert Hall in April 1987, a gala benefit &#8220;A Salute to Doris W. Jones: A Lady With a Vision&#8221; honored the cofounder and artistic director of the Capitol Ballet, Washington&#8217;s unique multiracial classical troupe. The event was intended restart the company, possibly by the next fall. Louis Johnson, assisted by Keith Lee, produced and directed the entire gala. Kevin Brown, a member of the Capitol Ballet, performed at this gala.\u00a0<\/span><\/p>\n<p><strong>Source:<\/strong><\/p>\n<p><strong><a href=\"https:\/\/www.washingtonpost.com\/archive\/lifestyle\/1987\/04\/21\/tribute-for-the-troupe\/c049d0ec-388e-45b7-9495-72b48e107097\/\" target=\"_blank\" rel=\"noopener\">Tribute For The Troupe, The Washington Post<\/a><\/strong><\/p>\n<h2>More about Kevin Brown<\/h2>\n<figure id=\"attachment_14775\" aria-describedby=\"caption-attachment-14775\" style=\"width: 192px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/12\/evinbrown.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-14775\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/12\/evinbrown-192x300.jpeg\" alt=\"\" width=\"192\" height=\"300\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/12\/evinbrown-192x300.jpeg 192w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/12\/evinbrown-230x360.jpeg 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/12\/evinbrown-350x548.jpeg 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/12\/evinbrown-480x752.jpeg 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/12\/evinbrown-600x939.jpeg 600w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/12\/evinbrown.jpeg 654w\" sizes=\"auto, (max-width: 192px) 100vw, 192px\" \/><\/a><figcaption id=\"caption-attachment-14775\" class=\"wp-caption-text\">Alvin Ailey dancer Kevin Brown photographed in December 1982. (Photo by Jack Mitchell\/Getty Images)<\/figcaption><\/figure>\n<p>Brown performed with <a href=\"https:\/\/mobballet.org\/index.php\/2020\/12\/20\/mel-tomlinson-orbit-alvin-ailey\/\" target=\"_blank\" rel=\"noopener\">Alvin Ailey<\/a> American Dance Theater, along with fellow Capitol Ballet Company members <a href=\"https:\/\/mobballet.org\/index.php\/2021\/12\/03\/capitol-ballets-orbit-april-berry\/\" target=\"_blank\" rel=\"noopener\">April Berry<\/a> and <a href=\"https:\/\/mobballet.org\/index.php\/2021\/12\/03\/capitol-ballets-orbit-nathaniel-orr\/\">Nathaniel Orr<\/a> in March 1981 in Ann Arbor, Michigan. Brown and Berry performed the central pas de deux in Alvin Ailey\u2019s <em>Revelations<\/em>, which expresses the prayer of a devout woman seeking solace from a figure who might be her minister or guardian angel.<\/p>\n<p>Brown is also an executive producer of the original drama series <em>Flesh and Bone.<\/em><\/p>\n<p><strong>Sources:<\/strong><\/p>\n<p><strong><a href=\"https:\/\/pulp.aadl.org\/ums\/programs_19810309e\" target=\"_blank\" rel=\"noopener\">Arts Around Ann Arbor, Pulp<\/a><\/strong><br \/>\n<a href=\"https:\/\/www.gettyimages.com\/detail\/news-photo\/alvin-ailey-dancer-kevin-brown-photographed-in-december-news-photo\/540750605\" target=\"_blank\" rel=\"noopener\"><strong>Kevin Brown, Getty Images<\/strong><\/a><br \/>\n<strong><a href=\"http:\/\/ballettothepeople.com\/2012\/01\/30\/trust\/\" target=\"_blank\" rel=\"noopener\">Trust, Or How I Met My Husband, Ballet to The People<\/a><\/strong><br \/>\n<strong><a href=\"https:\/\/www.prnewswire.com\/news-releases\/world-renowned-dancers-attached-to-starz-original-ballet-drama-series-in-development-flesh-and-bone-232711481.html\" target=\"_blank\" rel=\"noopener\">World-Renowned Dancers Attached To Starz Original Ballet Drama Series In Development, &#8220;Flesh And Bone&#8221;, PR Newswire<\/a><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-13585\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/12\/williamslogo.jpeg\" alt=\"\" width=\"150\" height=\"150\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/12\/williamslogo.jpeg 150w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/12\/williamslogo-100x100.jpeg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Alisha Naidu<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Capitol Ballet and Kevin Brown In the Kennedy Center Concert Hall in April 1987, a gala benefit &#8220;A Salute to Doris [&hellip;]<\/p>\n","protected":false},"author":130,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"universe-template.php","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[286,253],"tags":[],"class_list":["post-13657","post","type-post","status-publish","format-standard","hentry","category-capitol-ballet-constellation","category-universe"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/13657","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/users\/130"}],"replies":[{"embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/comments?post=13657"}],"version-history":[{"count":8,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/13657\/revisions"}],"predecessor-version":[{"id":16305,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/13657\/revisions\/16305"}],"wp:attachment":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/media?parent=13657"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/categories?post=13657"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/tags?post=13657"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}