{"id":14714,"date":"2021-12-15T03:45:01","date_gmt":"2021-12-15T03:45:01","guid":{"rendered":"https:\/\/mobballet.org\/?p=14714"},"modified":"2025-04-21T07:16:21","modified_gmt":"2025-04-21T07:16:21","slug":"sylvester-campbells-orbit-arnold-spohr","status":"publish","type":"post","link":"https:\/\/mobballet.org\/index.php\/2021\/12\/15\/sylvester-campbells-orbit-arnold-spohr\/","title":{"rendered":"Sylvester Campbell&#8217;s Orbit: Arnold Spohr"},"content":{"rendered":"<h2><strong>Sylvester Campbell and Arnold Spohr<\/strong><\/h2>\n<p><span style=\"font-weight: 400;\">Arnold Spohr, director of the Royal Winnipeg Ballet, noticed the talents of Campbell while he danced with the Dutch National Ballet. Spohr soon recruited him, and Campbell danced at a principal with the<\/span><span style=\"font-weight: 400;\"> Royal Winnipeg Ballet from 1972-1975. Campbell noted in an interview from 1991, \u201cArnold Spohr could make anything successful. All he had to do was rehearse it and it was an instant hit. I don\u2019t know what that was. Some of those ballets were lousy, but if he rehearsed, it would look like a jewel on the stage.\u201d<\/span><\/p>\n<h2><strong>More about Arnold Spohr<\/strong><\/h2>\n<figure id=\"attachment_14715\" aria-describedby=\"caption-attachment-14715\" style=\"width: 247px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/12\/Screen-Shot-2021-12-14-at-10.43.32-PM.png\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-14715\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/12\/Screen-Shot-2021-12-14-at-10.43.32-PM-247x300.png\" alt=\"\" width=\"247\" height=\"300\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/12\/Screen-Shot-2021-12-14-at-10.43.32-PM-247x300.png 247w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/12\/Screen-Shot-2021-12-14-at-10.43.32-PM-800x972.png 800w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/12\/Screen-Shot-2021-12-14-at-10.43.32-PM-843x1024.png 843w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/12\/Screen-Shot-2021-12-14-at-10.43.32-PM-768x933.png 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/12\/Screen-Shot-2021-12-14-at-10.43.32-PM-230x280.png 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/12\/Screen-Shot-2021-12-14-at-10.43.32-PM-350x425.png 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/12\/Screen-Shot-2021-12-14-at-10.43.32-PM-480x583.png 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/12\/Screen-Shot-2021-12-14-at-10.43.32-PM-600x729.png 600w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/12\/Screen-Shot-2021-12-14-at-10.43.32-PM.png 920w\" sizes=\"auto, (max-width: 247px) 100vw, 247px\" \/><\/a><figcaption id=\"caption-attachment-14715\" class=\"wp-caption-text\">Arnold Spohr (Royal Winnipeg Ballet)<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">Arnold Spohr served as the artistic director of the Royal Winnipeg Ballet for 30 years. He turned the Royal Winnipeg Ballet into an internationally renowned ballet company, ending his tenure as director in 1988. Spohr was known for presenting ballets with a particular appeal to Canadian audiences, including <em>The Shining People of Leonard Cohen<\/em> (1970) by Brian Macdonald and <em>The Ecstasy of Rita Joe<\/em> (1971) by Norbert Vesak. A dancer himself, Spohr was a principal with the Royal Winnipeg Ballet from 1947-1954, and he was also an accomplished pianist.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Sources:<\/strong><\/p>\n<p><a href=\"https:\/\/blog.linesballet.org\/2021\/02\/25\/sylvester-campbell\/\" target=\"_blank\" rel=\"noopener\">Sylvester Campbell, LINES Ballet<\/a><br \/>\n<a href=\"https:\/\/www.baltimoresun.com\/news\/bs-xpm-1997-03-16-1997075065-story.html\" target=\"_blank\" rel=\"noopener\">Sylvester Campbell, acclaimed ballet dancer, 59, Baltimore Sun<\/a><br \/>\n<a href=\"http:\/\/www.balletreview.com\/images\/Ballet_Review_42-3_Sylvester_Campbell.pdf\" target=\"_blank\" rel=\"noopener\"><span style=\"text-decoration: underline;\">A Conversation with Sylvester Campbell, Ballet Review, pg 25-26<\/span><\/a><\/p>\n<p><a href=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/12\/download.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-13412\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/12\/download.png\" alt=\"\" width=\"111\" height=\"79\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/12\/download.png 266w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/12\/download-230x164.png 230w\" sizes=\"auto, (max-width: 111px) 100vw, 111px\" \/><\/a>Jack Shigeta<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sylvester Campbell and Arnold Spohr Arnold Spohr, director of the Royal Winnipeg Ballet, noticed the talents of Campbell while he danced with [&hellip;]<\/p>\n","protected":false},"author":134,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[281,253],"tags":[],"class_list":["post-14714","post","type-post","status-publish","format-standard","hentry","category-sylvester-campbell-constellation","category-universe"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/14714","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/users\/134"}],"replies":[{"embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/comments?post=14714"}],"version-history":[{"count":4,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/14714\/revisions"}],"predecessor-version":[{"id":15304,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/14714\/revisions\/15304"}],"wp:attachment":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/media?parent=14714"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/categories?post=14714"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/tags?post=14714"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}