{"id":2439,"date":"2017-10-22T03:10:05","date_gmt":"2017-10-22T03:10:05","guid":{"rendered":"http:\/\/mobballet.org\/?p=2439"},"modified":"2025-04-21T07:16:28","modified_gmt":"2025-04-21T07:16:28","slug":"and-still-they-rose-further-reading","status":"publish","type":"post","link":"https:\/\/mobballet.org\/index.php\/2017\/10\/22\/and-still-they-rose-further-reading\/","title":{"rendered":"And Still They Rose: Further Reading"},"content":{"rendered":"

Title: <\/strong>Joan Myers Brown & the Audacious Hope of The Black Ballerina: a Biohistory of American Performance<\/em>
\nPalgrave Macmillan
\nBy Brenda Dixon Gottschild
\nPurchase here<\/a><\/p>\n

Title:<\/strong> Marion Cuyjet and Her Judimar School of Dance: Training Ballerinas in Black Philadelphia<\/em> <\/span>
\nBy Melanye White Dixon
\nNot available for purchase however you can request it be added to your local Library: 1945-1971<\/i>, 2011 \u00a0 \u00a0 \u00a0Mellen Press 716-754-2788<\/a><\/span><\/p>\n

The Legacy of Black Philadelphia’s Dance Institutions and the Educators Who Built the Tradition<\/em><\/a><\/p>\n

M\u00a0White-Dixon\u00a0– Dance Research Journal, 1991 – cambridge.org<\/a><\/div>\n
Abstract Cultural arts institutions have played a significant role in the life of Black
\nPhiladelphians since the 1920s. Such organizations as the Philadelphia Concert Orchestra,
\nDra Mu Opera Company, and Heritage House (Visual and Performing Arts Center) were<\/div>\n
<\/div>\n
Title:<\/strong> Black Women in America<\/em><\/div>\n
By Melanye White Dixon<\/div>\n
Sage Publications<\/div>\n
Purchase here<\/a><\/div>\n
<\/div>\n
Title: <\/strong>Dancing Spirit an Autobiography<\/em><\/div>\n
By Judith Jamison with Howard Kaplan<\/div>\n
Doubleday<\/div>\n
Purchase here<\/a><\/div>\n
\n

Title: <\/strong>Dancing Many Drums: Excavations in African American Dance (Studies in Dance History)<\/em>
\nBy Thomas F. DeFrantz
\nUW Press
\nPurchase here<\/a><\/span><\/p>\n

Title: <\/strong>Black Ballerina <\/em>(documentary)
\nShirley Road Productions<\/a>
\nhttp:\/\/blackballerinadocumentary.org\/<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Title: Joan Myers Brown & the Audacious Hope of The Black Ballerina: a Biohistory of American Performance Palgrave Macmillan By Brenda Dixon […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[203],"tags":[],"class_list":["post-2439","post","type-post","status-publish","format-standard","hentry","category-and-still-they-rose"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/2439","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/comments?post=2439"}],"version-history":[{"count":4,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/2439\/revisions"}],"predecessor-version":[{"id":2468,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/2439\/revisions\/2468"}],"wp:attachment":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/media?parent=2439"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/categories?post=2439"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/tags?post=2439"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}