{"id":2534,"date":"2018-01-08T14:41:10","date_gmt":"2018-01-08T14:41:10","guid":{"rendered":"http:\/\/mobballet.org\/?p=2534"},"modified":"2025-04-21T07:16:28","modified_gmt":"2025-04-21T07:16:28","slug":"articles-on-diversity-in-ballet-by-theresa-ruth-howard","status":"publish","type":"post","link":"https:\/\/mobballet.org\/index.php\/2018\/01\/08\/articles-on-diversity-in-ballet-by-theresa-ruth-howard\/","title":{"rendered":"Work by Theresa Ruth Howard: Articles, Lectures"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-6184 size-medium\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/TruthHall-1-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/TruthHall-1-300x300.jpg 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/TruthHall-1-420x420.jpg 420w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/TruthHall-1-100x100.jpg 100w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/TruthHall-1-800x800.jpg 800w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/TruthHall-1-1024x1024.jpg 1024w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/TruthHall-1-150x150.jpg 150w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/TruthHall-1-768x768.jpg 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/TruthHall-1-830x830.jpg 830w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/TruthHall-1-230x230.jpg 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/TruthHall-1-350x350.jpg 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/TruthHall-1-480x480.jpg 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/TruthHall-1-600x600.jpg 600w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/TruthHall-1.jpg 1206w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>&nbsp;<\/p>\n<div class=\"headline-container\">\n<hr \/>\n<div class=\"f kv _SWb\">\n<h2>Anthologies:<\/h2>\n<h3><a href=\"https:\/\/www.adesolaakinleye.com\/books\/reclaiming-ballet\/\"><b>(re:)claiming ballet Edited by<\/b><\/a><a href=\"https:\/\/www.intellectbooks.com\/adesola-akinleye\"><b> Adesola Akinleye<\/b><\/a> Intellect Books<\/h3>\n<p><a href=\"https:\/\/www.intellectbooks.com\/re-claiming-ballet#_Toc37997442\">Chapter 9: Dance Theatre of Harlem\u2019s radicalization of ballet in 1970s &amp; 1980s \u2013 Theresa Ruth Howard\u00a0\u00a0<\/a><\/p>\n<h2>ARTICLES:<\/h2>\n<h3><a href=\"https:\/\/www.dancemagazine.com\/nikisha-fogo-2\/\"><b>Nikisha Fogo Is The New Frontier<\/b><\/a><\/h3>\n<p><a href=\"https:\/\/www.dancemagazine.com\/nikisha-fogo-2\/\">https:\/\/www.dancemagazine.com\/nikisha-fogo-2\/<\/a><\/p>\n<h3><a href=\"https:\/\/www.dancemagazine.com\/imani-sailers\/\"><b>Meet Imani Sailers, the Rising Nashville Ballet Dancer Advocating for Black\u00a0<\/b><\/a><\/h3>\n<p><a href=\"https:\/\/www.dancemagazine.com\/imani-sailers\/\">https:\/\/www.dancemagazine.com\/imani-sailers\/<\/a><\/p>\n<div class=\"headline-container\">\n<h3 class=\"headline h1\" data-type=\"text\">What the Reactions to Debora Chase-Hicks\u2019 Death Revealed About Divisions in the Dance World <span class=\"post-date\">Jun 22, 2021<\/span><\/h3>\n<p><a href=\"https:\/\/www.dancemagazine.com\/debora-chase-hicks-2653480846.html\" target=\"_blank\" rel=\"noopener\">https:\/\/www.dancemagazine.com\/debora-chase-hicks-2653480846.html<\/a><\/p>\n<hr \/>\n<\/div>\n<div class=\"headline-container\">\n<h3 class=\"headline h1\" data-type=\"text\">What Makes It So Difficult to Diversify Ballet Faculties? <span class=\"post-date\">Feb 17, 2021<br \/>\n<\/span><\/h3>\n<p><a href=\"https:\/\/www.dancemagazine.com\/what-makes-it-so-difficult-to-diversify-ballet-faculties-2650514881.html?rebelltitem=1#rebelltitem1\" target=\"_blank\" rel=\"noopener\">https:\/\/www.dancemagazine.com\/what-makes-it-so-difficult-to-diversify-ballet-faculties-2650514881.html?rebelltitem=1#rebelltitem1<\/a><\/p>\n<hr \/>\n<div class=\"headline-container\">\n<h3 class=\"headline h1\" data-type=\"text\">Tokenism vs. Representation: How Can We Tell Them Apart?<span class=\"post-date\">Jan 19, 2021<\/span><\/h3>\n<p><a href=\"https:\/\/www.dancemagazine.com\/tokenism-vs-representation-2650025235.html\" target=\"_blank\" rel=\"noopener\">https:\/\/www.dancemagazine.com\/tokenism-vs-representation-2650025235.html<\/a><\/p>\n<hr \/>\n<\/div>\n<div class=\"widget__shares share-panel\">\n<div class=\"headline-container\">\n<h3 class=\"headline h1\" data-type=\"text\">What the Staatsballett Berlin Case Tells Us About the Power of Artistic Staff <span class=\"post-date\">Dec 16, 2020<\/span><\/h3>\n<p><a href=\"https:\/\/www.dancemagazine.com\/chloe-lopes-gomes-racism-2649520212.html?rebelltitem=1#rebelltitem1\" target=\"_blank\" rel=\"noopener\">https:\/\/www.dancemagazine.com\/chloe-lopes-gomes-racism-2649520212.html?rebelltitem=1#rebelltitem1<\/a><\/p>\n<hr \/>\n<div class=\"headline-container\">\n<h3 class=\"headline h1\" data-type=\"text\">Op-Ed: Where is Your Outrage? Where is Your Support? <span class=\"post-date\">Jun 01, 2020<\/span><\/h3>\n<p><a href=\"https:\/\/www.dancemagazine.com\/dance-companies-black-lives-matter-2646141415.html\" target=\"_blank\" rel=\"noopener\">https:\/\/www.dancemagazine.com\/dance-companies-black-lives-matter-2646141415.html<\/a><\/p>\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<h3><strong>COVER: Carlos Acosta Can&#8217;t Stop, Won&#8217;t Stop June 2020\/ Carlos Acosta is Shaking up Ballet&#8217;s Tradition May11, 2020<br \/>\n<\/strong><\/h3>\n<p><a href=\"https:\/\/www.dancemagazine.com\/carlos-acosta-is-shaking-up-ballets-traditions-2645886231.html?rebelltitem=9#rebelltitem9\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.dancemagazine.com\/carlos-acosta-is-shaking-up-ballets-traditions-2645886231.html?rebelltitem=9#rebelltitem9<\/a><\/p>\n<p><em>(response to Covid 19)<\/em><\/p>\n<hr \/>\n<h3><strong>An Open Letter to the Dance Community: Stay Strong\u2014the Light Comes with the Dawn <span class=\"post-date\">Mar 20, 2020<\/span><\/strong><\/h3>\n<p><a href=\"https:\/\/www.dancemagazine.com\/coronavirus-dance-2645549687.html\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.dancemagazine.com\/coronavirus-dance-2645549687.html<\/a><\/p>\n<hr \/>\n<h3><strong>Where Are Our Singers of Color? <\/strong>Aug 5, 2019<\/h3>\n<p><a href=\"https:\/\/medium.com\/@OPERAAmerica\/where-are-our-singers-of-color-2c23e3b99223\" target=\"_blank\" rel=\"noopener\">https:\/\/medium.com\/@OPERAAmerica\/where-are-our-singers-of-color-2c23e3b99223<\/a><\/p>\n<hr \/>\n<h3><strong>Has Coronavirus Turned Instagram Into What It Actually Should Be? <span class=\"post-date\">Apr 09, 2020<\/span><\/strong><\/h3>\n<p><a href=\"https:\/\/www.dancemagazine.com\/coronavirus-instagram-2645671530.html?rebelltitem=1#rebelltitem1\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.dancemagazine.com\/coronavirus-instagram-2645671530.html?rebelltitem=1#rebelltitem1<\/a><\/p>\n<hr \/>\n<\/div>\n<h3><strong>The Kinesthetic Multilingualism of Nikisha Fogo, Vienna State Ballet First Soloist <span class=\"post-date\">Aug 06, 2019<\/span><\/strong><\/h3>\n<p><a href=\"https:\/\/www.dancemagazine.com\/nikisha-fogo-2639609121.html?rebelltitem=2#rebelltitem2\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.dancemagazine.com\/nikisha-fogo-2639609121.html?rebelltitem=2#rebelltitem2<\/a><\/p>\n<hr \/>\n<h3><strong>COVER: What Dance Theatre of Harlem Means Today <span class=\"post-date\">Mar 06, 2019<\/span><\/strong><\/h3>\n<div class=\"headline-container\"><span class=\"post-date\"><span class=\"post-date\"><a href=\"https:\/\/www.dancemagazine.com\/dance-theatre-of-harlem-2630727337.html\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.dancemagazine.com\/dance-theatre-of-harlem-2630727337.html<\/a><br \/>\n<\/span><\/span><\/div>\n<hr \/>\n<\/div>\n<div class=\"headline-container\">\n<h3><strong>Meet 9 DTH Alumni Who Continue to Spread Arthur Mitchell&#8217;s Legacy <span class=\"post-date\">Mar 06, 2019<\/span><\/strong><\/h3>\n<p><a href=\"https:\/\/www.dancemagazine.com\/9-dth-alumni-who-are-continuing-arthur-mitchells-legacy-today-2630729482.html?rebelltitem=1#rebelltitem1\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.dancemagazine.com\/9-dth-alumni-who-are-continuing-arthur-mitchells-legacy-today-2630729482.html?rebelltitem=1#rebelltitem1<\/a><\/p>\n<\/div>\n<hr \/>\n<h3><strong>Nashville Ballet&#8217;s New Full-Length Shows What Inclusion in Ballet Could Look Like <span class=\"social-date__text\">Feb 05, 2019<\/span><\/strong><\/h3>\n<p><a href=\"https:\/\/www.dancemagazine.com\/search\/?q=Lucy+Negro\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.dancemagazine.com\/search\/?q=Lucy+Negro<\/a><\/p>\n<hr \/>\n<h3><strong>Arthur Mitchell&#8217;s Memorial Was Both A Homegoing &amp; A Homecoming <span class=\"social-date__text\">Dec 07, 2018<\/span><\/strong><\/h3>\n<p><a href=\"https:\/\/www.dancemagazine.com\/search\/?q=Arthur+mitchell+homegoing\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.dancemagazine.com\/search\/?q=Arthur+mitchell+homegoing<\/a><\/p>\n<hr \/>\n<h3><strong> Is Classical Ballet Ready to Embrace Flesh-Tone Tights? <span class=\"social-date__text\">Oct 16, 2018<\/span><\/strong><\/h3>\n<p><a href=\"https:\/\/www.dancemagazine.com\/ballet-flesh-tone-tights-2612825762.html\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.dancemagazine.com\/ballet-flesh-tone-tights-2612825762.html<\/a><\/p>\n<hr \/>\n<h3><strong> Give, Take, Show: Remembering Arthur Mitchell <span class=\"social-date__text\">Sep 26, 2018<\/span><\/strong><\/h3>\n<p><a href=\"https:\/\/www.dancemagazine.com\/search\/?q=give+take+show\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.dancemagazine.com\/search\/?q=give+take+show<\/a><\/p>\n<hr \/>\n<h3><strong>Is Instagram Changing The Dance World&#8217;s Value System? July, 16 2018<\/strong><\/h3>\n<p><a href=\"https:\/\/www.dancemagazine.com\/instagram-dance-2585216791.html\">https:\/\/www.dancemagazine.com\/instagram-dance-2585216791.html<\/a><\/p>\n<hr \/>\n<h3><strong>Joffrey Ballet Puts Choreographers Of Color In The Spotlight<\/strong><\/h3>\n<p>https:\/\/www.dancemagazine.com\/search\/?q=Joffrey+Ballet+Puts+Choreographers+Of+Color+In+The+Spotlight+<\/p>\n<hr \/>\n<h3><strong><span style=\"color: #000000;\">A Dancer&#8217;s Take on &#8220;This is America&#8221;: Is The Dance A Distraction Or Something Deeper? <\/span><span class=\"social-date__text\">May 10, 2018<\/span><\/strong><\/h3>\n<p><a href=\"https:\/\/www.dancemagazine.com\/this-is-america-dance-2567663747.html\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.dancemagazine.com\/this-is-america-dance-2567663747.html<\/a><\/p>\n<hr \/>\n<h3><strong>How Kyle Abraham Feels About Being NYCB&#8217;s First Black Choreographer in More Than a Decade May 02, 2018<\/strong><\/h3>\n<p><a href=\"https:\/\/www.dancemagazine.com\/kyle-abraham-new-york-city-ballet-2565312289.html\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.dancemagazine.com\/kyle-abraham-new-york-city-ballet-2565312289.html<\/a><\/p>\n<hr \/>\n<h3><strong>Dada Masilo&#8217;s Alternative Giselle Joins The #TimesUp Movement April 09, 2018<\/strong><\/h3>\n<p><a href=\"https:\/\/www.dancemagazine.com\/search\/?q=Dada+Masilo%27s+Alternative+Giselle+Joins+The+%23TimesUp+Movement+\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.dancemagazine.com\/search\/?q=Dada+Masilo%27s+Alternative+Giselle+Joins+The+%23TimesUp+Movement+<\/a><\/p>\n<hr \/>\n<h3><strong>COVER: Don&#8217;t Dare Underestimate Camille A. Brown March 19, 2018<br \/>\n<\/strong><\/h3>\n<p><a href=\"https:\/\/www.dancemagazine.com\/camille-a-brown-2545071257.html\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.dancemagazine.com\/camille-a-brown-2545071257.html<\/a><strong><br \/>\n<\/strong><\/p>\n<hr \/>\n<h3><strong>Dance Theatre of Harlem was My Wakanda March 5, 2018<\/strong><\/h3>\n<p><a href=\"https:\/\/www.dancemagazine.com\/wakanda-2543192259.html\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.dancemagazine.com\/wakanda-2543192259.html<\/a><\/p>\n<hr \/>\n<h3><strong>Inside IABD&#8217;s New Ballet Audition for Men of Color February 20, 2018<\/strong><\/h3>\n<p><a href=\"https:\/\/www.dancemagazine.com\/search\/?q=Inside+IABD%27s+New+Ballet+Audition+for+Men+of+Color\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.dancemagazine.com\/search\/?q=Inside+IABD%27s+New+Ballet+Audition+for+Men+of+Color<\/a><\/p>\n<hr \/>\n<h3><strong>A Radical Reimagining of Ballet in 2018<\/strong><\/h3>\n<p><a href=\"http:\/\/www.dancemagazine.com\/radical-reimagining-of-ballet-2523972429.html\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.dancemagazine.com\/radical-reimagining-of-ballet-2523972429.html<\/a><\/p>\n<hr \/>\n<h3><strong>&#8216;Tis the Season for Black Claras<\/strong><\/h3>\n<p><a href=\"http:\/\/www.dancemagazine.com\/tis-the-season-black-claras-2519145110.html\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.dancemagazine.com\/tis-the-season-black-claras-2519145110.html<\/a><\/p>\n<hr \/>\n<h3><strong>Op-Ed: Why We Need To Confront Bias in Dance Criticism<\/strong><\/h3>\n<p><a href=\"http:\/\/www.dancemagazine.com\/op-ed-we-need-to-confront-racial-and-cultural-biases-in-dance-criticism-2468342343.html\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.dancemagazine.com\/op-ed-we-need-to-confront-racial-and-cultural-biases-in-dance-criticism-2468342343.html<\/a><\/p>\n<hr \/>\n<h3><strong>How SAB Is Working To Fix NYCB\u2019s Diversity Problem<\/strong><\/h3>\n<p><a href=\"http:\/\/www.dancemagazine.com\/school-of-american-ballet-diversity-2441800858.html\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.dancemagazine.com\/school-of-american-ballet-diversity-2441800858.html<\/a><\/p>\n<hr \/>\n<h3><strong>Op-Ed: Is Ballet &#8220;Brown Bagging&#8221; It?<\/strong><\/h3>\n<p><a href=\"http:\/\/www.dancemagazine.com\/is-ballet-brown-bagging-it-2343051742.html\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.dancemagazine.com\/is-ballet-brown-bagging-it-2343051742.html<\/a><\/p>\n<hr \/>\n<h3><strong>Diversity Is the New Black<\/strong><\/h3>\n<p><a href=\"http:\/\/www.dancemagazine.com\/diversity-is-the-new-black-2307002349.html\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.dancemagazine.com\/diversity-is-the-new-black-2307002349.html<\/a><\/p>\n<hr \/>\n<h3><strong>Rant &amp; Rave: And Now a Word From the Darker Side<\/strong><\/h3>\n<p><a href=\"http:\/\/www.dancemagazine.com\/rant__rave_and_now_a_word_from_the_darker_side-2306875242.html\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.dancemagazine.com\/rant__rave_and_now_a_word_from_the_darker_side-2306875242.html<\/a><\/p>\n<hr \/>\n<h3><strong>Camille A. Brown\u2019s BLACK GIRL:LINGUISTIC PLAY presented at the Joyce Theater <\/strong><\/h3>\n<p><a href=\"http:\/\/www.mybodymyimage.com\/camille-a-browns-black-girllinguistic-play-presented-at-the-joyce-theater\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.mybodymyimage.com\/camille-a-browns-black-girllinguistic-play-presented-at-the-joyce-theater<\/a><\/p>\n<hr \/>\n<h3><strong>IABD\u2019s First Ever Ballet Audition For Women of Color: A step in a New Direction<\/strong><\/h3>\n<p><a href=\"http:\/\/www.mybodymyimage.com\/iabds-first-ever-ballet-audition-for-women-of-color-a-step-in-a-new-direction\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.mybodymyimage.com\/iabds-first-ever-ballet-audition-for-women-of-color-a-step-in-a-new-direction<\/a><\/p>\n<hr \/>\n<h3><strong>The Misty-rious Case of the Vanishing Ballerinas of Color: Where have all the Others Gone?<\/strong><\/h3>\n<p><a href=\"http:\/\/www.mybodymyimage.org\/the-misty-rious-case-of-the-vanishing-ballerinas-of-color-where-have-all-the-others-gone\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.mybodymyimage.org\/the-misty-rious-case-of-the-vanishing-ballerinas-of-color-where-have-all-the-others-gone<\/a><\/p>\n<hr \/>\n<h3><strong>And Now A Word From the Darker Side- Rant &amp; Rave<\/strong><\/h3>\n<p><a href=\"https:\/\/www.dancemagazine.com\/rant__rave_and_now_a_word_from_the_darker_side-2306875242.html\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.dancemagazine.com\/rant__rave_and_now_a_word_from_the_darker_side-2306875242.html<\/a><\/p>\n<hr \/>\n<h3><strong>What is in a Name?<\/strong><\/h3>\n<p><a href=\"https:\/\/www.dancemagazine.com\/whats_in_a_name-2306862417.html\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.dancemagazine.com\/whats_in_a_name-2306862417.html<\/a><\/p>\n<hr \/>\n<h3>ON BODY IMAGE:<\/h3>\n<p class=\"r\"><a href=\"http:\/\/www.dancemagazine.org\/learn-to-love-your-body-2306864843.html\">Learn To Love Your Body &#8211; dancemagazine<\/a><\/p>\n<div class=\"s\">\n<div>\n<div class=\"f kv _SWb\">\n<p class=\"entry-title\"><a href=\"http:\/\/www.mybodymyimage.org\/an-open-letter-to-my-body\" rel=\"bookmark\">An Open Letter to My Body<\/a><\/p>\n<p><a href=\"http:\/\/www.mybodymyimage.org\/black-a-rina-body-of-mind\" rel=\"bookmark\">Black-a-Rina: Body of Mind<\/a><\/p>\n<hr \/>\n<h3>SPEAKING ENGAGEMENTS:<\/h3>\n<div id=\"content\" class=\"style-scope ytd-app\">\n<div id=\"masthead-container\" class=\"style-scope ytd-app\">\n<div id=\"ticker\" class=\"style-scope ytd-masthead\"><\/div>\n<div id=\"interstitial\" class=\"style-scope ytd-masthead\">\n<h2 class=\"title style-scope ytd-video-primary-info-renderer\">B.Motion CONNECTS with Peggy Olislaegers &amp; Theresa Ruth Howard Aug 26, 2020<\/h2>\n<\/div>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/zHuXpjqQadM\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<\/div>\n<\/div>\n<h2 id=\"text-container\" class=\"style-scope ytd-channel-name\">Creative Vitality Jam Sessions with Helen Pickett Jul 15, 2020<\/h2>\n<h2><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/APz7H5fDkVg\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/h2>\n<h2 class=\"title style-scope ytd-video-primary-info-renderer\">PNB is Listening &#8211; Episode One Jun 18, 2020<\/h2>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/wVctdMQABuc\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div id=\"info\" class=\"style-scope ytd-video-primary-info-renderer\">\n<div id=\"flex\" class=\"style-scope ytd-video-primary-info-renderer\"><\/div>\n<\/div>\n<h2 class=\"title style-scope ytd-video-primary-info-renderer\"><span class=\"style-scope yt-formatted-string\" dir=\"auto\">Episode 29 | <\/span><a class=\"yt-simple-endpoint style-scope yt-formatted-string\" dir=\"auto\" spellcheck=\"false\" href=\"https:\/\/www.youtube.com\/results?search_query=%23TheresaRuthHoward\">#TheresaRuthHoward<\/a><span class=\"style-scope yt-formatted-string\" dir=\"auto\"> &#8211; MoBBallet Feb 19, 2020<br \/>\n<\/span><\/h2>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/itgDyXeTAlI\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h2 class=\"title style-scope ytd-video-primary-info-renderer\">Ready for change | Royal Academy of Dance Oct 7, 2020<\/h2>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/LZ_FVt6rV-k\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h2><strong>Museum at FIT <span class=\"style-scope yt-formatted-string\" dir=\"auto\">Ballerina: Fashion\u2019s Modern Muse<\/span> Symposium 2020 (New York, NY USA)<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/JKPQzNAJfoM\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/h2>\n<p><strong>Pillow Voices:<\/strong><\/p>\n<p class=\"sc-episode-details-title\"><a href=\"https:\/\/pillowvoices.org\/episodes\/dance-theater-of-harlem-an-homage-to-the-work-of-arthur-mitchell-llVpzu21\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Dance Theater of Harlem: An Homage To The Work Of Arthur Mitchell<\/strong><\/a><\/p>\n<h2><strong>Young Talent Festival: The Royal Ballet School 2019 (London, UK)<\/strong><\/h2>\n<p>KEYNOTE: <em>Exposure, Access and Opportunity: Exploring the Cultural Barriers to Ballet Training<\/em><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/E2-O9SNE1Dc\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h2>Jacob&#8217;s Pillow Dance Festival Post Talk: <strong>David Rouss\u00e8ve (Becket MA, USA)<\/strong><\/h2>\n<h2><em>Scholar in Residence 2020<\/em><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/MNPxPc6uJQs\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\n<strong>Jacob&#8217;s Pillow Dance Festival Post Talk: Dance Theatre of Harlem 2020 (Becket MA, USA)<\/strong><\/h2>\n<p><strong><em>Scholar in Residence 2020<\/em> <\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/y8EIppoCVPQ\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h2><strong>Dutch National Ballet Positioning Ballet Conference\u00a0 2017 (Amsterdam, Netherlands)<\/strong><\/h2>\n<p>KEYNOTE: <em>Deconstructing the Anatomy of Culture and Leadership in Ballet <\/em><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/JfznzloPhbY\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/p>\n<h2><strong>Dutch National Ballet Positioning Ballet Conference\u00a0 2015 (Amsterdam,Netherlands )<\/strong><\/h2>\n<p>KEYNOTE: <em>Blacks in Ballet: We are not Unicorns<\/em><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/z-96zhPdEow\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<h2><strong>Pacific NorthWest Ballet: Beyond Ballet a Town Hall <\/strong><strong>2017 (Seattle, WA USA)<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/5ajW44ElUL8\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\" data-mce-fragment=\"1\"><\/iframe><\/h2>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<div class=\"post-author\" style=\"text-align: center;\"><a href=\"https:\/\/mobballet.org\/index.php\/digital-learning-hub\/\"><strong>Back to the Digital Learning Hub<\/strong><\/a><\/div>\n<p><span class=\"post-date\">\u00a0<\/span><\/p>\n<\/div>\n<\/div>\n<p><strong>\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Anthologies: (re:)claiming ballet Edited by Adesola Akinleye Intellect Books Chapter 9: Dance Theatre of Harlem\u2019s radicalization of ballet in 1970s &amp; [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":6184,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[241,1],"tags":[],"class_list":["post-2534","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-resource-center","category-uncategorized"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/TruthHall-1.jpg","_links":{"self":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/2534","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/comments?post=2534"}],"version-history":[{"count":42,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/2534\/revisions"}],"predecessor-version":[{"id":19110,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/2534\/revisions\/19110"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/media\/6184"}],"wp:attachment":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/media?parent=2534"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/categories?post=2534"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/tags?post=2534"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}