{"id":3536,"date":"2019-10-08T14:05:16","date_gmt":"2019-10-08T14:05:16","guid":{"rendered":"https:\/\/mobballet.org\/?p=3536"},"modified":"2025-04-21T07:16:28","modified_gmt":"2025-04-21T07:16:28","slug":"percy-muntslag","status":"publish","type":"post","link":"https:\/\/mobballet.org\/index.php\/2019\/10\/08\/percy-muntslag\/","title":{"rendered":"Percy Muntslag"},"content":{"rendered":"<div class=\"text-wrap tlid-copy-target\">\n<h2 tabindex=\"0\"><strong><span class=\"tlid-translation translation\" lang=\"en\">Percy Muntslag<\/span><\/strong><\/h2>\n<h2 tabindex=\"0\"><strong>Dutch National Ballet<\/strong><\/h2>\n<\/div>\n<div class=\"text-wrap tlid-copy-target\">\n<div class=\"result-shield-container tlid-copy-target\" tabindex=\"0\">\n<p><span class=\"tlid-translation translation\" lang=\"en\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-3537\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2019\/10\/Percy4.jpg\" alt=\"\" width=\"232\" height=\"359\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2019\/10\/Percy4.jpg 578w, https:\/\/mobballet.org\/wp-content\/uploads\/2019\/10\/Percy4-194x300.jpg 194w, https:\/\/mobballet.org\/wp-content\/uploads\/2019\/10\/Percy4-230x355.jpg 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2019\/10\/Percy4-350x541.jpg 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2019\/10\/Percy4-480x742.jpg 480w\" sizes=\"auto, (max-width: 232px) 100vw, 232px\" \/>Percy Muntslag was an important figure in the Surinamese theater from the 1960s. He was, among other things, a dancer with the Dutch National Ballet during the 1960\/61 season.<\/span><\/p>\n<p>In 1960, Muntslag choreographed <em>Tango Classique<\/em> with music by August Meye. In 1966, Muntslag and Gerda Zaandam brought the ballet <em>Swietie<\/em> to music by Eddy Snijders.<\/p>\n<p>In 1968, he started his own ballet studio, with which he brought, among other things, a program of dancing based on his own stories.<\/p>\n<p>In the 1970s, Muntslag regularly participated in productions of the Doe Theater under Thea Doelwijt and Henk Tjon. The Doe Theater made socially critical cabaret and theater performances. They started from a stage where the great cultural diversity in Suriname formed the breeding ground for the theater. Muntslag also regularly collaborated with the choreographer Ilse-Marie Hajary, the founder of the &#8220;dogla&#8221; style.<\/p>\n<p>In 1978 Muntslag choreographed the afro-Surinamese folklore show <em>Mekoenoe<\/em>.<\/p>\n<p>Muntslag also taught at the School of Dramatic Art, Suriname. It was established in 1965 and originated from the Cultural Committee Suriname (CCS). The school was led by Henk Zoutendijk.<\/p>\n<\/div>\n<div tabindex=\"0\">\n<p><span class=\"tlid-translation translation\" lang=\"en\"><span class=\"\" title=\"\">In 1982 a festival was organized for the 145th anniversary of the Thalia Theater.<\/span> <span class=\"\" title=\"\">The semi-professional National Ballet of Suriname, which was founded five years earlier, presented a performance consisting of various choreographies, including <em>Episodes<\/em> by Muntslag.<\/span> <span class=\"\" title=\"\">In this performance, Muntslag translated emotions of a human life into dance form.<\/span><\/span><\/p>\n<p><span class=\"\" title=\"\">In 1985 at the Mickery Theater, Muntslag made, along with Thea Doelwijt, <em>Mi kondre tru, mi lobi yu<\/em> (My country, I love you), an experimental theater play on the theme of forgetting, forgiving, and surviving.<\/span> <span class=\"\" title=\"\">On December 8, 1988, he performed in the reading of <em>The Tears of Den Uyl<\/em> (written by Hugo Pos) at the seventh commemoration of the December murders.<\/span> <span title=\"\">In six short acts, Pos outlines the developments from 1975 to 1983 with journalist Jozef Slagveer as the central figure.<\/span><\/p>\n<p><strong>Source:<\/strong><\/p>\n<p><a href=\"https:\/\/theaterencyclopedie.nl\/wiki\/Percy_Muntslag\" target=\"_blank\" rel=\"noopener noreferrer\">Percy Muntslag, Theater Encyclopedie<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Percy Muntslag Dutch National Ballet Percy Muntslag was an important figure in the Surinamese theater from the 1960s. He was, among other [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[73],"tags":[],"class_list":["post-3536","post","type-post","status-publish","format-standard","hentry","category-dancers"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/3536","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/comments?post=3536"}],"version-history":[{"count":5,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/3536\/revisions"}],"predecessor-version":[{"id":7183,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/3536\/revisions\/7183"}],"wp:attachment":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/media?parent=3536"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/categories?post=3536"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/tags?post=3536"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}