{"id":5209,"date":"2020-09-27T15:34:53","date_gmt":"2020-09-27T15:34:53","guid":{"rendered":"https:\/\/mobballet.org\/?p=5209"},"modified":"2025-04-21T07:16:27","modified_gmt":"2025-04-21T07:16:27","slug":"walter-raines","status":"publish","type":"post","link":"https:\/\/mobballet.org\/index.php\/2020\/09\/27\/walter-raines\/","title":{"rendered":"Walter Raines"},"content":{"rendered":"<h2><strong>Walter Raines<\/strong><\/h2>\n<h2><strong>Dance Theatre of Harlem<\/strong><br \/>\n<strong> Stuttgart Ballet 1964-1966<\/strong><br \/>\n<strong>Pennsylvania Ballet<\/strong><\/h2>\n<p><b><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-6107\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-27-at-11.36.36-AM.png\" alt=\"\" width=\"190\" height=\"186\" \/><\/b><\/p>\n<figure id=\"attachment_5210\" aria-describedby=\"caption-attachment-5210\" style=\"width: 300px\" class=\"wp-caption alignright\"><a href=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/08\/9656_ca_object_representations_media_426_large.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5210 size-medium\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/08\/9656_ca_object_representations_media_426_large-300x238.jpg\" alt=\"\" width=\"300\" height=\"238\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/08\/9656_ca_object_representations_media_426_large-300x238.jpg 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/08\/9656_ca_object_representations_media_426_large-230x182.jpg 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/08\/9656_ca_object_representations_media_426_large-350x277.jpg 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/08\/9656_ca_object_representations_media_426_large-480x380.jpg 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/08\/9656_ca_object_representations_media_426_large-600x475.jpg 600w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/08\/9656_ca_object_representations_media_426_large.jpg 760w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-5210\" class=\"wp-caption-text\">Raines with <a href=\"https:\/\/mobballet.org\/index.php\/2020\/09\/04\/gerald-banks\/\" target=\"_blank\" rel=\"noopener noreferrer\">Gerald Banks<\/a>, <a href=\"https:\/\/mobballet.org\/index.php\/2020\/09\/27\/samuel-smalls\/\" target=\"_blank\" rel=\"noopener noreferrer\">Samuel Smalls<\/a>, and <a href=\"https:\/\/mobballet.org\/index.php\/2021\/01\/05\/derek-williams\/\" target=\"_blank\" rel=\"noopener\">Derek Williams<\/a> in <em>Ode to Otis<\/em>.<\/figcaption><\/figure>\n<p>Walter Raines <span style=\"font-weight: 400;\">was one of the founding members of Dance Theatre of Harlem. He performed with the company in their <\/span><a href=\"https:\/\/mobballet.org\/index.php\/2019\/11\/25\/sylvester-campbell-leaves-the-dutch-national-ballet-dance-theatre-of-harlem-premieres-at-jacobs-pillow\/\">first performance at Jacob\u2019s Pillow<\/a><span style=\"font-weight: 400;\">. A native of Pennsylvania, Raines studied dance at Pittsburgh Playhouse School of Theatre &amp; Dance, Carnegie-Mellon University, and the School of American Ballet. He danced with the Pennsylvania and Stuttgart Ballets and became a charter member of Dance Theatre of Harlem in 1969. He later switched to teaching at City University of New York and served as chairman of the ballet department of the Alvin Ailey American Dance Center. Raines became co-director of the DTH school in 1989 and sole director a year later.<\/span><\/p>\n<p><strong>An excerpt from Raines&#8217; obituary <a href=\"https:\/\/www.nytimes.com\/1994\/08\/31\/obituaries\/walter-raines-54-dancer-and-choreographer.html\" target=\"_blank\" rel=\"noopener noreferrer\">Walter Raines, 54, Dancer and Choreographer<\/a>:<\/strong><\/p>\n<div class=\"css-1fanzo5 StoryBodyCompanionColumn\">\n<div class=\"css-53u6y8\">\n<p class=\"css-158dogj evys1bk0\">Walter Raines, a dancer and teacher who was a charter member of Dance Theater of Harlem and the director of its school, died on Sunday at his home in Manhattan. He was 54.<\/p>\n<p class=\"css-158dogj evys1bk0\">The cause was AIDS, said Jeffrey Hankinson, his cousin.<\/p>\n<p class=\"css-158dogj evys1bk0\">Mr. Raines was a classical ballet dancer of an elegance so unyielding that he could stand on his hands for two minutes, or so it seemed in Arthur Mitchell&#8217;s &#8220;Biosfera,&#8221; without losing his distinguished look. But Mr. Raines also choreographed, taught ballet at several universities as well as at Dance Theater of Harlem, staged rock acts and Off Broadway plays and was even responsible for the art direction and costumes for the film &#8220;The Cruz Brothers and Miss Malloy&#8221; (1980).<\/p>\n<p class=\"css-158dogj evys1bk0\">&#8220;I&#8217;ve been warned against being a jack-of-all-trades and master of none,&#8221; Mr. Raines said in a 1977 interview, &#8220;but when I die I&#8217;d just like to be called &#8216;a man of the theater.'&#8221;<\/p>\n<p class=\"css-158dogj evys1bk0\">Mr. Raines was born in Braddock, Pa., and trained in dance at the Pittsburgh Playhouse School of Theater and Dance and the New York City Ballet-affiliated School of American Ballet. He was also a graduate of Carnegie-Mellon University. In addition to his career with the Harlem company, where he danced from 1968 to 1978, Mr. Raines performed with the Stuttgart Ballet in Germany and the Pennsylvania Ballet.<\/p>\n<p class=\"css-158dogj evys1bk0\">He was an associate professor at City College of New York from 1978 to 1989 and headed several programs at the Alvin Ailey American Dance Center in the 1980&#8217;s. He was also a guest teacher in Germany at the Tanz-Forum der Oper der Stadt Koln, at the Vienna Opera Ballet and at Den Norske Ballet of Oslo.<\/p>\n<p class=\"css-158dogj evys1bk0\">Mr. Raines created ballets for companies including Dance Theater of Harlem and the Capitol Ballet of Washington. He was the first black choreographer to work at the Royal Opera in London, creating the dance and musical staging for Michael Tippett&#8217;s &#8220;Ice Break&#8221; in 1977.<\/p>\n<p class=\"css-158dogj evys1bk0\"><span class=\"LrzXr kno-fv wHYlTd z8gr9e\"><a class=\"fl\" href=\"https:\/\/www.google.com\/search?client=firefox-b-1-d&amp;sca_esv=52b6d338ebf5aab8&amp;q=Cranko:+The+Man+and+His+Choreography+Ashley+Killar&amp;si=ACC90nwLLwns5sISZcdzuISy7t-NHozt8Cbt6G3WNQfC9ekAgKAaLSFfsZvvd2RaRaDAmKqIlMbugLphyQWDYtx04zRJPstWQKNXamCoSl3pMquprR0r2jjkxPo7XxR9kon6WxWz_fqfISUU-zj_kMvGE5ZGq2S7_mFuPxa5TCfmoWsGZCxGzjxa9z075cQW6yWkw4mTcxIn3f-CNJ6p_ZpDCxM2x_x3zO3yofAqD6gvwJQtNS38O2h0G08qR556408uc7TRmWxG&amp;sa=X&amp;ved=2ahUKEwiG8vyFpKSJAxXfWkEAHZFABVMQmxMoAHoECAkQAg\" data-ved=\"2ahUKEwiG8vyFpKSJAxXfWkEAHZFABVMQmxMoAHoECAkQAg\">Cranko: The Man and His Choreography by Ashley Killar<\/a><\/span><br \/>\n<em>\u00a0 &#8220;One afternoon, John told me that a new male recruit, recommended by someone in America, was arriving from Atlanta, and asked me to look after him.\u00a0 In class the next morning I saw that he was a very strong dancer. I duly took him to the canteen to meet John [Cranko], who wasted no time on pleasantries: why did he dance?, what were his other interests? Within minutes it became clear that the young newcomer saw little wrong with racial segregation. The conversation broke off abruptly and John went back to his crossword. The next morning the new boy was called out of class and by the end of it he and his things had disappeared.Three weeks later, an AfricanAmerican dancer, Walter Raines, arrived. He was not as physically gifted a dancer as his predecessor, but he was already in possession of a contract. Walter went on to dance with the Dance Theatre of Harlem and then to direct its school&#8221; (203).<\/em><\/p>\n<\/div>\n<aside class=\"css-ew4tgv\" aria-label=\"companion column\"><\/aside>\n<\/div>\n<div class=\"css-1fanzo5 StoryBodyCompanionColumn\">\n<div class=\"css-53u6y8\">\n<p class=\"css-158dogj evys1bk0\">\n<figure id=\"attachment_7065\" aria-describedby=\"caption-attachment-7065\" style=\"width: 852px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-7065 size-full\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/11\/arthur-mitchell-balanchine-.png\" alt=\"\" width=\"852\" height=\"564\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/11\/arthur-mitchell-balanchine-.png 852w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/11\/arthur-mitchell-balanchine--800x530.png 800w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/11\/arthur-mitchell-balanchine--300x199.png 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/11\/arthur-mitchell-balanchine--768x508.png 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/11\/arthur-mitchell-balanchine--830x549.png 830w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/11\/arthur-mitchell-balanchine--230x152.png 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/11\/arthur-mitchell-balanchine--350x232.png 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/11\/arthur-mitchell-balanchine--480x318.png 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/11\/arthur-mitchell-balanchine--600x397.png 600w\" sizes=\"auto, (max-width: 852px) 100vw, 852px\" \/><figcaption id=\"caption-attachment-7065\" class=\"wp-caption-text\"><a href=\"https:\/\/mobballet.org\/index.php\/2021\/01\/04\/roslyn-sampson\/\" target=\"_blank\" rel=\"noopener\">Roslyn Sampson<\/a> (second to left) and Walter Raines (far right) receiving direction from Arthur Mitchell (far left) and George Balanchine (second to right) in rehearsal for <em>Concerto for Jazz Band and Orchestra<\/em>.<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<figure id=\"attachment_10252\" aria-describedby=\"caption-attachment-10252\" style=\"width: 571px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2021-02-25-at-4.32.54-PM.png\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-10252\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2021-02-25-at-4.32.54-PM-300x200.png\" alt=\"\" width=\"571\" height=\"380\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2021-02-25-at-4.32.54-PM-300x200.png 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2021-02-25-at-4.32.54-PM-800x532.png 800w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2021-02-25-at-4.32.54-PM-768x511.png 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2021-02-25-at-4.32.54-PM-830x552.png 830w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2021-02-25-at-4.32.54-PM-230x153.png 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2021-02-25-at-4.32.54-PM-350x233.png 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2021-02-25-at-4.32.54-PM-480x319.png 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2021-02-25-at-4.32.54-PM-600x399.png 600w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2021-02-25-at-4.32.54-PM-272x182.png 272w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2021-02-25-at-4.32.54-PM.png 878w\" sizes=\"auto, (max-width: 571px) 100vw, 571px\" \/><\/a><figcaption id=\"caption-attachment-10252\" class=\"wp-caption-text\">Walter Raines instructing students at DTH. Photo via June 1974 <em>Ebony<\/em> magazine.<\/figcaption><\/figure>\n<p><b>Sources:\u00a0<\/b><\/p>\n<p><a href=\"https:\/\/archives.jacobspillow.org\/Detail\/objects\/4986\" target=\"_blank\" rel=\"noopener noreferrer\">Arthur Mitchell\u2019s Dance Theatre of Harlem, Jacob\u2019s Pillow<\/a><br \/>\n<a href=\"https:\/\/archives.jacobspillow.org\/Detail\/objects\/14222\" target=\"_blank\" rel=\"noopener noreferrer\">Ode to Otis Photograph, Jacob\u2019s Pillow<\/a><br \/>\n<a href=\"https:\/\/www.nytimes.com\/1994\/08\/31\/obituaries\/walter-raines-54-dancer-and-choreographer.html\" target=\"_blank\" rel=\"noopener noreferrer\">Walter Raines, 54, Dancer and Choreographer<\/a><br \/>\n<a href=\"https:\/\/books.google.co.in\/books?id=Jd4DAAAAMBAJ&amp;pg=PA106&amp;lpg=PA106&amp;dq=Yvonne+Hall,+ballet&amp;source=bl&amp;ots=iHEK9hTbaW&amp;sig=ACfU3U0s-eqlQI-ODkM3cDmafwD1cA0dtA&amp;hl=en&amp;sa=X&amp;ved=2ahUKEwjK_9HXmc7mAhWkxTgGHb0pDWUQ6AEwEnoECAoQAQ#v=onepage&amp;q=walter%20raines&amp;f=false\" target=\"_blank\" rel=\"noopener\">Where Talent Abounds, Ebony June 1974<\/a><\/p>\n<p><strong>See also:<br \/>\n<\/strong><\/p>\n<p><a href=\"https:\/\/archives.jacobspillow.org\/Detail\/objects\/14217\" target=\"_blank\" rel=\"noopener noreferrer\">Ode to Otis Photograph, Jacob\u2019s Pillow<\/a><br \/>\n<a href=\"https:\/\/www.latimes.com\/archives\/la-xpm-1994-09-02-mn-33889-story.html\" target=\"_blank\" rel=\"noopener noreferrer\">Walter Raines; Director of Harlem Dance Theater School, Los Angeles Times<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Walter Raines Dance Theatre of Harlem Stuttgart Ballet 1964-1966 Pennsylvania Ballet Walter Raines was one of the founding members of Dance Theatre [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[73],"tags":[],"class_list":["post-5209","post","type-post","status-publish","format-standard","hentry","category-dancers"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/5209","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/comments?post=5209"}],"version-history":[{"count":12,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/5209\/revisions"}],"predecessor-version":[{"id":19947,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/5209\/revisions\/19947"}],"wp:attachment":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/media?parent=5209"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/categories?post=5209"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/tags?post=5209"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}