{"id":5301,"date":"2020-09-04T14:11:21","date_gmt":"2020-09-04T14:11:21","guid":{"rendered":"https:\/\/mobballet.org\/?p=5301"},"modified":"2025-04-21T07:16:27","modified_gmt":"2025-04-21T07:16:27","slug":"betty-nichols","status":"publish","type":"post","link":"https:\/\/mobballet.org\/index.php\/2020\/09\/04\/betty-nichols\/","title":{"rendered":"Betty Nichols"},"content":{"rendered":"<div data-clpid=\"S9H24Ia-hUB3F4dJPE\">\n<h2><strong>Betty Nichols<\/strong><\/h2>\n<h2><strong>Ballet Society<br \/>\n<\/strong><\/h2>\n<p><a href=\"http:\/\/www.balletreview.com\/images\/Ballet_Review_41-3_Betty_Nichols.pdf\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-5302 alignleft\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/08\/Screen-Shot-2020-08-31-at-3.52.57-PM-224x300.png\" alt=\"\" width=\"224\" height=\"300\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/08\/Screen-Shot-2020-08-31-at-3.52.57-PM-224x300.png 224w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/08\/Screen-Shot-2020-08-31-at-3.52.57-PM-230x308.png 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/08\/Screen-Shot-2020-08-31-at-3.52.57-PM-350x469.png 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/08\/Screen-Shot-2020-08-31-at-3.52.57-PM-480x643.png 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/08\/Screen-Shot-2020-08-31-at-3.52.57-PM.png 487w\" sizes=\"auto, (max-width: 224px) 100vw, 224px\" \/><\/a><\/p>\n<p>Betty Nichols was one of the first Black students at the School of American Ballet, and in 1946 she became one of the members of Balanchine\u2019s Ballet Society. Nichols toured with Balanchine in Europe before the company was established as New York City Ballet. In addition to <a href=\"https:\/\/mobballet.org\/index.php\/2017\/06\/15\/1947-first-negro-classic-ballettalley-beatty-and-betty-nichols-performed-lew-christensens-blackface\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Blackface<\/em><\/a>, she was also featured in Todd Bolender\u2019s <em>Zodiac<\/em>. In a <a href=\"http:\/\/www.balletreview.com\/images\/Ballet_Review_41-3_Betty_Nichols.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">2013 interview<\/a>, she said, \u201cI started at the School of American Ballet, probably in 1943. I was the first black in the school. I knocked on the door and presented myself. I thought there was considerable surprise, but the door was opened, and that was it.\u201d She primarily studied modern during her time in Philadelphia and transitioned her focus towards ballet once she resided in New York.<\/p>\n<p>Nichols gained recognition through Ballet Society and became friends with Tanaquil (Tanny) who was also a dancer with Ballet Society and later went on to marry choreographer George Balanchine. Nichols thought highly of Le Clercq; she said \u201cTanny had been fantastic in Ballet Society\u2026something original\u201d and used to say to her \u201cKid, you\u2019re great.\u201d<\/p>\n<p>In 1949, Nichols \u201cdecided that [she] was going to take every penny out of the bank and go on a thr<a href=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/08\/Screen-Shot-2020-08-31-at-3.56.05-PM.png\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-5303 alignright\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/08\/Screen-Shot-2020-08-31-at-3.56.05-PM-300x297.png\" alt=\"\" width=\"300\" height=\"297\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/08\/Screen-Shot-2020-08-31-at-3.56.05-PM-300x297.png 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/08\/Screen-Shot-2020-08-31-at-3.56.05-PM-100x100.png 100w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/08\/Screen-Shot-2020-08-31-at-3.56.05-PM-150x150.png 150w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/08\/Screen-Shot-2020-08-31-at-3.56.05-PM-230x228.png 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/08\/Screen-Shot-2020-08-31-at-3.56.05-PM-350x346.png 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/08\/Screen-Shot-2020-08-31-at-3.56.05-PM-480x475.png 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/08\/Screen-Shot-2020-08-31-at-3.56.05-PM.png 482w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>ee-month cultural vacation to Europe.\u201d Her original companions, Hilda and Ana, both received other offers, and as soon as Le Clercq heard, she called and said \u201cBetty, can I take Ana\u2019s place?\u201d Thus, Nichols and Le Clercq embarked on a Europe trip together.<\/p>\n<p>When they were in Paris, Nichols says that she and Le Clercq were walking on the <i>pave <\/i>of St. Chapelle when they heard \u201cBetty! Tanny!\u201d It was Merce Cunningham and John Cage, who said \u201cWe\u2019re going to have a recital. You\u2019ve got to do it with us.\u201d Nichols knew Cunningham from SAB, and Le Clercq had danced Cunningham\u2019s <i>Seasons <\/i>at Ballet Society. In this way, the two ballerinas danced a trio with Cunningham, after which Nichols stayed in Paris, while Le Clercq returned to America on her mother\u2019s insistence.<\/p>\n<\/div>\n<p>Source: <a href=\"http:\/\/www.balletreview.com\/images\/Ballet_Review_41-3_Betty_Nichols.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Ballet Review<\/a><\/p>\n<figure id=\"attachment_7066\" aria-describedby=\"caption-attachment-7066\" style=\"width: 359px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-7066\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/11\/beatty-and-nichols-.png\" alt=\"\" width=\"359\" height=\"476\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/11\/beatty-and-nichols-.png 495w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/11\/beatty-and-nichols--226x300.png 226w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/11\/beatty-and-nichols--230x305.png 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/11\/beatty-and-nichols--350x464.png 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/11\/beatty-and-nichols--480x636.png 480w\" sizes=\"auto, (max-width: 359px) 100vw, 359px\" \/><figcaption id=\"caption-attachment-7066\" class=\"wp-caption-text\">Talley Beatty and Betty Nichols in Lew Christensen&#8217;s Blackface<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div data-clpid=\"S9H24Ia-hUB3F4dJPE\">\n<p>&nbsp;<\/p>\n<\/div>\n<p><strong>Sources:<\/strong><\/p>\n<p><a href=\"https:\/\/www.dancemagazine.com\/arthur-mitchell-talks-race-and-balanchine-2306982856.html\" target=\"_blank\" rel=\"noopener noreferrer\">Arthur Mitchell Talks Race and Balanchine, Dance Magazine<\/a><br \/>\n<a href=\"http:\/\/www.balletreview.com\/images\/Ballet_Review_41-3_Betty_Nichols.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">An Interview with Betty Nichols, Ballet Review<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Betty Nichols Ballet Society Betty Nichols was one of the first Black students at the School of American Ballet, and in 1946 [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[73],"tags":[],"class_list":["post-5301","post","type-post","status-publish","format-standard","hentry","category-dancers"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/5301","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/comments?post=5301"}],"version-history":[{"count":18,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/5301\/revisions"}],"predecessor-version":[{"id":9356,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/5301\/revisions\/9356"}],"wp:attachment":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/media?parent=5301"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/categories?post=5301"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/tags?post=5301"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}