{"id":5828,"date":"2021-04-09T23:43:41","date_gmt":"2021-04-09T23:43:41","guid":{"rendered":"https:\/\/mobballet.org\/?p=5828"},"modified":"2025-04-21T07:16:29","modified_gmt":"2025-04-21T07:16:29","slug":"1971-debra-austin-joins-new-york-city-ballet-at-the-age-of-16-sara-yarborough-smith-leaves-harkness-ballet-dth-performs-at-the-guggenheim-museum-in-new-york","status":"publish","type":"post","link":"https:\/\/mobballet.org\/index.php\/2021\/04\/09\/1971-debra-austin-joins-new-york-city-ballet-at-the-age-of-16-sara-yarborough-smith-leaves-harkness-ballet-dth-performs-at-the-guggenheim-museum-in-new-york\/","title":{"rendered":"1971 &#8211; Debra Austin joins New York City Ballet at the age of 16 \/ Sara Yarborough Smith leaves Harkness Ballet \/ DTH Performs at the Guggenheim Museum in New York"},"content":{"rendered":"<div data-clpid=\"SAgOM3i-r47QIuCguM\">\n<h1>1971<\/h1>\n<div data-clpid=\"SBFfeYm-F5sLepvK71\">\n<h3>Debra Austin joins New York City Ballet at the age of 16<\/h3>\n<div data-clpid=\"SBFfgl6-W14hswy5e5\">\n<p><a href=\"https:\/\/www.pointemagazine.com\/debra-austin-exclusive-interview-2634681727.html\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-5917 alignleft\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-3.23.05-PM-126x300.png\" alt=\"\" width=\"126\" height=\"300\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-3.23.05-PM-126x300.png 126w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-3.23.05-PM-230x550.png 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-3.23.05-PM.png 298w\" sizes=\"auto, (max-width: 126px) 100vw, 126px\" \/><\/a><a href=\"https:\/\/www.pointemagazine.com\/debra-austin-exclusive-interview-2634681727.html\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3881 alignright\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2019\/11\/Unknown-1.jpeg\" alt=\"\" width=\"196\" height=\"257\" \/><\/a><\/p>\n<div data-clpid=\"SBFfik0-aCwdR34i5Y\">\n<p><em>In 1971, Debra Austin joined the New York City Ballet at the age of 16, becoming the company\u2019s first African American female dancer.<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>Debra Austin began dancing when she was eight years old. At the age of 12, she was awarded a scholarship to dance at the School of American Ballet in New York City. While a student at SAB, she attended the Professional Children&#8217;s School for academics. She was handpicked by George Balanchine at age 16 to join New York City Ballet, officially becoming the company&#8217;s first African American female dancer. Austin was later hired as a principal dancer with Pennsylvania Ballet.<\/p>\n<\/div>\n<p><strong>See also:<\/strong><\/p>\n<p><a href=\"https:\/\/mobballet.org\/index.php\/2017\/01\/05\/debra-austin\/\" target=\"_blank\" rel=\"noopener\">Debra Austin<\/a><\/p>\n<p>&nbsp;<\/p>\n<div data-clpid=\"SAgOM3i-r47QIuCguM\">\n<div data-clpid=\"SBFfeYm-F5sLepvK71\">\n<div data-clpid=\"SBFfgl6-W14hswy5e5\">\n<div data-clpid=\"SBFfik0-aCwdR34i5Y\">\n<hr \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div data-clpid=\"SAgOM3i-r47QIuCguM\">\n<h3>Sara Yarborough Smith leaves Harkness Ballet<\/h3>\n<h1><strong><a href=\"https:\/\/mobballet.org\/TimeLine2020\/1846-1975.html#year1971\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-12151 size-medium\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/06\/GoBackToTimeline-300x137.jpg\" alt=\"\" width=\"300\" height=\"137\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2021\/06\/GoBackToTimeline-300x137.jpg 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/06\/GoBackToTimeline-230x105.jpg 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/06\/GoBackToTimeline-350x160.jpg 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2021\/06\/GoBackToTimeline.jpg 442w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/strong><\/h1>\n<p><a href=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-15-at-2.30.27-PM.png\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-5829 alignleft\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-15-at-2.30.27-PM-225x300.png\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-15-at-2.30.27-PM-225x300.png 225w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-15-at-2.30.27-PM-230x307.png 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-15-at-2.30.27-PM-350x467.png 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-15-at-2.30.27-PM.png 431w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/a><em>In 1971, Sara Yarborough left the Harkness Ballet company after four years. She then danced with the Alvin Ailey American Dance Theater for another four years.<\/em><\/p>\n<p>Sara Yarborough (b.1950) was raised and trained as a dancer by her mother <a href=\"https:\/\/mobballet.org\/index.php\/2019\/10\/06\/lavinia-williams\/\" target=\"_blank\" rel=\"noopener\">Lavinia Williams<\/a> in New York and Haiti. From 1967 to 1971, Yarborough Smith danced with Harkness Ballet, a company created by Rebekah Harkness. There, she performed new works by notable choreographers including Agnes de Mille and Brian McDonald. After leaving Harkness, she went on the dance with the Alvin Ailey American Dance Theater for a total of five years: 1971-1975 and 1977.<\/p>\n<p>With Ailey, Yarborough was often a featured ballerina in pieces like in <em>Portrait of Billie<\/em>, which was about the life of Billie Holiday.<\/p>\n<p>From 1975-1976, Yarborough danced with Joffrey Ballet company.<\/p>\n<p><em>\u201cHaitians aren\u2019t conscious of themselves when they dance,\u201d Yarborough explained to <\/em>People<em> in 1974. \u201cWhile dancing, I get completely possessed, I feel it coming the night before. It starts coming and you can\u2019t remember what you did.\u201d\u00a0<\/em><\/p>\n<\/div>\n<div data-clpid=\"SAgORJf-xSRJOwwlWs\">\n<p><strong>See also:<\/strong><\/p>\n<p><a href=\"https:\/\/mobballet.org\/index.php\/2019\/11\/09\/sara-yarborough-smith\/\">Sara Yarborough<\/a><br \/>\n<a href=\"https:\/\/mobballet.org\/index.php\/2020\/12\/10\/lavinia-williams-orbit-harkness-ballet\/\" target=\"_blank\" rel=\"noopener\">Lavinia Williams Orbit: Harkness Ballet<\/a><\/p>\n<\/div>\n<hr \/>\n<div data-clpid=\"SBFn9Zd-4j2lLTbg59\">\n<h3>DTH gives its first performance in 1971 at the Solomon R. Guggenheim Museum in New York<\/h3>\n<div data-clpid=\"SBFnDOR-0eyTRWz3wu\">\n<p><em>On January 8th of 1971, Dance Theatre of Harlem gave its debut performance in New York at the Solomon R. Guggenheim Museum, performing Arthur Mitchell\u2019s choreography.<\/em><\/p>\n<p><a href=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-2.48.33-PM.png\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5941 alignleft\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-2.48.33-PM-300x214.png\" alt=\"\" width=\"432\" height=\"308\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-2.48.33-PM-300x214.png 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-2.48.33-PM-800x570.png 800w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-2.48.33-PM-768x547.png 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-2.48.33-PM-830x591.png 830w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-2.48.33-PM-230x164.png 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-2.48.33-PM-350x249.png 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-2.48.33-PM-480x342.png 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-2.48.33-PM-600x427.png 600w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-2.48.33-PM.png 918w\" sizes=\"auto, (max-width: 432px) 100vw, 432px\" \/><\/a>When the company was looking for a place to perform for a mixed audience, \u201cthe Guggenheim opened up its doors and presented this performance in 1971,\u201d said Duke Dang, the general manager of Works &amp; Process.<\/p>\n<p>The company presented <em>Tones<\/em>, <em>Rhythmetron<\/em>, and <em>F\u00eate Noire<\/em>, all choreographed by <a href=\"https:\/\/mobballet.org\/index.php\/2017\/02\/26\/arthur-mitchell\/\" target=\"_blank\" rel=\"noopener\">Arthur Mitchell<\/a>. The dancers were <a href=\"https:\/\/mobballet.org\/index.php\/2017\/08\/17\/lydia-abarca\/\" target=\"_blank\" rel=\"noopener\">Lydia Abarca<\/a>, <a href=\"https:\/\/mobballet.org\/index.php\/2021\/04\/23\/olinda-davis\/\" target=\"_blank\" rel=\"noopener\">Olinda Davis<\/a>, <a href=\"https:\/\/mobballet.org\/index.php\/2021\/02\/26\/yvonne-hall\/\" target=\"_blank\" rel=\"noopener\">Yvonne Hall<\/a>, <a href=\"https:\/\/mobballet.org\/index.php\/2017\/02\/26\/virginia-johnson\/\" target=\"_blank\" rel=\"noopener\">Virginia Johnson<\/a>, <a href=\"https:\/\/mobballet.org\/index.php\/2021\/01\/05\/pamela-jones\/\" target=\"_blank\" rel=\"noopener\">Pamela Jones<\/a>, <a href=\"https:\/\/mobballet.org\/index.php\/2021\/01\/05\/susan-lovelle\/\" target=\"_blank\" rel=\"noopener\">Susan Lovelle<\/a>, <a href=\"https:\/\/mobballet.org\/index.php\/2019\/07\/09\/gayle-mckinney\/\" target=\"_blank\" rel=\"noopener\">Gayle McKinney<\/a>, <a href=\"https:\/\/mobballet.org\/index.php\/2020\/11\/23\/cassandra-phifer\/\" target=\"_blank\" rel=\"noopener\">Cassandra Phifer<\/a>, <a href=\"https:\/\/mobballet.org\/index.php\/2021\/01\/08\/patricia-ricketts\/\" target=\"_blank\" rel=\"noopener\">Patricia Ricketts<\/a>, <a href=\"https:\/\/mobballet.org\/index.php\/2021\/01\/05\/sheila-rohan\/\">Sheila Rohan<\/a>, <a href=\"https:\/\/mobballet.org\/index.php\/2021\/01\/18\/ronda-sampson-2\/\" target=\"_blank\" rel=\"noopener\">Ronda Sampson<\/a>, <a href=\"https:\/\/mobballet.org\/index.php\/2021\/01\/04\/roslyn-sampson\/\" target=\"_blank\" rel=\"noopener\">Roslyn Sampson<\/a>, <a href=\"https:\/\/mobballet.org\/index.php\/2017\/12\/27\/llanchie-stevenson\/\" target=\"_blank\" rel=\"noopener\">Llanchie Stevenson<\/a>, <a href=\"https:\/\/mobballet.org\/index.php\/2020\/09\/04\/gerald-banks\/\" target=\"_blank\" rel=\"noopener\">Gerald Banks<\/a>, <a href=\"https:\/\/mobballet.org\/index.php\/2017\/04\/29\/homer-hans-bryant\/\" target=\"_blank\" rel=\"noopener\">Homer Bryant<\/a>, <a href=\"https:\/\/mobballet.org\/index.php\/2021\/01\/29\/lazar-dano\/\" target=\"_blank\" rel=\"noopener\">Lazar Dano<\/a>, <a href=\"https:\/\/mobballet.org\/index.php\/2020\/09\/04\/clover-mathis\/\" target=\"_blank\" rel=\"noopener\">Clover Mathis<\/a>, <a href=\"https:\/\/mobballet.org\/index.php\/2020\/11\/27\/edward-moore\/\" target=\"_blank\" rel=\"noopener\">Edward Moore<\/a>, <a href=\"https:\/\/mobballet.org\/index.php\/2017\/06\/08\/ronald-perry\/\" target=\"_blank\" rel=\"noopener\">Ronald Perry<\/a>, <a href=\"https:\/\/mobballet.org\/index.php\/2020\/09\/27\/walter-raines\/\" target=\"_blank\" rel=\"noopener\">Walter Raines<\/a>, <a href=\"https:\/\/mobballet.org\/index.php\/2020\/09\/27\/william-scott\/\" target=\"_blank\" rel=\"noopener\">William Scott<\/a>, <a href=\"https:\/\/mobballet.org\/index.php\/2020\/09\/27\/samuel-smalls\/\" target=\"_blank\" rel=\"noopener\">Samuel Smalls<\/a>, <a href=\"https:\/\/mobballet.org\/index.php\/2021\/01\/08\/8689\/\" target=\"_blank\" rel=\"noopener\">Rodney Swan<\/a>, and <a href=\"https:\/\/mobballet.org\/index.php\/2021\/01\/05\/derek-williams\/\" target=\"_blank\" rel=\"noopener\">Derek Williams<\/a>.<\/p>\n<\/div>\n<\/div>\n<p>Sheila Rohan, a former DTH member, said of the performance, &#8220;Mr. Mitchell rehearsed us to death for that performance. He kept saying, \u2018You\u2019re special. This is something the world hasn\u2019t seen so it\u2019s got to be right. You have to put your best foot forward.\u2019&#8221;<\/p>\n<div data-clpid=\"SBFn9Zd-4j2lLTbg59\">\n<div data-clpid=\"SBFnDOR-0eyTRWz3wu\">\n<p><a href=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-3.34.21-PM.png\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5944 alignleft\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-3.34.21-PM-300x280.png\" alt=\"\" width=\"391\" height=\"365\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-3.34.21-PM-300x280.png 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-3.34.21-PM-230x214.png 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-3.34.21-PM-350x326.png 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-3.34.21-PM-480x447.png 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-3.34.21-PM-600x559.png 600w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-3.34.21-PM.png 633w\" sizes=\"auto, (max-width: 391px) 100vw, 391px\" \/><\/a><\/p>\n<div data-clpid=\"SBFnTYC-knrRY36AF9\">\n<p><a href=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-2.56.00-PM.png\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5942 alignleft\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-2.56.00-PM-149x300.png\" alt=\"\" width=\"201\" height=\"404\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-2.56.00-PM-149x300.png 149w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-2.56.00-PM-230x463.png 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-2.56.00-PM.png 342w\" sizes=\"auto, (max-width: 201px) 100vw, 201px\" \/><\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<div data-clpid=\"SBG5DTm-zbH2RUYMqR\">\n<h3><\/h3>\n<h3><\/h3>\n<h3><\/h3>\n<h3><\/h3>\n<h3><\/h3>\n<h3><\/h3>\n<h3><\/h3>\n<\/div>\n<h3><\/h3>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Source:<\/strong><\/p>\n<div data-clpid=\"SBG5DTm-zbH2RUYMqR\">\n<p><a href=\"https:\/\/exhibitions.library.columbia.edu\/exhibits\/show\/mitchell\/dance-theatre-of-harlem--compa\/zita-allen\" target=\"_blank\" rel=\"noopener\">Arthur Mitchell&#8217;s Dance Theatre of Harlem: The Early Years, Columbia University Libraries<\/a><\/p>\n<hr \/>\n<h3>Balanchine and Mitchell co-choreograph <em>Concerto for a Jazz Band and Orchestra<\/em><\/h3>\n<p><em>On May 6th, for the first and only time in history, Arthur Mitchell and George Balanchine co-choreographed <\/em>Concerto for Jazz Band and Orchestra<em>, a piece to be presented and performed once for a gala benefit with &#8220;Doc&#8221; Severinsen and the <\/em>Tonight Show<em> Orchestra.<\/em><\/p>\n<p><a href=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-3.42.32-PM.png\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-5939 alignleft\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-3.42.32-PM-300x190.png\" alt=\"\" width=\"428\" height=\"272\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-3.42.32-PM-300x190.png 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-3.42.32-PM-800x506.png 800w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-3.42.32-PM-1024x648.png 1024w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-3.42.32-PM-768x486.png 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-3.42.32-PM-830x525.png 830w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-3.42.32-PM-230x145.png 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-3.42.32-PM-350x221.png 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-3.42.32-PM-480x304.png 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-3.42.32-PM-600x380.png 600w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-21-at-3.42.32-PM.png 1271w\" sizes=\"auto, (max-width: 428px) 100vw, 428px\" \/><\/a>Arthur Mitchell and George Balanchine co-choreographed <em>Concerto for Jazz Band and Orchestra<\/em>, which was set to the music of the Swiss composer Rolf Lieberman. Ronald Bates was the lighting designer.<\/p>\n<p>Dance Theatre of Harlem and New York City Ballet performed jointly on a guest engagement, which offered an unprecedented collaboration coupled with a platform for the emerging Harlem-based company.<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-15-at-2.10.52-PM.png\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-5940 alignleft\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-15-at-2.10.52-PM-300x282.png\" alt=\"\" width=\"465\" height=\"437\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-15-at-2.10.52-PM-300x282.png 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-15-at-2.10.52-PM-230x216.png 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-15-at-2.10.52-PM-350x329.png 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-15-at-2.10.52-PM-480x451.png 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-15-at-2.10.52-PM-600x564.png 600w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-09-15-at-2.10.52-PM.png 722w\" sizes=\"auto, (max-width: 465px) 100vw, 465px\" \/><\/a><\/p>\n<div data-clpid=\"SAgOP3e-4g5iDQMeEX\">\n<h3><\/h3>\n<h3><\/h3>\n<h3><\/h3>\n<h3><\/h3>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div data-clpid=\"SAgOP3e-4g5iDQMeEX\">\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<\/div>\n<h3 data-block-id=\"block-8865f44a-5b74-4f3d-8987-ebd1d9a0315b\"><strong>Brenda Garrett-Glassman becomes the first Black British dancer to train at the Royal Ballet Upper School<\/strong><\/h3>\n<div data-block-id=\"block-9353e830-675c-4128-b0dc-e336b871e224\">\n<p><em>Brenda Garrett-Glassman auditioned for and entered the Royal Ballet Upper School in 1971, where she remained until 1973.<\/em><\/p>\n<figure style=\"width: 238px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/t8541063.p.clickup-attachments.com\/t8541063\/250de7a0-5b5a-4bd2-b769-4dc9ca7b27da\/Screen%20Shot%202021-04-19%20at%203.27.53%20PM.png\" alt=\"\" width=\"238\" height=\"425\" \/><figcaption class=\"wp-caption-text\">Brenda Garrett-Glassman in <em>Rhythmetron<\/em>. Photo via Dance Theatre of Harlem archives, Marbeth.<\/figcaption><\/figure>\n<p>Though she started her training at the Joyce Butler School of Dance, British Guyanese dancer Brenda Garrett-Glassman later became the first Black student at the Royal Ballet Upper School. After noticing Garrett-Glassman\u2019s talents in her school\u2019s show, the director of the Royal Academy of Dance asked the young dancer to audition for the Royal Ballet School (Bourne 207).<\/p>\n<\/div>\n<div data-block-id=\"block-6384583e-8863-4526-a429-825d31c8eddb\">\n<p>Regarding her experience auditioning and entering the school, Garrett-Glassman said:<\/p>\n<p><em>I went and auditioned by joining a class after the term had already started. They took me in and they said, \u201cWe will train you; however, you will not go into the ballet company because you\u2019re black\u201d! I appreciated the honesty because I didn\u2019t have any expectations. At 16 I went to the Royal Ballet School and they also paid for me to go to The Place to take contemporary lessons because that\u2019s where they thought my future was going to be. They didn\u2019t know anything about the Dance Theatre of Harlem, but they thought, \u201cShe\u2019s going to dance, so she\u2019ll have to do contemporary dance, not classical dance\u201d. This was in 1971\u20132. I basically took what they were offering me. I learnt my parents didn\u2019t have to pay a penny. I trained with some really excellent people at The Place, but this just homed in that I didn\u2019t actually want to do contemporary because I didn\u2019t like it. It was a style that was imposed which I resented but thought, let\u2019s just go for it anyway<\/em> (Garrett-Glassman, 2010).<\/p>\n<\/div>\n<div data-block-id=\"block-c0b08084-39e9-4734-877b-abdcaa059dca\">\n<p>Garrett-Glassman studied at the school until 1973. Though leadership \u201conly saw Garrett-Glassman as a contemporary artist,\u201d she was almost immediately hired by the Dance Theatre of Harlem. She danced with the company until 1977, performed dance roles in movies, and became a teacher and the co-owner of the Joyce Butler School of Dance.<\/p>\n<p><strong>Sources:<\/strong><\/p>\n<p><a class=\"ql-link\" href=\"https:\/\/pure.roehampton.ac.uk\/ws\/portalfiles\/portal\/823538\/Sandie_Bourne_PhD_Dance_Studies_2017.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Black British Ballet: Race, Representation and Aesthetics, Sandie Mae Bourne<\/a><br \/>\n<a class=\"ql-link\" href=\"http:\/\/www.joycebutlerschoolofdance.co.uk\/history\/\" target=\"_blank\" rel=\"noopener noreferrer\">History, Joyce Butler School of Dance<\/a><\/p>\n<p><strong>See also:<\/strong><\/p>\n<p><a class=\"ql-link\" href=\"https:\/\/mobballet.org\/index.php\/2021\/04\/23\/brenda-garrett-glassman\/\" target=\"_blank\" rel=\"noopener noreferrer\">Brenda Garrett-Glassman<\/a><\/p>\n<\/div>\n<hr \/>\n<div data-clpid=\"SAgOP3e-4g5iDQMeEX\">\n<h3>Other Happenings in 1971<\/h3>\n<p><strong>Ballet\/Dance History<\/strong><\/p>\n<p>Feb 17: The Royal Ballet premieres Nicholas Grigorievich Sergeyev&#8217;s reproduction of <em>Swan Lake<\/em>.<br \/>\nMay 27: NYCB premieres the <em>Goldberg Variations<\/em>, choreographed by Jerome Robbins.<br \/>\nSept 8: The John F. Kennedy Center for the Performing Arts opens.<br \/>\nHans de Roo becomes the intendant at Dutch National Ballet.<\/p>\n<p><strong>American History<\/strong><\/p>\n<p>Jan 2: Cigarette advertisements are banned from radio and television.<br \/>\nMar: The twenty-sixth amendment is ratified, giving eighteen-year-olds the right to vote.<br \/>\nJun 13: <em>The New York Times<\/em> starts publishing the Pentagon Papers, government secrets about the Vietnam War.<br \/>\nOct 1: Walt Disney World opens in Orlando, Florida.<\/p>\n<p><strong>World History<\/strong><\/p>\n<p>Feb 7: Switzerland gives women the right to vote in certain state elections.<br \/>\nFeb 11: The US, UK, USSR and others sign the Seabed Treaty, banning nuclear weapons in the ocean.<br \/>\nJun 11: Neville Bonner becomes first Indigenous Australian to sit in the Australian Parliament.<br \/>\nAug 18: Australia and New Zealand withdraw their troops from Vietnam.<br \/>\nOct 14: Greenpeace is founded in Vancouver, Canada.<\/p>\n<p><strong>Arts &amp; Sciences<\/strong><\/p>\n<p>Mar 16: Muddy Waters, the Chicago blues musician, wins his first Grammy Award.<br \/>\nApr 6: Notable composer Igor Stravinsky passes away from heart failure.<br \/>\nMay 3: National Public Radio starts broadcasting.<br \/>\nJun 1: Ed Sullivan\u2019s last show on CBS airs.<br \/>\nOct 8: John Lennon releases \u201cImagine.\u201d<br \/>\nDec 16: Don McLean\u2019s \u201cAmerican Pie\u201d is released.<br \/>\nRay Tomlinson sends the first email using the @ symbol.<\/p>\n<p><strong>Human &amp; Civil Rights<\/strong><\/p>\n<p>Jan 12: The Congressional Black Caucus is formed; Charles C. Diggs, Jr. is named the first chair.<br \/>\nJul 1: Washington State becomes first state to ban discrimination based on sex.<br \/>\nJul: Beverly Johnson is the first African-American featured on the cover of <em>Glamour<\/em> magazine.<br \/>\nDec 18: Reverend Jesse Jackson organizes People United to Save Humanity in Chicago.<br \/>\nJohnson Products is the first company by and for African Americans to be listed in the US stock exchange.<br \/>\nThe Association for Intercollegiate Athletics for Women is founded.<\/p>\n<p><strong>Sports<\/strong><\/p>\n<p>Feb 9: Leroy \u201cSatchel\u201d Paige is the first African American from the Negro Baseball League to be inducted into the Baseball Hall of Fame.<br \/>\nMar 8: Joe Frazier beats Muhammad Ali at Madison Square Garden.<br \/>\nJun 28: The US Supreme Court overturns the draft conviction of Muhammad Ali.<br \/>\nDec 1: Ernie Banks becomes a coach of the Chicago Cubs.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>1971 Debra Austin joins New York City Ballet at the age of 16 In 1971, Debra Austin joined the New York City [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"timeline-template.php","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[199],"tags":[],"class_list":["post-5828","post","type-post","status-publish","format-standard","hentry","category-timeline"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/5828","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/comments?post=5828"}],"version-history":[{"count":58,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/5828\/revisions"}],"predecessor-version":[{"id":12202,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/5828\/revisions\/12202"}],"wp:attachment":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/media?parent=5828"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/categories?post=5828"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/tags?post=5828"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}