{"id":7247,"date":"2020-11-23T19:51:11","date_gmt":"2020-11-23T19:51:11","guid":{"rendered":"https:\/\/mobballet.org\/?p=7247"},"modified":"2025-04-21T07:16:26","modified_gmt":"2025-04-21T07:16:26","slug":"ashley-murphy-wilson","status":"publish","type":"post","link":"https:\/\/mobballet.org\/index.php\/2020\/11\/23\/ashley-murphy-wilson\/","title":{"rendered":"Ashley Murphy-Wilson"},"content":{"rendered":"<div data-clpid=\"SHCBPlC-5CMheCKQUA\">\n<h2><strong>Ashley Murphy-Wilson<\/strong><\/h2>\n<h2><strong>Dance Theatre of Harlem<\/strong><br \/>\n<strong>Washington Ballet (2015-present)<\/strong><\/h2>\n<p><a href=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/11\/image-6-1.png\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-7248 alignleft\" src=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/11\/image-6-1-300x300.png\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/mobballet.org\/wp-content\/uploads\/2020\/11\/image-6-1-300x300.png 300w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/11\/image-6-1-420x420.png 420w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/11\/image-6-1-100x100.png 100w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/11\/image-6-1-150x150.png 150w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/11\/image-6-1-768x768.png 768w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/11\/image-6-1-230x230.png 230w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/11\/image-6-1-350x350.png 350w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/11\/image-6-1-480x480.png 480w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/11\/image-6-1-600x600.png 600w, https:\/\/mobballet.org\/wp-content\/uploads\/2020\/11\/image-6-1.png 800w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><span style=\"font-weight: 400;\">Ashley Murphy-Wilson of Shreveport, Louisiana is in her ninth season with The Washington Ballet after an extensive career with Dance Theatre of Harlem.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In 2002, she trained and performed with DTH\u2019s Dancing Through Barriers\u00ae Ensemble. The following year, she was accepted into the DTH Company and toured with them performing in ballets such as <\/span><i><span style=\"font-weight: 400;\">Firebird<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Serenade<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">The Four Temperaments<\/span><\/i><span style=\"font-weight: 400;\">, and <\/span><i><span style=\"font-weight: 400;\">Concerto Barocco<\/span><\/i><span style=\"font-weight: 400;\">. Murphy-Wilson has also taught for Dance Theatre of Harlem\u2019s Pre-Professional Residency at the Kennedy Center. She had the honor of performing at The White House, on BET, and Jeopardy. She also represented the US in cultural exchange programs in Jamaica and Honduras.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">During Dance Theatre of Harlem\u2019s eight year hiatus, she was influential in helping to restore the company by performing in the Dance Theatre of Harlem Ensemble that continued to share the company\u2019s legacy. When the DTH Company returned in 2012, Murphy-Wilson performed many principal roles in ballets including <\/span><i><span style=\"font-weight: 400;\">Tchaikovsky Pas de Deux<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Glinka<\/span><\/i><span style=\"font-weight: 400;\">, Nacho Duato\u2019s <\/span><i><span style=\"font-weight: 400;\">Coming Together<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Agon<\/span><\/i><span style=\"font-weight: 400;\">, and Ulysses Dove\u2019s <\/span><i><span style=\"font-weight: 400;\">Dancing on the Front Porch of Heaven<\/span><\/i><span style=\"font-weight: 400;\"> in addition to many others. She was also featured on the cover of <\/span><i><span style=\"font-weight: 400;\">Pointe Magazine<\/span><\/i><span style=\"font-weight: 400;\"> with Misty Copeland and Ebony Williams, in a Verizon Wireless commercial, and in the <\/span><i><span style=\"font-weight: 400;\">Black Ballerina<\/span><\/i><span style=\"font-weight: 400;\"> documentary streaming on Amazon Prime Video.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In 2015, she joined The Washington Ballet under the direction of Septime Weber (Julie Kent and Edwaard Liang respectively). Since then she has been a facilitator in changing the narrative for dancers of color in predominately white spaces by performing roles like <\/span><i><span style=\"font-weight: 400;\">Giselle <\/span><\/i><span style=\"font-weight: 400;\">and Caroline in Antony Tudor\u2019s <\/span><i><span style=\"font-weight: 400;\">Jardin Aux Lilas<\/span><\/i><span style=\"font-weight: 400;\">. Mrs. Murphy-Wilson hopes that her presence in the ballet company of the Nation\u2019s Capitol serves as inspiration to young aspiring dancers from all walks of life.<\/span><\/p>\n<p>Murphy -Wilson was one of 11 Black ballet dancers from around the world selected by Theresa Ruth Howard to create and perform in the world premiere of Donald Byrd\u2019s <em>From Other Suns<\/em>, as part of The Kennedy Center\u2019s\u00a0<em>Reframing the Narrative<\/em>.<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ZMU8NjlugzI?si=UkNGFJMtcYjt03yR\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/0I5MOCqy7go\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>Sources:<\/strong><\/p>\n<p><a href=\"https:\/\/www.washingtonballet.org\/people\/ashley-murphy-wilson\/\" target=\"_blank\" rel=\"noopener noreferrer\">Ashley Murphy Wilson, Washington Ballet<\/a><\/p>\n<p><strong>See also:<\/strong><\/p>\n<p><a href=\"https:\/\/www.dancemagazine.com\/ashley-murphy-ballet-2563942799.html\" target=\"_blank\" rel=\"noopener noreferrer\">Spotlight: Someone Once Told Ashley Murphy to Stay Where She&#8217;s Comfortable. She Did the Opposite., Dance Magazine<\/a><br \/>\n<a href=\"https:\/\/www.dancespirit.com\/ashley-murphy-wilson-letter-to-teenage-self-2641092430.html\" target=\"_blank\" rel=\"noopener noreferrer\">The Washington Ballet&#8217;s Ashley Murphy-Wilson Writes a Letter to Her Teenage Self, Dance Spirit<\/a><br \/>\n<a href=\"https:\/\/www.pointemagazine.com\/african-american-ballerinas-2412811901.html\" target=\"_blank\" rel=\"noopener noreferrer\">Beyond Role Models: Straight Talk From Ashley Murphy, Ebony Williams and Misty Copeland, Pointe Magazine<\/a><\/p>\n<p><strong>Video links:<\/strong><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=NmU0g7TzwpI\" target=\"_blank\" rel=\"noopener noreferrer\">Dance Theater of Harlem Ensemble &#8211; Le Corsaire Pas Deux (Adagio)<\/a><br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=0I5MOCqy7go\" target=\"_blank\" rel=\"noopener noreferrer\">New York Dance Up Close: Dance Theatre of Harlem on Ballet Tradition<\/a><\/p>\n<p><strong>Social media:<\/strong><\/p>\n<p>Instagram <a href=\"https:\/\/www.instagram.com\/ashley063018\/\" target=\"_blank\" rel=\"noopener noreferrer\">@ashley063018<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Ashley Murphy-Wilson Dance Theatre of Harlem Washington Ballet (2015-present) Ashley Murphy-Wilson of Shreveport, Louisiana is in her ninth season with The Washington [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[73],"tags":[],"class_list":["post-7247","post","type-post","status-publish","format-standard","hentry","category-dancers"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/7247","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/comments?post=7247"}],"version-history":[{"count":7,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/7247\/revisions"}],"predecessor-version":[{"id":19417,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/7247\/revisions\/19417"}],"wp:attachment":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/media?parent=7247"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/categories?post=7247"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/tags?post=7247"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}