{"id":8694,"date":"2021-01-08T20:08:32","date_gmt":"2021-01-08T20:08:32","guid":{"rendered":"https:\/\/mobballet.org\/?p=8694"},"modified":"2025-04-21T07:16:26","modified_gmt":"2025-04-21T07:16:26","slug":"barbara-wright","status":"publish","type":"post","link":"https:\/\/mobballet.org\/index.php\/2021\/01\/08\/barbara-wright\/","title":{"rendered":"Barbara Wright"},"content":{"rendered":"<h2 data-block-id=\"block-1ca414e6-082a-404c-90ac-7016d0dab987\">Barbara Wright [Craig]<\/h2>\n<h2 data-block-id=\"block-fdcceaba-370f-42bb-b553-5ea88e84b44a\">New York Negro Ballet<\/h2>\n<figure style=\"width: 313px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"ql-img\" src=\"https:\/\/lh6.googleusercontent.com\/uuHoN157u8pMmTzSbnM9hi5KkOLrpdLsplyKaQn8ak7fGTv6LH3402mwO6qjJG1eX3KoZFdUm22WJQV3O5Ug2r0FgEtCTpbZA9IBxDzh0KpJTBPtD3MqKumkpGv5KBEL65es0S0Z\" alt=\"\" width=\"313\" height=\"339\" \/><figcaption class=\"wp-caption-text\">Wright with <a href=\"https:\/\/mobballet.org\/index.php\/2018\/03\/05\/louis-johnson\/\" target=\"_blank\" rel=\"noopener\">Louis Johnson<\/a> in Johnson\u2019s <em>Variations<\/em>.<\/figcaption><\/figure>\n<p data-block-id=\"block-c28208bd-fe1c-41dd-9645-f3786c7357cb\">Barbara Wright trained at the Jones-Haywood School and the School of American Ballet\u2019s summer intensive (concurrently with <a href=\"https:\/\/mobballet.org\/index.php\/2018\/03\/05\/louis-johnson\/\" target=\"_blank\" rel=\"noopener\">Louis Johnson<\/a>, <a href=\"https:\/\/mobballet.org\/index.php\/2017\/02\/26\/arthur-mitchell\/\" target=\"_blank\" rel=\"noopener\">Arthur Mitchell<\/a>, <a href=\"https:\/\/mobballet.org\/index.php\/2021\/01\/11\/georgia-collins\/\" target=\"_blank\" rel=\"noopener\">Georgia Collins<\/a>, and <a href=\"https:\/\/mobballet.org\/index.php\/2021\/01\/29\/michaelyn-jackson\/\" target=\"_blank\" rel=\"noopener\">Michaelyn Jackson<\/a>). As a member of New York Negro Ballet, she performed pieces including Ernest Parham\u2019s <em>Mardi <\/em><em>Gras<\/em> and Louis Johnson\u2019s <em>Variations<\/em>. She left the company to perform as an \u201cIslander\u201d in the 1957 Broadway production of <em>Jamaica<\/em>. This production also included <a href=\"https:\/\/mobballet.org\/index.php\/2017\/01\/05\/billy-wilson\/\" target=\"_blank\" rel=\"noopener\">Billy Wilson<\/a>, Alvin Ailey, Lena Horne, <a href=\"https:\/\/mobballet.org\/index.php\/2021\/01\/04\/charles-moore\/\" target=\"_blank\" rel=\"noopener\">Charles Moore<\/a>, <a href=\"https:\/\/mobballet.org\/index.php\/2021\/03\/15\/nat-horne\/\" target=\"_blank\" rel=\"noopener\">Nat Horne<\/a>, and <a href=\"https:\/\/mobballet.org\/index.php\/2021\/01\/29\/jane-craddock\/\" target=\"_blank\" rel=\"noopener\">Jane Craddock<\/a>. In a 2018 <em>Ballet Review<\/em> interview, Louis Johnson listed Wright as one of the remarkable Black dancers who preceded those of Dance Theatre of Harlem.<\/p>\n<figure style=\"width: 375px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"ql-img\" src=\"https:\/\/lh4.googleusercontent.com\/Ot6xRsc4JanFIJ1_KIK2t9F_-mjvzLcMxK13LQ36-XN5w_C6_c_532e0JI4JIAjgaVLFWhuv3s7L1XBmxC212WOEzASHNoPExQur9DjWYdudpAT5bPHk12aZcZ8CxLv5TobFlbuC\" alt=\"\" width=\"375\" height=\"210\" \/><figcaption class=\"wp-caption-text\"><a href=\"https:\/\/mobballet.org\/index.php\/2017\/08\/04\/ward-fleming\/\" target=\"_blank\" rel=\"noopener\">Edward Fleming<\/a>, <a href=\"https:\/\/mobballet.org\/index.php\/2017\/08\/17\/cleo-quitman\/\" target=\"_blank\" rel=\"noopener\">Cleo Quitman<\/a>, <a href=\"https:\/\/mobballet.org\/index.php\/2021\/01\/08\/theodore-duncan\/\" target=\"_blank\" rel=\"noopener\">Theodore Duncan<\/a>, and Wright in Ernest Parham\u2019s <em>Mardi Gras<\/em>, 1957.<\/figcaption><\/figure>\n<p data-block-id=\"block-a0738eab-17d0-43f6-a575-c75430a6f91b\"><strong>Sources:<\/strong><\/p>\n<p><a class=\"ql-link\" href=\"https:\/\/slippage.duke.edu\/sites\/slippage.duke.edu\/files\/file-attachments\/balletinblack.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Ballet in Black: Louis Johnson and African American Vernacular Humour in Ballet, Thomas F. Defrantz<\/a><br \/>\n<a class=\"ql-link\" href=\"https:\/\/exhibitions.library.columbia.edu\/exhibits\/show\/mitchell\/arthur-mitchell-artist\/-before-dance-theatre-of-harle\" target=\"_blank\" rel=\"noopener noreferrer\">Before the Dance Theatre of Harlem: Delores Browne\u2014Black Ballerina, Columbia University Libraries<\/a><br \/>\n<a class=\"ql-link\" href=\"https:\/\/playbill.com\/person\/barbara-wright-vault-0000055338\" target=\"_blank\" rel=\"noopener noreferrer\">Barbara Wright, Playbill<\/a><br \/>\n<a class=\"ql-link\" href=\"https:\/\/books.google.com\/books?id=HlqP6p_N6a0C&amp;printsec=frontcover#v=snippet&amp;q=sylvester&amp;f=false\" target=\"_blank\" rel=\"noopener noreferrer\">Dancing Many Drums: Excavations In African American Dance, Thomas F. Defrantz<\/a><br \/>\n<a class=\"ql-link\" href=\"http:\/\/www.balletreview.com\/images\/Ballet_Review_46-3_Louis_Johnson.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">A Conversation with Louis Johnson, Ballet Review<\/a><\/p>\n<p><strong>See also:<\/strong><\/p>\n<p><a class=\"ql-link\" href=\"https:\/\/mobballet.org\/index.php\/2017\/10\/04\/1957-ward-flemying-founds-ballet-americananew-york-negro-ballet\/\" target=\"_blank\" rel=\"noopener noreferrer\">Ward Flemying founds Ballet Americana\/New York Negro Ballet, MoBBallet<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Barbara Wright [Craig] New York Negro Ballet Barbara Wright trained at the Jones-Haywood School and the School of American Ballet\u2019s summer intensive [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[73],"tags":[],"class_list":["post-8694","post","type-post","status-publish","format-standard","hentry","category-dancers"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/8694","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/comments?post=8694"}],"version-history":[{"count":4,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/8694\/revisions"}],"predecessor-version":[{"id":11194,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/posts\/8694\/revisions\/11194"}],"wp:attachment":[{"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/media?parent=8694"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/categories?post=8694"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mobballet.org\/index.php\/wp-json\/wp\/v2\/tags?post=8694"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}